The Oxford Handbook of Modern Irish Poetry
Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.
1111502393
The Oxford Handbook of Modern Irish Poetry
Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.
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The Oxford Handbook of Modern Irish Poetry

The Oxford Handbook of Modern Irish Poetry

The Oxford Handbook of Modern Irish Poetry

The Oxford Handbook of Modern Irish Poetry

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Overview

Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period. The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.

Product Details

ISBN-13: 9780191636752
Publisher: OUP Oxford
Publication date: 10/25/2012
Series: Oxford Handbooks
Sold by: Barnes & Noble
Format: eBook
File size: 18 MB
Note: This product may take a few minutes to download.

About the Author

Fran Brearton is Reader in English at Queen's University Belfast. Her books include The Great War in Irish Poetry(2000), Reading Michael Longley(2006), and, as co-editor, Modern Irish & Scottish Poetry (2011) and Incorrigibly Plural: Louis MacNeice and His Legacy(2012). Alan Gillis is Lecturer in English at The University of Edinburgh, and editor of Edinburgh Review. His books include Irish Poetry of the 1930s(2005) and, as co-editor, The Edinburgh Introduction to Studying English Literature (2010), as well as three collections of poetry: Here Comes the Night(2010), Hawks and Doves (2007) and Somebody, Somewhere(2004)

Table of Contents

  • PART I: POETRY AND THE REVIVAL
  • 1: Matthew Campbell: Recovering Ancient Ireland
  • 2: Warwick Gould: Yeats and Symbolism
  • 3: Michael O'Neill: Yeats, Clarke, and The Irish Poet's Relationship with English
  • PART II: THE POETRY OF WAR
  • 4: Jim Haughey: 'The Roses are Torn': Ireland's War Poets
  • 5: Gerald Dawe: 'Pledged to Ireland': The Poets and Poems of Easter 1916
  • 6: Edna Longley: W. B. Yeats: Poetry and Violence
  • PART III: MODERNISM AND TRADITIONALISM
  • 7: Edward Larrissy: Yeats, Eliot, and the Idea of Tradition
  • 8: Susan Schriebman: Irish Poetic Modernism: Portrait of the Artist in Exile
  • 9: David Wheatley: Samuel Beckett: Exile and Experiment
  • 10: Dillon Johnston: Voice and Voiceprints: Joyce and Recent Irish Poetry
  • PART IV: MID-CENTURY IRISH POETRY
  • 11: Kit Fryatt: Patrick Kavanagh's 'Potentialities'
  • 12: Thomas Walker: MacNeice Among His Contemporaries: 1939 and 1941
  • 13: Richard Kirkland: The Poetics of Partition: Poetry and Northern Ireland in the 1940s
  • 14: John McAuliffe: Disturbing Irish Poetry: Kinsella and Clarke 1951-1962
  • 15: Jonathan Allison: Memory and Starlight in Late MacNeice
  • PART V: POETRY and THE ARTS
  • 16: Neil Corcoran: Modern Irish Poetry and the Visual Arts: Yeats to Heaney
  • 17: Damien Keane: Poetry, Music, and Reproduced Sound
  • 18: Rui Carvalho Homem: 'Private Relations': Selves, Poems, and Paintings Durcan to Morrissey
  • 19: Peter Mackay: Contemporary Northern Irish Poetry and Romanticism
  • PART VI: ON THE BORDERS: A FURTHER LOOK AT THE LANGUAGE QUESTION
  • 20: Aodán Mac Póilin: 'Ghosts of Metrical Procedures': Translations from the Irish
  • 21: Eric Falci: Translation as Collaboration: Ní Dhomhnaill and Muldoon
  • 22: Justin Quinn: Incoming: Irish Poetry and Translation
  • 23: Paul Simpson: A Stylistic Analysis of Modern Irish Poetry
  • PART VII: POETRY and POLITICS: 1970S and 1980S
  • 24: Heather Clark: Befitting Emblems: The Early 1970s
  • 25: Shane Alcobia-Murphy: 'Neurosis of Sand': Authority, Memory, and the Hunger Strike
  • 26: John Redmond: Engagements with the Public Sphere in the Poetry of Paul Durcan and Brendan Kennelly
  • 27: Leontia Flynn: Domestic Violences: Medbh McGuckian and Irish Women s Writing in the 1980s
  • PART VIII: CULTURAL LANDSCAPES
  • 28: Gail McConnell: Catholic Art and Culture: Clarke to Heaney
  • 29: Elmer Kennedy-Andrews: In Belfast
  • 30: Peter McDonald: 'Our Lost Lives': Protestantism and Northern Irish Poetry
  • 31: Maria Johnston: Walking Dublin: Contemporary Irish Poets in the City
  • PART IX: THE POET AS CRITIC
  • 32: Hugh Haughton: The Irish Poet as Critic
  • 33: Steven Matthews: The Poet as Anthologist
  • 34: Jahan Ramazani: Irish Poetry and the News
  • PART X: ON POETIC FORM
  • 35: Alan Gillis: The Modern Irish Sonnet
  • 36: Stephen Regan: Irish Elegy After Yeats
  • 37: John Goodby: 'Repeat the changes change the repeats': Alternative Irish Poetry
  • 38: Fran Brearton: 'The nothing-could-be-simpler-line': Form in Contemporary Irish Poetry
  • PART XI: ON RECENT POETRY
  • 39: Catriona Clutterbuck: New Irish Women Poets: The Evolution of (In)determinacy in Vona Groarke
  • 40: Miriam Gamble: 'a potted peace / lily'? Northern Irish Poetry Since the Ceasefires
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