The Oxford History of the Novel in English: Volume 2: English and British Fiction 1750-1820
The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.

Volume 2 examines the period from1750-1820, which was a crucial period in the development of the novel in English. Not only was it the time of Smollett, Sterne, Austen, and Scott, but it also saw the establishment and definition of the novel as we know it, as well as the emergence of a number of subgenres, several of which remain to this day. Conventionally however, it has been one of the least studied areas-seen as a falling off from the heyday of Richardson and Fielding, or merely a prelude to the great Victorian novelists. This volume takes full advantage of recent major advances in scholarly bibliography, new critical assessments, and the fresh availability of long-neglected fictional works, to offer a new mapping and appraisal. The opening section, as well as some remarkable later chapters, consider historical conditions underlying the production, circulation, and reception of fiction during these seventy years, a period itself marked by a rapid growth in output and expansion in readership. Other chapters cover the principal forms, movements, and literary themes of the period, with individual contributions on the four major novelists (named above), seen in historical context, as well as others on adjacent fields such as the shorter tale, magazine fiction, children's literature, and drama. The volume also views the novel in the light of other major institutions of modern literary culture, including book reviewing and the reprint trade, all of which played a part in advancing a sense of the novel as a defining feature of the British cultural landscape. A focus on 'global' literature and imported fiction in two concluding chapters in turn reflects a broader concern for transnational literary studies in general.
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The Oxford History of the Novel in English: Volume 2: English and British Fiction 1750-1820
The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.

Volume 2 examines the period from1750-1820, which was a crucial period in the development of the novel in English. Not only was it the time of Smollett, Sterne, Austen, and Scott, but it also saw the establishment and definition of the novel as we know it, as well as the emergence of a number of subgenres, several of which remain to this day. Conventionally however, it has been one of the least studied areas-seen as a falling off from the heyday of Richardson and Fielding, or merely a prelude to the great Victorian novelists. This volume takes full advantage of recent major advances in scholarly bibliography, new critical assessments, and the fresh availability of long-neglected fictional works, to offer a new mapping and appraisal. The opening section, as well as some remarkable later chapters, consider historical conditions underlying the production, circulation, and reception of fiction during these seventy years, a period itself marked by a rapid growth in output and expansion in readership. Other chapters cover the principal forms, movements, and literary themes of the period, with individual contributions on the four major novelists (named above), seen in historical context, as well as others on adjacent fields such as the shorter tale, magazine fiction, children's literature, and drama. The volume also views the novel in the light of other major institutions of modern literary culture, including book reviewing and the reprint trade, all of which played a part in advancing a sense of the novel as a defining feature of the British cultural landscape. A focus on 'global' literature and imported fiction in two concluding chapters in turn reflects a broader concern for transnational literary studies in general.
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The Oxford History of the Novel in English: Volume 2: English and British Fiction 1750-1820

The Oxford History of the Novel in English: Volume 2: English and British Fiction 1750-1820

The Oxford History of the Novel in English: Volume 2: English and British Fiction 1750-1820

The Oxford History of the Novel in English: Volume 2: English and British Fiction 1750-1820

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Overview

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.

Volume 2 examines the period from1750-1820, which was a crucial period in the development of the novel in English. Not only was it the time of Smollett, Sterne, Austen, and Scott, but it also saw the establishment and definition of the novel as we know it, as well as the emergence of a number of subgenres, several of which remain to this day. Conventionally however, it has been one of the least studied areas-seen as a falling off from the heyday of Richardson and Fielding, or merely a prelude to the great Victorian novelists. This volume takes full advantage of recent major advances in scholarly bibliography, new critical assessments, and the fresh availability of long-neglected fictional works, to offer a new mapping and appraisal. The opening section, as well as some remarkable later chapters, consider historical conditions underlying the production, circulation, and reception of fiction during these seventy years, a period itself marked by a rapid growth in output and expansion in readership. Other chapters cover the principal forms, movements, and literary themes of the period, with individual contributions on the four major novelists (named above), seen in historical context, as well as others on adjacent fields such as the shorter tale, magazine fiction, children's literature, and drama. The volume also views the novel in the light of other major institutions of modern literary culture, including book reviewing and the reprint trade, all of which played a part in advancing a sense of the novel as a defining feature of the British cultural landscape. A focus on 'global' literature and imported fiction in two concluding chapters in turn reflects a broader concern for transnational literary studies in general.

Product Details

ISBN-13: 9780199574803
Publisher: Oxford University Press
Publication date: 04/05/2015
Series: Oxford History of the Novel in English
Pages: 702
Product dimensions: 6.80(w) x 9.60(h) x 1.80(d)

About the Author

Peter Garside, Honorary Professorial Fellow, University of Edinburgh,Karen O'Brien, Vice Principal (Education) and Professor of English Literature,, King's College London

Peter Garside was educated at Cambridge and Harvard Universities, and taught English Literature for more than thirty years at Cardiff University, where became Professor of English and Director of the Centre for Editorial and Intertextual Research. Subsequently he was appointed Professor of Bibliography and Textual Studies at the University of Edinburgh. He has served on the Boards of Edinburgh Edition of the Waverley Novels and the Stirling / South Carolina Collected Editions of the Works of James Hogg, and has produced three volume apiece for each of these scholarly editions. He was one of the general editors of the ground-breaking bibliographical survey, The English Novel, 1770-1830, 2 vols (OUP, 2000), and directed the AHRB-funded online database, British Fiction, 1800-1829 (2004). Since retirement, he has continued to work on aspects of Romantic Studies, Scottish Literature, the Novel, and Book History.

Karen O'Brien is Vice-Principal (Education) and Professor of English Literature in the Department of English. She studied at the Sorbonne for a year before attending Oxford University where she graduated with a BA in English Literature and a D.Phil. She was awarded a Harkness Fellowship which she spent as a visiting fellow at the University of Pennsylvania, followed by a Research Fellowship at Peterhouse, Cambridge. She has held academic posts at the Universities of Southampton, Cardiff, and Warwick. Her research is in the area of the literature and intellectual history of the Enlightenment, with a particular focus on historical writing, imperial thought, ideas and debates about gender equality and (most recently) the history of the novel and Thomas Robert Malthus.

Table of Contents

General Editor's PrefaceIntroductionEditorial NotePart I: Book Production and Distribution1.NBNBNBNBNB Production, James Raven2.NBNBNBNBNB Authorship, Peter Garside3.NBNBNBNBNB Circulation, David AllanPart II: Major Authors and Traditions4.NBNBNBNBNB The Novel in the 1750s, E. J. Clery5.NBNBNBNBNB Tobias Smollett and the Ramble Novel, Simon Dickie6.NBNBNBNBNB The Novelty of Laurence Sterne, James Chandler7.NBNBNBNBNB Sentimental Fiction of the 1760s and 1770s, Helen Thompson8.NBNBNBNBNB Bluestocking Women and Rational Female Fiction, Betty A. Schellenberg9.NBNBNBNBNB The Novel of Sensibility in the 1780s, Caroline Franklin10.NB Early Gothic Novels and the Belief in Fiction, Deidre Lynch11.NB The Novel Wars of 1790 1804, Jon Mee12.NB The National Tale, Claire Connolly13.NB Gothic and Anti-Gothic, 1797 1820, Robert Miles14.NB Evangelical Fiction, Anthony Mandal15.NB Jane Austen s Domestic Realism, Vivien Jones16.NB Historical Romance, Ina Ferris17.NB Walter Scott and the Historical Novel, Ian DuncanPart III: Generic Variations and Narrative Structures18.NB It-Narratives and Spy Novels, Lynn Festa19.NB Philosophical and Oriental Tales, Ros Ballaster20.NB Epistolary Fiction, Nicola J. Watson21.NB Celebrity and Scandalous Fiction, Clara TuitePart IV: Contexts22.NB All in the Family: Consanguinity, Marriage, and Property, Ruth Perry23.NB Fictions of the Union, Thomas Keymer24.NB Imperial Commerce, Gender, and Slavery, Deirdre ColemanPart V: Alternative Forms of Fiction25.NB Fiction in the Magazines, Gillian Hughes26.NB Short Fictional Forms and the Rise of the Tale, Anthony Jarrells27.NB Children s and Juvenile Literature, M. O. Grenby28.NB The Novel and the Stage, Gillian RussellPart VI: Assimilation and Cultural Interchanges29.NB Assimilating the Novel: Reviews and Collections, Michael Gamer30.NB Readers and Reading Practices, Stephen Colclough31.NB The Global British Novel, Wil Verhoeven32.NB Foreign Imports, Jenny ManderAfterword33.NB The Rise of the Rise of the Novel, Clifford Siskin
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