Women Make Noise: Girl Bands from Motown to the Modern
Women Make Noise: Girl Bands from Motown to the Modern excavates the hidden story of the all-girl band: from country belles of the 20s-40s and girl groups of the 60s, to prog rock goddesses, women’s liberationists and punks of the 70s-80s; from riot grrrls and queercore anarchists of the 90s to radical protesters Pussy Riot and the most inspiring all-girl bands today. These aren’t the manufactured acts of some pop svengali, these groups write their own music and play their own instruments.

All-girl bands have made radical contributions to feminism, culture and politics as well as producing some influential and innovative music. It’s time to celebrate the outspoken voices, creative talents and gutsy performances of the all-girl bands who demand we take notice. Including commentary from members of the original 1960s girl groups, classic outfits like The Raincoats and The Slits, as well as contemporary Ladyfest heroines like Beth Ditto, and household names like Björk, this timely exploration shows the world that sidelining all-girl bands, is a major oversight.
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Women Make Noise: Girl Bands from Motown to the Modern
Women Make Noise: Girl Bands from Motown to the Modern excavates the hidden story of the all-girl band: from country belles of the 20s-40s and girl groups of the 60s, to prog rock goddesses, women’s liberationists and punks of the 70s-80s; from riot grrrls and queercore anarchists of the 90s to radical protesters Pussy Riot and the most inspiring all-girl bands today. These aren’t the manufactured acts of some pop svengali, these groups write their own music and play their own instruments.

All-girl bands have made radical contributions to feminism, culture and politics as well as producing some influential and innovative music. It’s time to celebrate the outspoken voices, creative talents and gutsy performances of the all-girl bands who demand we take notice. Including commentary from members of the original 1960s girl groups, classic outfits like The Raincoats and The Slits, as well as contemporary Ladyfest heroines like Beth Ditto, and household names like Björk, this timely exploration shows the world that sidelining all-girl bands, is a major oversight.
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Women Make Noise: Girl Bands from Motown to the Modern

Women Make Noise: Girl Bands from Motown to the Modern

Women Make Noise: Girl Bands from Motown to the Modern

Women Make Noise: Girl Bands from Motown to the Modern

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Overview

Women Make Noise: Girl Bands from Motown to the Modern excavates the hidden story of the all-girl band: from country belles of the 20s-40s and girl groups of the 60s, to prog rock goddesses, women’s liberationists and punks of the 70s-80s; from riot grrrls and queercore anarchists of the 90s to radical protesters Pussy Riot and the most inspiring all-girl bands today. These aren’t the manufactured acts of some pop svengali, these groups write their own music and play their own instruments.

All-girl bands have made radical contributions to feminism, culture and politics as well as producing some influential and innovative music. It’s time to celebrate the outspoken voices, creative talents and gutsy performances of the all-girl bands who demand we take notice. Including commentary from members of the original 1960s girl groups, classic outfits like The Raincoats and The Slits, as well as contemporary Ladyfest heroines like Beth Ditto, and household names like Björk, this timely exploration shows the world that sidelining all-girl bands, is a major oversight.

Product Details

ISBN-13: 9780956632913
Publisher: Aurora Metro Books
Publication date: 10/10/2012
Pages: 319
Product dimensions: 5.10(w) x 7.70(h) x 0.90(d)

About the Author

Bryony Beynon is a writer and community organiser originally from South Wales, and has been involved in DIY punk for ten years. She plays or has played in Back Stabbath, The Sceptres, Good Throb, Tortura and Croup, while running Dire Records. She is a columnist for Maximum Rocknroll, publishes Modern Hate Vibe zine and crops up trumpeting for radical feminism in The Guardian and on the BBC as co-director of Hollaback London. Bryony is a graduate of Sussex University and the Culture Industry MA programme at Goldsmiths, writing and researching on knowledge hierarchies in volunteer-led radical cultural practice and international secret punk histories, as well as gentrification, psychogeography and creative economy. As a promoter she has taken gigs out of the pubs and into abandoned buildings, railway arches and the roof of the Hayward gallery with the Big Takeover project, and is currently working on setting up a permanent autonomous DIY space for London

Table of Contents

Introducing the All-girl Band: Finding Comfort in Contradiction Julia Downes 7

1 Female Pioneers in Old-time and Country Music Victoria Yeulet 17

2 Puppets on a String? Girl Groups of the 50s and 60s Elizabeth K. Keenan 37

3 Truth Gotta Stand: 60s Garage, Beat and 70s Rock Sini Timonen 62

4 Prog Rock: A Fortress They Call The Industry Jackie Parsons 83

5 Feminist Musical Resistance in the 70s and 80s Deborah Withers 108

6 You Create, We Destroy: Punk Women Jane Bradley 153

7 Post-Punk: Raw, Female Sound Rhian E. Jones 187

8 Subversive Pleasure: Feminism in DIY Hardcore Bryony Beynon 215

9 Queercore: Fearless Women Val Rauzier 238

10 Riot Grrrl, Ladyfest and Rock Camps for Girls Elizabeth K. Keenan Sarah Dougher 259

Epilogue: Pussy Riot and the Future Julia Downes 292

Notes 297

Bibliography 315

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