Ethnicity and Cultural Authority: From Arnold to Du Bois
Longlisted for the Wales Book of the Year 2007

Writing in 1903, W. E. B. Du Bois suggested that the goal for the African-American was 'to be a co-worker in the kingdom of culture'.

He was evoking 'culture' as a solution to the divisions within society, thereby adopting, in a very different context, an idea that had been influentially expressed by Matthew Arnold in the 1860s. Du Bois questioned the assumed universality of this concept by asking who, ultimately, is allowed into the 'kingdom of culture'? How does one come to speak from a position of cultural authority?

This book adopts a transatlantic approach to explore these questions. It centres on four Victorian 'men of letters' - Matthew Arnold, William Dean Howells, W. B. Yeats and W. E. B. Du Bois—who drew on notions of ethnicity as a basis from which to assert their cultural authority. In comparative close readings of these figures Daniel Williams addresses several key areas of contemporary literary and cultural debate. The book questions the notion of 'the West' as it appears and re-appears in the formulations of postcolonial theory, challenges the widespread tendency to divide nationalism into 'civic' and 'ethnic' forms, and forces its readers to reconsider what they mean when they talk about 'culture', 'identity' and 'national literature'.
1101966119
Ethnicity and Cultural Authority: From Arnold to Du Bois
Longlisted for the Wales Book of the Year 2007

Writing in 1903, W. E. B. Du Bois suggested that the goal for the African-American was 'to be a co-worker in the kingdom of culture'.

He was evoking 'culture' as a solution to the divisions within society, thereby adopting, in a very different context, an idea that had been influentially expressed by Matthew Arnold in the 1860s. Du Bois questioned the assumed universality of this concept by asking who, ultimately, is allowed into the 'kingdom of culture'? How does one come to speak from a position of cultural authority?

This book adopts a transatlantic approach to explore these questions. It centres on four Victorian 'men of letters' - Matthew Arnold, William Dean Howells, W. B. Yeats and W. E. B. Du Bois—who drew on notions of ethnicity as a basis from which to assert their cultural authority. In comparative close readings of these figures Daniel Williams addresses several key areas of contemporary literary and cultural debate. The book questions the notion of 'the West' as it appears and re-appears in the formulations of postcolonial theory, challenges the widespread tendency to divide nationalism into 'civic' and 'ethnic' forms, and forces its readers to reconsider what they mean when they talk about 'culture', 'identity' and 'national literature'.
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Ethnicity and Cultural Authority: From Arnold to Du Bois

Ethnicity and Cultural Authority: From Arnold to Du Bois

by Daniel G. Williams
Ethnicity and Cultural Authority: From Arnold to Du Bois

Ethnicity and Cultural Authority: From Arnold to Du Bois

by Daniel G. Williams

Hardcover

$140.00 
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Overview

Longlisted for the Wales Book of the Year 2007

Writing in 1903, W. E. B. Du Bois suggested that the goal for the African-American was 'to be a co-worker in the kingdom of culture'.

He was evoking 'culture' as a solution to the divisions within society, thereby adopting, in a very different context, an idea that had been influentially expressed by Matthew Arnold in the 1860s. Du Bois questioned the assumed universality of this concept by asking who, ultimately, is allowed into the 'kingdom of culture'? How does one come to speak from a position of cultural authority?

This book adopts a transatlantic approach to explore these questions. It centres on four Victorian 'men of letters' - Matthew Arnold, William Dean Howells, W. B. Yeats and W. E. B. Du Bois—who drew on notions of ethnicity as a basis from which to assert their cultural authority. In comparative close readings of these figures Daniel Williams addresses several key areas of contemporary literary and cultural debate. The book questions the notion of 'the West' as it appears and re-appears in the formulations of postcolonial theory, challenges the widespread tendency to divide nationalism into 'civic' and 'ethnic' forms, and forces its readers to reconsider what they mean when they talk about 'culture', 'identity' and 'national literature'.

Product Details

ISBN-13: 9780748622054
Publisher: Edinburgh University Press
Publication date: 12/08/2005
Series: Edinburgh Studies in Transatlantic Literatures
Pages: 272
Product dimensions: 6.14(w) x 9.21(h) x (d)
Age Range: 18 Years

About the Author

Daniel G. Williams is Lecturer in English and Assistant Director of CREW (Centre for Research into the English Literature and Language of Wales) at the University of Wales, Swansea

Table of Contents

Introduction; 1. Matthew Arnold: Culture and Ethnicity; 2. William Dean Howells: Realism, Ethnicity and the Nation; 3. W. B. Yeats: Celticism, Aestheticism and Nationalism; 4. W. E. B. Du Bois: Black Folk in the 'Kingdom of Culture'; Conclusion; Notes; Bibliography; Index.

What People are Saying About This

Werner Sollors

This book breaks new theoretical ground in re-investigating four crucial figures: Arnold, Howells, Yeats, Du Bois. This unusual line-up opens up comparative material and ethnic and minoritarian perspectives, to which Williams brings an impressive theoretical sophistication.

Professor Stefan Collini

In this imaginatively conceived book, Daniel Williams manages to address several of the most central and most contentious areas of contemporary literary and cultural study.

Professor Stefan Collini, Cambridge

Stefan Collini

In this imaginatively conceived book, Daniel Williams manages to address several of the most central and most contentious areas of contemporary literary and cultural study.

Professor Werner Sollors

This book breaks new theoretical ground in re-investigating four crucial figures: Arnold, Howells, Yeats, Du Bois. This unusual line-up opens up comparative material and ethnic and minoritarian perspectives, to which Williams brings an impressive theoretical sophistication.

Professor Werner Sollors, Harvard

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