Muslims in the Movies: A Global Anthology
Muslims in the Movies provides a series of essays that explore the portrayal and reception of Muslims in Euro-American film, transnational productions, and global national cinemas. The volume brings together a group of internationally recognized experts to introduce Muslims in the films of Europe, North America, Australia, Iran, Egypt, North Africa, Saudi Arabia, Nigeria, India, Indonesia, and the Philippines. The interdisciplinary collection explores issues of identity, cultural production, and representation through the depiction of Muslims on screen and how audiences respond to these images. Together, the essays operate as an introduction to the subject of Muslims and film for new readers while also serving as new works of critical analysis for scholars of cinema.
1137725297
Muslims in the Movies: A Global Anthology
Muslims in the Movies provides a series of essays that explore the portrayal and reception of Muslims in Euro-American film, transnational productions, and global national cinemas. The volume brings together a group of internationally recognized experts to introduce Muslims in the films of Europe, North America, Australia, Iran, Egypt, North Africa, Saudi Arabia, Nigeria, India, Indonesia, and the Philippines. The interdisciplinary collection explores issues of identity, cultural production, and representation through the depiction of Muslims on screen and how audiences respond to these images. Together, the essays operate as an introduction to the subject of Muslims and film for new readers while also serving as new works of critical analysis for scholars of cinema.
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Muslims in the Movies: A Global Anthology

Muslims in the Movies: A Global Anthology

by Kristian Petersen (Editor)
Muslims in the Movies: A Global Anthology

Muslims in the Movies: A Global Anthology

by Kristian Petersen (Editor)

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Overview

Muslims in the Movies provides a series of essays that explore the portrayal and reception of Muslims in Euro-American film, transnational productions, and global national cinemas. The volume brings together a group of internationally recognized experts to introduce Muslims in the films of Europe, North America, Australia, Iran, Egypt, North Africa, Saudi Arabia, Nigeria, India, Indonesia, and the Philippines. The interdisciplinary collection explores issues of identity, cultural production, and representation through the depiction of Muslims on screen and how audiences respond to these images. Together, the essays operate as an introduction to the subject of Muslims and film for new readers while also serving as new works of critical analysis for scholars of cinema.

Product Details

ISBN-13: 9780674257788
Publisher: Harvard University Press
Publication date: 08/10/2021
Series: Mizan Series , #5
Pages: 302
Product dimensions: 6.00(w) x 9.00(h) x 0.75(d)

About the Author

Kristian Petersen is Assistant Professor in the Department of Philosophy and Religious Studies at Old Dominion University.

Table of Contents

Contributors vii

Approaching Muslims in the Movies Kristian Petersen 1

The Cinematic Secularization of Muhammad Ali M. Cooper Harriss 16

"Beware of Them Cameras": Film Representations of Malcolm X Michael Muhammad Knight 30

The Incidental Muslim: The Characters We Overlook Hussein Rashid 45

"Then It Was 1989, the Year the World Changed": Shifting Representations of British Muslims Before 9/11 Claire Chambers 58

Negotiating Queerness in the Ismaili Diaspora in the Films of Ian Iqbal Rashid Alberto Fernandez Carbajal 71

Integration Through Conversion: Discourses of Islam and the musulman laïc in Contemporary French Cinema Nancy Demerdash-Fatemi 85

Laughing at the Other: Muslims in Italian Comedies Michela Ardizzoni 101

Strong Girls and Lost Boys? Growing up Muslim in Nordic Films Sofia Sjö 115

Muslims in Australian Cinema: The Future of Listening Across Difference Mehal Krayem 129

Truth, Lies, and Justice: The Fragmented Picture in Asghar Farhadi's Films Nacim Pak-Shiraz 143

Subverting Stereotypes through a Saudi Film: Wadjda, Gender, and Islam Elliott Bazzano 162

Harems and Hudud: Gendered Space in Farida Benlyazid's Bab al-Sama Maftuh Rebecca Moody 176

School of Satan: al-Azhar's Censure of Egyptian Cinema Coincides with the Vogue of Islamic History Films Mohannad Ghawanmeh 191

"There Goes the Neighborhood": Film Soundstages and the Islamicate Public in Northern Nigeria Abdalla Uba Adamu 206

Sufi Aesthetics and the Making of Islam in Bollywood Syed Haider 219

Comedies of Terror: Strategic Offenses and Genre Tactics Samhita Sunya 234

Cinema of Misrecognition: Islam, Gender, and the Terrorist In Contemporary Indonesian Film Alicia Izharuddin 247

Debating Polygamy in Indonesian Cinema Thomas Barker 263

Philippine Muslim Women on Screen: From Sheltered Daughters to Revolutionaries Vivienne SM. Angeles 277

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