Music Editing for Film and Television: The Art and the Process / Edition 1

Music Editing for Film and Television: The Art and the Process / Edition 1

by Steven Saltzman
ISBN-10:
0415817579
ISBN-13:
9780415817578
Pub. Date:
09/03/2014
Publisher:
Taylor & Francis
ISBN-10:
0415817579
ISBN-13:
9780415817578
Pub. Date:
09/03/2014
Publisher:
Taylor & Francis
Music Editing for Film and Television: The Art and the Process / Edition 1

Music Editing for Film and Television: The Art and the Process / Edition 1

by Steven Saltzman

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Overview

Making music for the movies is a complicated, involved, and challenging process. Music Editing for Film and Television covers the practical skills needed to successfully hone your craft. Through an overview of the music editing process, this book will equip you with detailed techniques to solve musical problems encountered during editing. An abundance of interviews with well-known professionals provide a wide range of perspectives on music editing for film, while special features address an array of projects, from a low-budget documentary, to a Hollywood blockbuster, to indie projects.


Product Details

ISBN-13: 9780415817578
Publisher: Taylor & Francis
Publication date: 09/03/2014
Edition description: New Edition
Pages: 310
Product dimensions: 7.50(w) x 9.10(h) x 0.50(d)

About the Author

Steven Saltzman, MPSE?is a music editor and composer based in Los Angeles, CA.? He received his Bachelors of Music in composition and film scoring from Berklee College of Music and is a?certified Avid Pro Tools instructor. He has been editing music for film and television for the past?eighteen years. In addition, Steven has lectured nationally, and he?has created and taught numerous music editing courses. A recipient of?a Golden Reel Award for music editing, Saltzman is also a member of the Motion Picture Editors Guild, the Society of Composers and Lyricists, and he sits on the board of the Motion Picture Sound Editors Guild.

Table of Contents

Table of Contents

Acknowledgements

Foreword

Preface

Chapter 1: Introduction

Chapter 2: Postproduction

Chapter 3: The Team

Chapter 4: The Music Spotting

Chapter 5: Temp Editing

Chapter 6: Editing Songs and Source Music

Chapter 7: Musicals and On-Camera Songs

Chapter 8: Working with a Composer

Chapter 9: Working with a Picture Editor

Chapter 10: Conforming

Chapter 11: The Film Mix, or Dub

Chapter 12: Delivery Requirements

Appendix A: Interview with Scott Gershin

About the Author

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