"Just the thing to take your mind off $4 gas: a truly chilling road-trip novel about a couple on their way to Maine to collect the kids from camp—and the escaped con who joins them." —New York Magazine
"Simenon saved the deep, dark, bone-chilling stuff for his psychopathological thrillers, books he called romans durs...Red Lights charts a hellish road trip, fueled by bad choices and their twisted consequences, soaked through with existential dread." —Men's Journal, "15 Best Thrillers Ever Written"
“Attention should be paid to the New York Review of Books' continuing reissues of Georges Simenon. Simenon was legendary both for his literary skill–four or five books every year for 40 years–and his sexual capacity, at least to hear him tell it. What we can speak of with some certainty are the novels, which are tough, rigorously unsentimental and full of rage, duplicity and, occasionally, justice. Simenon's tone and dispassionate examination of humanity was echoed by Patricia Highsmith, who dispensed with the justice. So far, the Review has published Tropic Moon, The Man Who Watched Trains Go By, Red Lights, Dirty Snow and Three Bedrooms in Manhattan; The Strangers in the House comes out in November. Try one, and you'll want to read more.” –The Palm Beach Post
"The most extraordinary literary phenomenon of the twentieth century." –Julian Symons
“The romans durs are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place (Simenon is unsurpassed as a scenesetter), utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining. They are also more philosophically profound than any of the fiction of Camus or Sartre, and far less self-conscious. This is existentialism with a backbone of tempered steel.”–John Banville, The New Republic
"This is what attracts and holds me in him. He writes for 'the vast public,' to be sure, but delicate and refined readers find something for them too as soon as they begin to take him seriously. He makes one reflect; and this is close to being the height of art; how superior he is in this to those heavy novelists who do not spare us a single commentary! Simenon sets forth a particular fact, perhaps of general interest; but he is careful not to generalize; that is up to the reader."–Andre Gide
“The Hitchhiker [title of an earlier English edition of Red Lights] is to date the best of Simenon's novels with American setting. A suburbanite, driven to occasional compulsive drinking by an unsatisfactory marriage, starts on a real bender while motoring to Maine. His wife abandons him; he picks up an escaped convict and confusedly feels that the man's criminality symbolizes the fulfillment of his own rebellion against convention. His sobering up, physically and spiritually, is a painful, convincing and rewarding process, and the novel skillfully uses the trappings of melodrama to explore psychological truth...a silken-smooth shocker, guaranteed to please all Simenon addicts.”–The New York Times
“No non-American writer, at least none who writes in a language other than English, has done a better job of it.The angry couple in The Hitchhiker [title for earlier English edition of Red Lights] come across as real Americans, with some of our best qualities, as well as monstrous flaws.”–The Washington Post
