For most of us, Beatrix Potter (1866-1943) is a name that conjures up anthropomorphic rabbits and puddle-ducks. Linda Lear's Beatrix Potter: A Life in Nature adds depth and color to the image. The first truly comprehensive biography of "Peter Rabbit's mother" places the famed author/illustrator within the context of her times. Potter once wrote, "I do not remember a time when I did not try to invent pictures and make for myself a fairyland amongst the wild flowers, the animals, fungi, mosses, woods and streams, all the thousands objects of the countryside." Lear shows how Potter's love of nature was woven inextricably to her artistry. A pastel treasure.
Kirkus Reviews
A stolid biography by environmental historian Lear (Rachel Carson: Witness for Nature, 1997) that gets at the facts of Victorian Potter's life but does not bother addressing motivations and thwarted ambition. Born in 1866, Potter, a child of wealthy Unitarians in the calico manufacturing business, enjoyed a privileged upbringing between South Kensington, London, and the country homes of her grandparents in the Lake District and in Perthshire, Scotland. These locales stimulated her early interest in natural history, often a passion for the Victorians. Never sent to school as her younger brother was, but taught at home by tutors, Potter demonstrated an early talent for drawing, developed by copying animals and plants from nature, especially fungi and lichen viewed through a microscope. She eventually developed some theories about fungi reproduction, but they were dismissed as amateurish. (Lear argues that she could have become an expert in any number of fields, such as botany, archaeology, geology and mycology.) Approaching spinsterhood, and seething against a domineering mother, she first published some of her animal designs in holiday cards, then grew determined to become financially independent. Her first Peter Rabbit work had been fashioned in letters to the children of her former governess, and then published as a little book by Frederick Warne in 1902. Her anthropomorphized rabbits were an instant hit, and they were followed quickly by tales of Squirrel Nutkin, the tailor of Gloucester, Hunca Munca, et al. She was for a time engaged to be married to her publisher's son, Norman Warne, but he died. Potter went on to achieve self-sufficiency with the purchase of her own Lake Districthome at Sawrey in 1905, and she later settled down to happy married farm life with Anglican barrister William Heelis. Although Lear had access to volumes of diaries and letters, her shaping of Potter's intriguing life is rather blockheaded. Film rights to MGM
From the Publisher
Read Beatrix Potter by Linda Lear and you sense a woman poised between late-Victorian constraint and the promises, intellectual and amorous, of liberation.” —Anthony Lane, The New Yorker
“Potter was a famously close observer of the world around her, and Lear is an equally close observer of her subject. The result is a meticulously researched and brilliantly re-created life that, despite its length and accretion of detail, is endlessly fascinating and often illuminating. It is altogether a remarkable achievement.” —Booklist, *Starred Review*
“Lear is not only an impeccable historian but a grand storyteller...a magisterial and definitive biography, a delight in every way.” —The Horn Book
“In this remarkable biography...the author's meticulous attention to detail is obvious throughout, not to mention her elegant writing and exceptional scholarship. Highly recommended.” —Library Journal
