A New Literary History of America

America is a nation making itself up as it goes along—a story of discovery and invention unfolding in speeches and images, letters and poetry, unprecedented feats of scholarship and imagination. In these myriad, multiform, endlessly changing expressions of the American experience, the authors and editors of this volume find a new American history.

In more than two hundred original essays, A New Literary History of America brings together the nation’s many voices. From the first conception of a New World in the sixteenth century to the latest re-envisioning of that world in cartoons, television, science fiction, and hip hop, the book gives us a new, kaleidoscopic view of what “Made in America” means. Literature, music, film, art, history, science, philosophy, political rhetoric—cultural creations of every kind appear in relation to each other, and to the time and place that give them shape.

The meeting of minds is extraordinary as T. J. Clark writes on Jackson Pollock, Paul Muldoon on Carl Sandburg, Camille Paglia on Tennessee Williams, Sarah Vowell on Grant Wood’s American Gothic, Walter Mosley on hard-boiled detective fiction, Jonathan Lethem on Thomas Edison, Gerald Early on Tarzan, Bharati Mukherjee on The Scarlet Letter, Gish Jen on Catcher in the Rye, and Ishmael Reed on Huckleberry Finn. From Anne Bradstreet and John Winthrop to Philip Roth and Toni Morrison, from Alexander Graham Bell and Stephen Foster to Alcoholics Anonymous, Life, Chuck Berry, Alfred Hitchcock, and Ronald Reagan, this is America singing, celebrating itself, and becoming something altogether different, plural, singular, new.

1101465182
A New Literary History of America

America is a nation making itself up as it goes along—a story of discovery and invention unfolding in speeches and images, letters and poetry, unprecedented feats of scholarship and imagination. In these myriad, multiform, endlessly changing expressions of the American experience, the authors and editors of this volume find a new American history.

In more than two hundred original essays, A New Literary History of America brings together the nation’s many voices. From the first conception of a New World in the sixteenth century to the latest re-envisioning of that world in cartoons, television, science fiction, and hip hop, the book gives us a new, kaleidoscopic view of what “Made in America” means. Literature, music, film, art, history, science, philosophy, political rhetoric—cultural creations of every kind appear in relation to each other, and to the time and place that give them shape.

The meeting of minds is extraordinary as T. J. Clark writes on Jackson Pollock, Paul Muldoon on Carl Sandburg, Camille Paglia on Tennessee Williams, Sarah Vowell on Grant Wood’s American Gothic, Walter Mosley on hard-boiled detective fiction, Jonathan Lethem on Thomas Edison, Gerald Early on Tarzan, Bharati Mukherjee on The Scarlet Letter, Gish Jen on Catcher in the Rye, and Ishmael Reed on Huckleberry Finn. From Anne Bradstreet and John Winthrop to Philip Roth and Toni Morrison, from Alexander Graham Bell and Stephen Foster to Alcoholics Anonymous, Life, Chuck Berry, Alfred Hitchcock, and Ronald Reagan, this is America singing, celebrating itself, and becoming something altogether different, plural, singular, new.

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A New Literary History of America

A New Literary History of America

A New Literary History of America

A New Literary History of America

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Overview

America is a nation making itself up as it goes along—a story of discovery and invention unfolding in speeches and images, letters and poetry, unprecedented feats of scholarship and imagination. In these myriad, multiform, endlessly changing expressions of the American experience, the authors and editors of this volume find a new American history.

In more than two hundred original essays, A New Literary History of America brings together the nation’s many voices. From the first conception of a New World in the sixteenth century to the latest re-envisioning of that world in cartoons, television, science fiction, and hip hop, the book gives us a new, kaleidoscopic view of what “Made in America” means. Literature, music, film, art, history, science, philosophy, political rhetoric—cultural creations of every kind appear in relation to each other, and to the time and place that give them shape.

The meeting of minds is extraordinary as T. J. Clark writes on Jackson Pollock, Paul Muldoon on Carl Sandburg, Camille Paglia on Tennessee Williams, Sarah Vowell on Grant Wood’s American Gothic, Walter Mosley on hard-boiled detective fiction, Jonathan Lethem on Thomas Edison, Gerald Early on Tarzan, Bharati Mukherjee on The Scarlet Letter, Gish Jen on Catcher in the Rye, and Ishmael Reed on Huckleberry Finn. From Anne Bradstreet and John Winthrop to Philip Roth and Toni Morrison, from Alexander Graham Bell and Stephen Foster to Alcoholics Anonymous, Life, Chuck Berry, Alfred Hitchcock, and Ronald Reagan, this is America singing, celebrating itself, and becoming something altogether different, plural, singular, new.


Product Details

ISBN-13: 9780674265813
Publisher: Harvard University Press
Publication date: 01/23/2010
Series: Harvard University Press Reference Library
Sold by: Barnes & Noble
Format: eBook
Pages: 1128
File size: 9 MB

About the Author

About The Author
Greil Marcus is the author of The Doors, Mystery Train, and other books.

Werner Sollors is Henry B. and Anne M. Cabot Professor of English Literature and Professor of African and African American Studies at Harvard University.

Table of Contents

Cover

Title Page

Copyright

Contents

Introduction

1507 The name “America” appears on a map

1521, August 13 Mexico in America

1536, July 24 Alvar Núñez Cabeza de Vaca

1585 “Counterfeited according to the truth”

1607 Fear and love in the Virginia colony

1630 A city upon a hill

1643 A nearer neighbor to the Indians

1666, July 10 Anne Bradstreet

1670 The American jeremiad

1670 The stamp of God’s image

1673 The Jesuit relations

1683 Francis Daniel Pastorius

1692 The Salem witchcraft trials

1693–1694, March 4 Edward Taylor

1700 Samuel Sewall, The Selling of Joseph

1722 Benjamin Franklin, The Silence Dogood Letters

1740 The Great Awakening

Late 1740s; 1814, September 13–14 Two national anthems

1765, December 23 Michel-Guillaume Jean de Crèvecoeur

1773, September Phillis Wheatley

1776 The Declaration of Independence

1784, June Charles Willson Peale

1787 James Madison, Notes of the Debates in the Federal Convention

1787–1790 John Adams, Discourses on Davila

1791 Philip Freneau and The National Gazette

1796 Washington’s farewell address

1798 Mary Rowlandson and the Alien and Sedition Acts

1798 American gothic

1801, March 4 Jefferson’s first inaugural address

1804, January The matter of Haiti

1809 Cupola of the world

1819, February The Missouri crisis

1820, November 27 Landscape with birds

1821 Sequoyah, the Cherokee syllabary

1821, June 30 Junius Brutus Booth

1822 Henry Rowe Schoolcraft, the Ojibwe firefly, and Longfellow’s Hiawatha

1825, November Thomas Cole and the Hudson River school

1826, July 4 Songs of the republic

1826 Cooper’s Leatherstocking tales

1826; 1927 Transnational poetry

1827 Joseph Smith and the Book of Mormon

1828 David Walker, Appeal, in Four Articles

1830, May 21 Jump Jim Crow

1831, March 5 The Cherokee Nation decision

1832, July 10 President Jackson’s bank veto

1835, January Democracy in America

1835 William Gilmore Simms, The Yemassee

1835 The Sacred Harp

1836, February 23–March 6 The Alamo and Texas border writing

1836, February 28 Richard Henry Dana, Jr.

1837, August 15 Ralph Waldo Emerson, “The American Scholar”

1838, July 15 “The Divinity School Address”

1838, September 3 The slave narrative

1841 “The Murders in the Rue Morgue”

1846, June James Russell Lowell’s Biglow Papers

1846, late July Henry David Thoreau

1850 The Scarlet Letter

1850, July 19 Margaret Fuller and the Transcendentalist Movement

1850, August 5 Nathaniel Hawthorne and Herman Melville

1851 Moby-Dick

1851 Uncle Tom’s Cabin

1852 Hawthorne’s Blithedale Romance and utopian communities

1852, July 5 Frederick Douglass, “What to the slave is the Fourth of July?”

1854 Maria Cummins and sentimental fiction

1855 Walt Whitman, Leaves of Grass

1858 The Lincoln-Douglas debates

1859 The science of the Indian

1861 Emily Dickinson

1862, December 13 The journeys of Little Women

1865, March 4 Lincoln’s second inaugural address

1865 “Conditions of repose”

1869, March 4 Carl Schurz

1872, November 5 All men and women are created equal

1875 The Winchester Rifle

1876, January 6 Melville in the dark

1876, March 10 The art of telephony

1878 “How to Make Our Ideas Clear”

1879 John Muir and nature writing

1881, January 24 Henry James, Portrait of a Lady

1884 Mark Twain’s hairball

1884, July The Linotype machine

1884, November The Southwest imagined

1885 The problem of error

1885, July Limits to violence

1885, October Writing New Orleans

1888 The introduction of motion pictures

1889, August 28 A Connecticut Yankee in King Arthur’s Court

1893 Chief Simon Pokagon and Native American literature

1895 Ida B. Wells, A Red Record

1896 Paul Laurence Dunbar, Lyrics of Lowly Life

1896, September 6 Queen Lili‘uokalani

1897, Memorial Day The Robert Gould Shaw and 54th Regiment Monument

1898, June 22 Literature and imperialism

1899; 1924 McTeague and Greed

1900 Henry Adams

1900 The Wizard of Oz

1900; 1905 Sister Carrie and The House of Mirth

1901 Charles W. Chesnutt, The Marrow of Tradition

1901; 1903 The problem of the color line

1903, May 5 “The real American has not yet arrived”

1903 The invention of the blues

1903 One sees what one sees

1904, August 30 Henry James in America

1905, October 15 Little Nemo in Slumberland

1906, April 9 The Azusa Street revival

1906, April 18, 5:14 a.m. The San Francisco Earthquake

1911 “Alexander’s Ragtime Band”

1912, April 15 Lifeboats cut adrift

1912 The lure of impossible things

1912 Tarzan begins his reign

1913 A modernist moment

1915 D. W. Griffith, The Birth of a Nation

1915 Robert Frost

1917 The philosopher and the millionaire

1920, August 10 Mamie Smith’s “Crazy Blues”

1921 Jean Toomer

1922 T. S. Eliot and D. H. Lawrence

1923, October Chaplinesque

1924 F. O. Matthiessen meets Russell Cheney

1924, May 26 The Johnson-Reed Act and ethnic literature

1925 The Great Gatsby

1925, June Sinclair Lewis

1925, July The Scopes trial

1925, August 16 Dorothy Parker

1926 Fire!!

1926 Hardboiled

1926 The Book-of-the-Month Club

1927 Carl Sandburg and The American Songbag

1927, May 16 “Free to develop their faculties”

1928, April 8, Easter Sunday Dilsey Gibson goes to church

1928, Summer John Dos Passos

1928, November 18 The mouse that whistled

1930 “You’re swell!”

1930, March The Silent Enemy

1930, October Grant Wood’s American Gothic

1931, March 19 Nevada legalizes gambling

1932 Edmund Wilson, The American Jitters

1932 Arthur Miller

1932, April or May The River Rouge plant and industrial beauty

1932, Christmas Ned Cobb

1933 Baby Face is censored

1933, March FDR’s first Fireside Chat

1934, September Robert Penn Warren

1935 The Popular Front

1935 The skyscraper

1935, June 10 Alcoholics Anonymous

1935, October 10 Porgy and Bess

1936 Gone with the Wind and Absalom, Absalom!

1936, July 5 Two days in Harlem

1936, November 23 Life begins

1938 Superman

1938, May Jelly Roll Morton speaks

1939 Billie Holiday, “Strange Fruit”

1939; 1981 Up from invisibility

1940 “No way like the American way”

1940–1944 Preston Sturges

1941 An insolent style

1941 Citizen Kane

1941 The word “multicultural”

1943 Hemingway’s paradise, Hemingway’s prose

1944 The second Bill of Rights

1945, February Bebop

1945, April 11 Thomas Pynchon and modern war

1945, August 6, 10:45 a.m. The atom bomb

1946, December 5 Integrating the military

1947, December 3 Tennessee Williams

1948 Norbert Wiener, Cybernetics

1948 Saul Bellow

1949–1950 “The Birth of the Cool”

1950, November 28 “Damned busy painting”

1951 A poet among painters

1951 The Catcher in the Rye

1951 James Jones, From Here to Eternity

1951 A soft voice

1952, April 12 Elia Kazan and the blacklist in Hollywood

1952, June 10 C. L. R. James

1953, January 1 The song in country music

1954 Wallace Stevens, Collected Poems

1955, August 11 “The self-respect of my people”

1955, September 21 A. J. Liebling and the Marciano-Moore fight

1955, October 7 A generation in miniature

1955, December Nabokov’s Lolita

1956, April 16 “Roll Over Beethoven”

1957 Dr. Seuss

1959 “Nobody’s perfect”

1960 Psycho

1960, January More than a game

1961, January 20 JFK’s inaugural address and Catch-22

1961, July 2 The author as advertisement

1962 Bob Dylan writes “Song to Woody”

1962 “White Elephant Art vs. Termite Art”

1963, April “Letter from Birmingham Jail”

1964 Robert Lowell, “For the Union Dead”

1964, October 27 “The last stand on Earth”

1965, September 11 The Council on Interracial Books for Children

1965, October The Autobiography of Malcolm X

1968 Norman Mailer

1968, March The illusory babels of language

1968, August 28 The plight of conservative literature

1969 Elizabeth Bishop, Complete Poems

1969, January 11 The first Asian Americans

1969, November 12 The eye of Vietnam

1970 Maya Angelou, Toni Morrison, Alice Walker

1970; 1972 Linda Lovelace

1973 Loisaida literature

1973 Adrienne Rich, Diving into the Wreck

1975 Gayl Jones

1981, March 31 Toni Morrison

1982 Edmund White, A Boy’s Own Story

1982 Wild Style

1982 Maya Lin’s wall

1982, November 8 Harriet Wilson

1985, April 24 Henry Roth

1987 Maxine Hong Kingston, Tripmaster Monkey

1995 Philip Roth

2001 Twenty-first-century free verse

2003 Richard Powers, The Time of Our Singing

2005, August 29 Hurricane Katrina

2008, November 4 Barack Obama

Contributors

Index

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