Rap Music and Street Consciousness
In this first musicological history of rap music, Cheryl L. Keyes traces the genre's history from its roots in West African bardic traditions, the Jamaican dancehall tradition, and African American vernacular expressions to its permeation of the cultural mainstream as a major tenet of hip-hop lifestyle and culture. 

Rap music, according to Keyes, addresses the political and economic disfranchisement of black youths and other groups, fosters ethnic pride, and displays culture values and aesthetics. Blending popular culture with folklore and ethnomusicology, Keyes offers a nuanced portrait of the artists, themes, and varying styles reflective of urban life and street consciousness. Her analysis draws on music, lives, politics, and interests of figures ranging from Afrika Bambaataa, the "godfather of hip-hop," to early artists like Grandmaster Flash, to crossover pioneers like LL Cool J, De La Soul, and Public Enemy, to megastars like Tupac Shakur and The Notorious B.I.G. At the same time, Keyes delves into the impact of the rapper-turned mogul phenomenon, the rise of Death Row Records, and the East Coast-West Coast tensions of the Nineties.

1101616870
Rap Music and Street Consciousness
In this first musicological history of rap music, Cheryl L. Keyes traces the genre's history from its roots in West African bardic traditions, the Jamaican dancehall tradition, and African American vernacular expressions to its permeation of the cultural mainstream as a major tenet of hip-hop lifestyle and culture. 

Rap music, according to Keyes, addresses the political and economic disfranchisement of black youths and other groups, fosters ethnic pride, and displays culture values and aesthetics. Blending popular culture with folklore and ethnomusicology, Keyes offers a nuanced portrait of the artists, themes, and varying styles reflective of urban life and street consciousness. Her analysis draws on music, lives, politics, and interests of figures ranging from Afrika Bambaataa, the "godfather of hip-hop," to early artists like Grandmaster Flash, to crossover pioneers like LL Cool J, De La Soul, and Public Enemy, to megastars like Tupac Shakur and The Notorious B.I.G. At the same time, Keyes delves into the impact of the rapper-turned mogul phenomenon, the rise of Death Row Records, and the East Coast-West Coast tensions of the Nineties.

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Rap Music and Street Consciousness

Rap Music and Street Consciousness

by Cheryl L. Keyes
Rap Music and Street Consciousness

Rap Music and Street Consciousness

by Cheryl L. Keyes

Paperback(New Edition)

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Overview

In this first musicological history of rap music, Cheryl L. Keyes traces the genre's history from its roots in West African bardic traditions, the Jamaican dancehall tradition, and African American vernacular expressions to its permeation of the cultural mainstream as a major tenet of hip-hop lifestyle and culture. 

Rap music, according to Keyes, addresses the political and economic disfranchisement of black youths and other groups, fosters ethnic pride, and displays culture values and aesthetics. Blending popular culture with folklore and ethnomusicology, Keyes offers a nuanced portrait of the artists, themes, and varying styles reflective of urban life and street consciousness. Her analysis draws on music, lives, politics, and interests of figures ranging from Afrika Bambaataa, the "godfather of hip-hop," to early artists like Grandmaster Flash, to crossover pioneers like LL Cool J, De La Soul, and Public Enemy, to megastars like Tupac Shakur and The Notorious B.I.G. At the same time, Keyes delves into the impact of the rapper-turned mogul phenomenon, the rise of Death Row Records, and the East Coast-West Coast tensions of the Nineties.


Product Details

ISBN-13: 9780252072017
Publisher: University of Illinois Press
Publication date: 03/05/2004
Series: Music in American Life
Edition description: New Edition
Pages: 336
Product dimensions: 6.00(w) x 9.00(h) x 0.90(d)

About the Author

Cheryl L. Keyes is a professor of ethnomusicology and global jazz studies at UCLA. She is also a songwriter, composer, and performer.

Table of Contents

Prefaceix
Acknowledgmentsxvii
A Note on Terminologyxxv
Introduction1
Part 1The Sociocultural History and Aesthetics of Rap Music
1.The Roots and Stylistic Foundation of the Rap Music Tradition17
2.The Development of the Rap Music Tradition39
3.The Explosion of Rap Music in the Musical Mainstream67
4.Expanding Frontiers: Rap Music, 1990-2000104
5.Street Production: The Aesthetics of Style and Performance in the Rap Music Tradition122
Part 2The Critical Perspectives of Rap Music and the Hip-Hop Nation
6.Issues, Conflicts, and Conspiracies: The Hip-Hop Nation at a Crossroad157
7.Daughters of the Blues: Women, Race, and Class Representation in Rap Music Performance186
8.Visualizing Beats and Rhymes210
Epilogue227
Glossary of Common Rap Music Terms231
Notes235
Selected Discography251
Works Cited259
General Index281
Index of Recordings and Videos297
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