History of European Drama and Theatre / Edition 1

History of European Drama and Theatre / Edition 1

by Erika Fischer-Lichte, Jo Riley
ISBN-10:
0415180600
ISBN-13:
9780415180603
Pub. Date:
03/25/2004
Publisher:
Taylor & Francis
ISBN-10:
0415180600
ISBN-13:
9780415180603
Pub. Date:
03/25/2004
Publisher:
Taylor & Francis
History of European Drama and Theatre / Edition 1

History of European Drama and Theatre / Edition 1

by Erika Fischer-Lichte, Jo Riley
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Overview

This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity.

Erika Fischer-Lichte's topics include:

* ancient Greek theatre
* Shakespeare and Elizabethan theatre by Corneilli, Racine, Molière
* the Italian commedia dell'arte and its transformations into eighteenth-century drama
* the German Enlightenment - Lessing, Schiller, Goethe, and Lenz
* romanticism by Kleist, Byron, Shelley, Hugo, de Vigny, Musset, Büchner, and Nestroy
* the turn of the century - Ibsen, Strindberg, Chekhov, Stanislavski
* the twentieth century - Craig, Meyerhold, Artaud, O'Neill, Pirandello, Brecht, Beckett, Müller.

Anyone interested in theatre throughout history and today will find this an invaluable source of information.


Product Details

ISBN-13: 9780415180603
Publisher: Taylor & Francis
Publication date: 03/25/2004
Pages: 416
Product dimensions: 6.88(w) x 9.69(h) x (d)

About the Author

Erika Fischer-Lichte is university professor of theatre research at the Free University of Berlin, and president of the International Federation of Theatre Research. Her numerous publications include The Show and the Gaze of Theatre. A European Perspective, 1997.

Table of Contents

Introduction; Chapter 1 Ritual theatre; Chapter 2 Theatrum vitae humanae; Chapter 3 The rise of the middle classes and the theatre of illusion; Chapter 4 Dramatising the identity crisis; Chapter 5 Theatre of the ‘new’ man;
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