Table of Contents
Preface ix
Part I Becoming Clive (1881-1907) 1
1 Beginnings 3
2 Cambridge 9
3 A Brace of Partridges 18
4 Paris 23
5 Vanessa 30
Part II Art and Letters (1907-1914) 49
6 Virginia 51
7 Roger 81
8 A Hornets' Nest 93
9 Leonard 98
10 Significant Form 104
11 Omega 112
12 A Complete Theory of Visual Art 117
Part III Pacifists and Poets (1914-1918) 123
13 Mary 125
14 Peace at Once 135
15 Art and War 143
16 Tribunals and Tribulations 154
17 Garsington 160
18 Ad Familiares 172
19 Angelica 180
Part IV A Highly Civilised Loafer (1919-1929) 185
20 The New Ballet 187
21 Order and Authority 198
22 Wives and Lovers 214
23 Liberty 228
24 The Lively Arts 232
25 Landmarks 238
26 The End of the Affair 246
27 Insane about Females 268
Part V Nothing Worse than War (1930-1939) 277
28 Clive Agonistes 279
29 An Account of French Painting 289
30 Dancing on a Volcano 294
31 Enjoying Pictures 302
32 Art and the Public 312
33 Your Schoolgirl Mistress 319
34 Today the Struggle 327
35 Warmongers 331
36 Euston Road 337
Part VI Civilisation's Flame (1939-1949) 343
37 Alarm and Despondency 345
38 Art on Trial 355
39 Collaboration 367
40 Experts and Hoaxes 375
41 Retrospect 385
Part VII Old Friends (1950-1964) 399
42 Clive Bell Looks at American Art 401
43 Douglas Cooper 419
44 A Gang of Conspirators 423
45 Things Are Never So Bad but They Might Be Worse 431
Epilogue 445
Abbreviations 447
Notes 451
Bibliography 535
Archives and Collections 551
Index 553
Acknowledgments 571
Image Credits 577