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Overview

From the National Book Award-winning author of The Corrections, a darkly comedic novel about family.

 

Patty and Walter Berglund were the new pioneers of old St. Paul-the gentrifiers, the hands-on parents, the avant-garde of the Whole Foods generation. Patty was the ideal sort of neighbor, who could tell you where to recycle your batteries and how to get the local cops to actually do their job. She was an enviably perfect mother and the wife of Walter's dreams. Together with Walter-environmental lawyer, commuter cyclist, total family man-she was doing her small part to build a better world.

But now, in the new millennium, the Berglunds have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter taken a job working with Big Coal? What exactly is Richard Katz-outré rocker and Walter's college best friend and rival-still doing in the picture? Most of all, what has happened to Patty? Why has the bright star of Barrier Street become “a very different kind of neighbor,” an implacable Fury coming unhinged before the street's attentive eyes?

 

In his first novel since The Corrections, Jonathan Franzen has given us an epic of contemporary love and marriage. Freedom comically and tragically captures the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Freedom's intensely realized characters as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.


Product Details

ISBN-13: 9781427210494
Publisher: Macmillan Audio
Publication date: 08/31/2010
Edition description: Unabridged
Pages: 19
Product dimensions: 6.18(w) x 11.06(h) x 2.01(d)

About the Author

About The Author

Jonathan Franzen is the author of The Corrections, winner of the 2001 National Book Award for fiction; the novels The Twenty-Seventh City and Strong Motion; and two collections of essays, How to Be Alone and The Discomfort Zone, all published by FSG. He lives in New York City.

 

David Ledoux has narrated a range of audiobooks, for which he has won and been nominated for several Audie and Earphones Awards. His work includes reading Jonathan Franzen's Freedom, Sara Gruen's Water for Elephants, and Douglas Copeland's Hey Nostradamus!

Hometown:

New York, New York

Date of Birth:

1959

Place of Birth:

Western Springs, Illinois

Education:

B.A., Swarthmore College, 1981; studied as a Fulbright scholar at Freie Universität in Berlin

Read an Excerpt

CHAPTER 1

Agreeable

If Patty weren't an atheist, she would thank the good Lord for school athletic programs, because they basically saved her life and gave her a chance to realize herself as a person. She is especially grateful to Sandra Mosher at North Chappaqua Middle School, Elaine Carver and Jane Nagel at Horace Greeley High School, Ernie and Rose Salvatore at the Gettysburg Girls Basketball Camp, and Irene Treadwell at the University of Minnesota. It was from these wonderful coaches that Patty learned discipline, patience, focus, teamwork, and the ideals of good sportsmanship that helped make up for her morbid competitiveness and low self-esteem.

Patty grew up in Westchester County, New York. She was the oldest of four children, the other three of whom were more like what her parents had been hoping for. She was notably Larger than everybody else, also Less Unusual, also measurably Dumber. Not actually dumb but relatively dumber. She grew up to be 5'9½" which was almost the same as her brother and numerous inches taller than the others, and sometimes she wished she could have gone ahead and been six feet, since she was never going to fit into the family anyway. Being able to see the basket better and to post up in traffic and to rotate more freely on defense might have rendered her competitive streak somewhat less vicious, leading to a happier life post-college; probably not, but it was interesting to think about. By the time she got to the collegiate level, she was usually one of the shorter players on the floor, which in a funny way reminded her of her position in her family and helped keep adrenaline at peak levels.

Patty's first memory of doing a team sport with her mother watching is also one of her last. She was attending ordinary-person Sports day camp at the same complex where her two sisters were doing extraordinary-person Arts day camp, and one day her mother and sisters showed up for the late innings of a softball game. Patty was frustrated to be standing in left field while less skilled girls made errors in the infield and she waited around for somebody to hit a ball deep. She started creeping in shallower and shallower, which was how the game ended. Runners on first and second. The batter hit a bouncing ball to the grossly uncoordinated shortstop, whom Patty ran in front of so she could field the ball herself and run and tag out the lead runner and then start chasing the other runner, some sweet girl who'd probably reached first on a fielding error. Patty bore down straight at her, and the girl ran squealing into the outfield, leaving the base path for an automatic out, but Patty kept chasing her and applied the tag while the girl crumpled up and screamed with the apparently horrible pain of being lightly touched by a glove.

Patty was aware that it was not her finest hour of sportsmanship. Something had come over her because her family was watching. In the family station wagon, in an even more quavering voice than usual, her mother asked her if she had to be quite so ... aggressive. If it was necessary to be, well, to be so aggressive. Would it have hurt Patty to share the ball a little with her teammates? Patty replied that she hadn't been getting ANY balls in left field. And her mother said: "I don't mind if you play sports, but only if it's going to teach you cooperation and community-mindedness." And Patty said, "So send me to a REAL camp where I won't be the only good player! I can't cooperate with people who can't catch the ball!" And her mother said: "I'm not sure it's a good idea to be encouraging so much aggression and competition. I guess I'm not a sports fan, but I don't see the fun in defeating a person just for the sake of defeating them. Wouldn't it be much more fun to all work together to cooperatively build something?"

Patty's mother was a professional Democrat. She is even now, at the time of this writing, a state assemblywoman, the Honorable Joyce Emerson, known for her advocacy of open space, poor children, and the Arts. Paradise for Joyce is an open space where poor children can go and do Arts at state expense. Joyce was born Joyce Markowitz in Brooklyn in 1934 but apparently disliked being Jewish from the earliest dawn of consciousness. (The autobiographer wonders if one reason why Joyce's voice always trembles is from struggling so hard all her life to not sound like Brooklyn.) Joyce got a scholarship to study liberal Arts in the woods of Maine where she met Patty's exceedingly Gentile dad whom she married at All Souls Unitarian Universalist Church on the Upper East Side of Manhattan. In the autobiographer's opinion, Joyce had her first baby before she was emotionally prepared for motherhood, although the autobiographer herself perhaps ought not to cast stones in this regard. When Jack Kennedy got the Democratic nomination, in 1960, it gave Joyce a noble and stirring excuse to get out of a house that she couldn't seem to help filling up with babies. Then came civil rights, and Vietnam, and Bobby Kennedy — more good reasons to be out of a house that wasn't nearly big enough for four little kids plus a Barbadian nanny in the basement. Joyce went to her first national convention in 1968 as a delegate committed to dead Bobby. She served as county party treasurer and later chairman and organized for Teddy in 1972 and 1980. Every summer, all day long, herds of volunteers tramped in and out through the house's open doors carrying boxes of campaign gear. Patty could practice dribbling and layups for six hours straight without anybody noticing or caring.

Patty's father, Ray Emerson, was a lawyer and amateur humorist whose repertory included fart jokes and mean parodies of his children's teachers, neighbors, and friends. A torment he particularly enjoyed inflicting on Patty was mimicking the Barbadian, Eulalie, when she was just out of earshot, saying, "Stop de game now, stop de playin," etc., in a louder and louder voice until Patty ran from the dinner table in mortification and her siblings shrieked with excitement. Endless fun could also be had ridiculing Patty's coach and mentor Sandy Mosher, whom Ray liked to call Saaaandra. He was constantly asking Patty whether Saaaandra had had any gentlemen callers lately or maybe, tee hee, tee hee, some gentlelady callers? Her siblings chorused: Saaaandra, Saaaandra! Other amusing methods of tormenting Patty were to hide the family dog, Elmo, and pretend that Elmo had been euthanized while Patty was at late basketball practice. Or tease Patty about certain factual errors she'd made many years earlier — ask her how the kangaroos in Austria were doing, and whether she'd seen the latest novel by the famous contemporary writer Louisa May Alcott, and whether she still thought funguses were part of the animal kingdom. "I saw one of Patty's funguses chasing a truck the other day," her father would say. "Look, look at me, this is how Patty's fungus chases a truck."

Most nights her dad left the house again after dinner to meet with poor people he was defending in court for little or no money. He had an office across the street from the courthouse in White Plains. His free clients included Puerto Ricans, Haitians, Transvestites, and the mentally or physically Disabled. Some of them were in such bad trouble he didn't even make fun of them behind their backs. As much as possible, though, he found their troubles amusing. In tenth grade, for a school project, Patty sat in on two trials that her dad was part of. One was a case against an unemployed Yonkers man who drank too much on Puerto Rican Day, went looking for his wife's brother, intending to cut him with a knife, but couldn't find him and instead cut up a stranger in a bar. Not just her dad but the judge and even the prosecutor seemed amused by the defendant's haplessness and stupidity. They kept exchanging little not-quite winks. As if misery and disfigurement and jail time were all just a lower-class sideshow designed to perk up their otherwise boring day.

On the train ride home, Patty asked her dad whose side he was on.

"Ha, good question," he answered. "You have to understand, my client is a liar. The victim is a liar. And the bar owner is a liar. They're all liars. Of course, my client is entitled to a vigorous defense. But you have to try to serve justice, too. Sometimes the P.A. and the judge and I are working together as much as the P.A. is working with the victim or I'm working with the defendant. You've heard of our adversarial system of justice?"

"Yes."

"Well. Sometimes the P.A. and the judge and I all have the same adversary. We try to sort out the facts and avoid a miscarriage. Although don't, uh. Don't put that in your paper."

"I thought sorting out facts was what the grand jury and the jury are for."

"That's right. Put that in your paper. Trial by a jury of your peers. That's important."

"But most of your clients are innocent, right?"

"Not many of them deserve as bad a punishment as somebody's trying to give them."

"But a lot of them are completely innocent, right? Mommy says they have trouble with the language, or the police aren't careful about who they arrest, and there's prejudice against them, and lack of opportunity."

"All of that is entirely true, Pattycakes. Nevertheless, uh. Your mother can be somewhat dewy-eyed."

Patty minded his ridiculing less when her mother was the butt of it.

"I mean, you saw those people," he said to her. "Jesus Christ. El ron me puso loco."

An important fact about Ray's family was that it had a lot of money. His mom and dad lived on a big ancestral estate out in the hills of northwest New Jersey, in a pretty stone Modernist house that was supposedly designed by Frank Lloyd Wright and was hung with minor works by famous French Impressionists. Every summer, the entire Emerson clan gathered by the lake at the estate for holiday picnics which Patty mostly failed to enjoy. Her granddad, August, liked to grab his oldest granddaughter around the belly and sit her down on his bouncing thigh and get God only knows what kind of little thrill from this; he was certainly not very respectful of Patty's physical boundaries. Starting in seventh grade, she also had to play doubles with Ray and his junior partner and the partner's wife, on the grandparental clay tennis court, and be stared at by the junior partner, in her exposing tennis clothes, and feel self-conscious and confused by his ocular pawing.

Like Ray himself, her granddad had bought the right to be privately eccentric by doing good public legal works; he'd made a name for himself defending high-profile conscientious objectors and draft evaders in three wars. In his spare time, which he had much of, he grew grapes on his property and fermented them in one of his outbuildings. His "winery" was called Doe Haunch and was a major family joke. At the holiday picnics, August tottered around in flipflops and saggy swim trunks, clutching one of his crudely labeled bottles, refilling the glasses that his guests had discreetly emptied into grass or bushes. "What do you think?" he asked. "Is it good wine? Do you like it?" He was sort of like an eager boy hobbyist and sort of like a torturer intent on punishing every victim equally. Citing European custom, August believed in giving children wine, and when the young mothers were distracted with corn to shuck or competitive salads to adorn, he watered his Doe Haunch Reserve and pressed it on kids as young as three, gently holding their chins, if necessary, and pouring the mixture into their mouths, making sure it went down. "You know what that is?" he said. "That's wine." If a child then began to act strangely, he said: "What you're feeling is called being drunk. You drank too much. You're drunk." This with a disgust no less sincere for being friendly. Patty, always the oldest of the kids, observed these scenes with silent horror, leaving it to a younger sibling or cousin to sound the alarm: "Granddaddy's getting the little kids drunk!" While the mothers came running to scold August and snatch their kids away, and the fathers tittered dirtily about August's obsession with female deer hindquarters, Patty slipped into the lake and floated in its warmest shallows, letting the water stop her ears against her family.

Because here was the thing: at every picnic, back up in the kitchen of the stone house, there was always a bottle or two of fabulous old Bordeaux from August's storied cellar. This wine was put out at Patty's father's insistence, at unknown personal cost of wheedling and begging, and it was always Ray who gave the signal, the subtle nod, to his brothers and to any male friend he'd brought along, to slip away from the picnic and follow him. The men returned a few minutes later with big bubble-bowled glasses filled to the brim with an amazing red, Ray also carrying a French bottle with maybe one inch of wine left in it, to be divided among all the wives and other less favored visitors. No amount of pleading could induce August to fetch another bottle from his cellar; he offered, instead, more Doe Haunch Reserve.

And it was the same every year at Christmastime: the grandparents driving over from New Jersey in their late-model Mercedes (August traded in his old one every year or two), arriving at Ray and Joyce's overcrowded ranch house an hour before the hour that Joyce had implored them not to arrive before, and distributing insulting gifts. Joyce famously, one year, received two much-used dish towels. Ray typically got one of those big art books from the Barnes & Noble bargain table, sometimes with a $3.99 sticker still on it. The kids got little pieces of plastic Asian-made crap: tiny travel alarm clocks that didn't work, coin purses stamped with the name of a New Jersey insurance agency, frightening crude Chinese finger puppets, assorted swizzle sticks. Meanwhile, at August's alma mater, a library with his name on it was being built. Because Patty's siblings were outraged by the grandparental tightfistedness and compensated by making outrageous demands for parental Christmas booty — Joyce was up until 3 a.m. every Christmas Eve, wrapping presents selected from their endless and highly detailed Christmas lists — Patty went the other way and decided not to care about anything but sports.

Her granddad had once been a true athlete, a college track star and football tight end, which was probably where her height and reflexes came from. Ray also had played football but in Maine for a school that could barely field a team. His real game was tennis, which was the one sport Patty hated, although she was good at it. She believed that Björn Borg was secretly weak. With very few exceptions (e.g., Joe Namath) she wasn't impressed with male athletes in general. Her specialty was crushes on popular boys enough older or better-looking to be totally unrealistic choices. Being a very agreeable person, however, she went on dates with practically anybody who asked. She thought shy or unpopular boys had a hard life, and she took pity on them insofar as humanly possible. For some reason, many were wrestlers. In her experience, wrestlers were brave, taciturn, geeky, beetle-browed, polite, and not afraid of female jocks. One of them confided to her that in middle school she'd been known to him and his friends as the She-Monkey.

As far as actual sex goes, Patty's first experience of it was being raped at a party when she was seventeen by a boarding-school senior named Ethan Post. Ethan didn't do any sports except golf, but he had six inches of height and fifty pounds on Patty and provided discouraging perspectives on female muscle strength as compared to men's. What he did to Patty didn't strike her as a gray-area sort of rape. When she started fighting, she fought hard, if not too well, and only for so long, because she was drunk for one of the first times ever. She'd been feeling so wonderfully free! Very probably, in the vast swimming pool at Kim McClusky's, on a beautiful warm May night, Patty had given Ethan Post a mistaken impression. She was far too agreeable even when she wasn't drunk. In the pool, she must have been giddy with agreeability. Altogether, there was much to blame herself for. Her notions of romance were like Gilligan's Island: "as primitive as can be." They fell somewhere between Snow White and Nancy Drew. And Ethan undeniably had the arrogant look that attracted her at that point in time. He resembled the love interest from a girls' novel with sailboats on the cover. After he raped Patty, he said he was sorry "it" had been rougher than he'd meant "it" to be, he was sorry about that.

(Continues…)



Excerpted from "Freedom"
by .
Copyright © 2010 Jonathan Franzen.
Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Reading Group Guide

1. Jonathan Franzen refers to freedom throughout the novel, including the freedom of Iraqis to become capitalists, Joey's parents' attempt to give him an unencumbered life, an inscription on a building at Jessica's college that reads use well thy freedom, and alcoholic Mitch, who is "a free man." How do the characters spend their freedom? Is it a liberating or destructive force for them? Which characters are the least free?

2. Freedom contains almost cinematic descriptions of the characters' dwelling places, from the house in St. Paul to Abigail's eclectic Manhattan apartment. How do the homes in Freedom reflect the personalities of their occupants? Where do Walter and Patty feel most at home? Which of your homes has been most significant in your life?

3. As a young woman, Patty is phenomenally strong on the basketball court yet vulnerable in relationships, especially with her workaholic parents, her friend Eliza, and the conflicted duo of Richard and Walter. What did her rapist, Ethan Post, teach her about vulnerability? After the rape, what did her father and the coaches attempt to teach her about strength?

4. What feeds Richard and Walter's lifelong cycle of competition and collaboration? If you were Patty, would you have made the road trip with Richard? What does Freedom say about the repercussions of college, not only for Walter and Patty but also for their children?

5. How would you characterize Patty's writing? How does her storytelling style compare to the narrator's voice in the rest of the novel? If Walter had written a memoir, what might he have said about his victories, and his suffering?

6. Which tragicomic passages in Freedom made you laugh? Which characters elicited continual sadness and sympathy in you? How does Franzen balance poignant moments with absurdity?

7. Discuss the nature of attraction, both in the novel and in your own experience. What does it take to be desirable in Freedom? In the novel, how do couples sustain intense attraction for each other over many phases of their lives?

8. Does history repeat itself throughout Walter's ancestry, with his Swedish grandfather, Einar, who built roads, loathed communism and slow drivers, and was cruel to his wife; his father, Gene, a war hero with fantasies of success in the motel business; and his mother, Dorothy, whose cosmopolitan family was Walter's salvation? What do all the characters in the novel want from their parents? How do their relationships with their parents affect their relationships with lovers?

9. After her father's death, Patty asks her mother why she ignored Patty's success in sports, even though Joyce was a driven woman who might have relished her daughter's achievements. She doesn't get a satisfactory answer; Joyce vaguely says that she wasn't into sports. Why do you think Patty did not garner as much attention as her sisters did? How did your opinion of Veronica and Abigail shift throughout the novel? Does Patty treat Jessica the same way her parents treated her?

10. How is Lalitha different from the other characters in the novel? How does her motivation for working with the Cerulean Mountain Trust compare to Walter's? Does Walter relate to the cerulean warbler on some level?

11. What accounts for the differences between Joey and Jessica? Is it simply a matter of genes and temperament, or does gender matter in their situation?

12. What does Joey want and get from Jenna and Connie? What do they want and get from him?

13. Did Carol and Blake evolve as parents? What sort of life do you predict for their twin daughters?

14. Near the end of the novel, Franzen describes Walter's relationship with Bobby the cat as a sort of troubled marriage. Was their "divorce" inevitable? When Patty is eventually able to serve as neighborhood peacemaker, even negotiating a truce with Linda Hoffbauer, what does this say about her role in Walter's life? Does she dilute his sense of purpose and principle, or does she keep him grounded in reality?

15. How would you answer the essential question raised by Walter's deal with the Texas rancher Vin Haven: What is the best way to achieve environmental conservation?

16. Consider the novel's epigraph, taken from Shakespeare's The Winter's Tale. The lines are spoken by Paulina in the final act, after she learns the fate of her dead husband. She receives the news while surrounded by happy endings for the other characters. The most obvious parallel is to Walter, but who else might be reflected in these lines?

17. What unique truths emerge in Freedom? In what ways does this novel enhance themes (such as love and commitment, family angst, the intensity of adolescence, and the individual against the giant—corporate, governmental, and otherwise) featured in Franzen's previous works, including his nonfiction?

Reading group guide questions written by Amy Root / Amy Root's Wordshop, Inc.

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