★ “Gripping profiles of young people who made a difference.” Booklist, starred review
★ “A perfect balance of energetic prose and well-selected, breathtaking photographs.” Kirkus, starred review
★ “An excellent addition to any library.” School Library Journal, starred review
★ “A dramatic and a memorable statement.” VOYA, starred review
★ “A captivating, personal account.” Publishers Weekly, starred review
★ “A sharply focused historical narrative for a younger audience.” Horn Book, starred review
Elizabeth Partridge takes the past off its pedestal and shows how ordinary people, children among them, can sometimes tip the balance and help determine the outcome of events…The story of Southern black youngsters' participation in the civil rights movement has been told before for young readers, notably in Ellen Levine's wide-ranging oral history compilation Freedom's Children. Partridge's more tightly focused account offers a complementary perspective that gains in impact from an album's worth of black-and-white documentary photographs, most of them the work of two photographers—Matt Herron and John F. Phillip
—The New York Times
Partridge (This Land Was Made for You and Me: The Life and Songs of Woody Guthrie) tells the unsettling but uplifting story of the Selma to Montgomery March in 1965, using the voices of men and women who participated as children and teenagers. Their stories unfold over 10 chapters that detail voter discrimination and the subsequent meetings and protests that culminated in the famous march. Quotations from Joanne Blackmon Bland (first jailed at age 10), Charles Mauldin (a high school student) and other youths arrested and attacked make for a captivating, personal account. The chronological format builds suspense, while the narrative places readers at church meetings, in jail cells and at the march itself. Italicized lyrics to “freedom songs” are woven throughout, emphasizing the power drawn from music, particularly in the wake of the violence of Bloody Sunday (“They were willing to go out again and face state troopers and mounted posses with whips and tear gas and clubs. The music made them bigger than their defeat, bigger than their fear”). Powerful duotone photographs, which range from disturbing to triumphal, showcase the determination of these civil rights pioneers. Ages 10–up. (Oct.)
. . . [A] stirring photo essay . . . Today's teen activists will want to talk about these gripping profiles of young people who made a difference . . . , starred review
Partridge once again demonstrates why she is almost peerless in her photo selection.
Gr 6 Up—Much has been written about the Civil Rights Movement, but what has not been documented as well is the role that children played in propelling the movement forward. This book does just that as the Selma, AL, voting rights protests are examined through the eyes of its youngest demonstrators, whose spirit, humor, and grit are clearly exhibited. The book begins by introducing Joanne Blackmon, who at 10 years old was arrested for the first of many times as a result of her participation in freedom marches. The stories of several other young participants are also acknowledged. Through moving prose, their bravery in the face of uncertainty and danger is demonstrated to have clearly inspired and motivated the adults in their lives, including their teachers, parents, and grandparents, to join the fight for civil rights. Effective and meaningful archival photographs, quotes, poems, and songs are woven throughout the narrative, giving readers a real sense of the children's mindset and experiences. The bibliography, source notes, photo credits, and resources for further discussion and research are exemplary. An excellent addition to any library.—Margaret Auguste, Franklin Middle School, Somerset, NJ
With this photo-essay on the 54-mile civil-rights march from Selma to Montgomery, Partridge proves once again that nonfiction can be every bit as dramatic as the best fiction. In the spring of 1965, a racist sheriff and a bigoted governor were pitted against demonstrators trained in Martin Luther King's philosophy of nonviolence. The Civil Rights Act signed by President Johnson in 1964 had outlawed segregation in schools, workplaces and public areas. Now, demonstrators in Selma, joined by the Student Nonviolent Coordinating Committee and King's organization, the Southern Christian Leadership Conference, demanded the right to vote. This is history told from the bottom up, through the words, pictures and actions of the parents and children of Selma. With a perfect balance of energetic prose and well-selected, breathtaking photographs, the volume portrays the fight for the heart of America, concluding with a touching photograph of a pair of hands, one signing a voter registration form. This well-designed and impeccably documented volume is a good match with Phillip Hoose's Claudette Colvin: Twice Toward Justice (2009). (author's note, source notes, bibliography) (Nonfiction. 10 & up)
This award-winning, captivating history makes a wonderful transition to audio because of Alan Bomar Jones’s performance. Jones delivers the historical background and the quotes of well-known leaders in factual tones and adds poignancy to the stories of interviewees who were young activists during Alabama’s Civil Rights struggles in 1965. Jones’s varied tones portray the immense emotional swings of events—from the pride of the Selma march to the terror of the violence meted out by state troopers on Bloody Sunday. A particular strength of the audio comes in Jones’s rich renditions of the music that united and gave strength to the frightened youth. Also included are a note read by the author and the powerful photographs from the book. S.W. © AudioFile 2011, Portland, Maine
