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Chicano and Chicana Art: A Critical Anthology
552
by Jennifer A. González (Editor), C. Ondine Chavoya (Editor), Chon Noriega (Editor), Terezita Romo (Editor)
Jennifer A. González
Chicano and Chicana Art: A Critical Anthology
552
by Jennifer A. González (Editor), C. Ondine Chavoya (Editor), Chon Noriega (Editor), Terezita Romo (Editor)
Jennifer A. González
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Overview
This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor
Product Details
| ISBN-13: | 9781478003007 |
|---|---|
| Publisher: | Duke University Press Books |
| Publication date: | 02/22/2019 |
| Edition description: | Critical |
| Pages: | 552 |
| Sales rank: | 905,699 |
| Product dimensions: | 6.90(w) x 9.70(h) x 1.20(d) |
About the Author
Jennifer A. González is Professor of History of Art and Visual Culture at the University of California, Santa Cruz. C. Ondine Chavoya is Professor of Art at Williams College. Chon Noriega is Professor of Film, Television, and Digital Media at the University of California, Los Angeles. Terezita Romo is Program Officer at The San Francisco Foundation.
Table of Contents
List of Illustrations ix Preface xiii Acknowledgments xv Introduction / Jennifer A. González 1 Part I. Definitions and Debates Introduction / Chon Noriega 13 1. Looking for Alternatives: Notes on Chicano Art, 1960-1990 / Philip Brookman 19 2. Con Safo (C/S) Artists: A Contingency Factor / Mel Casas 30 3. El Arte de Chicano: "The Spirit of the Experience" / Gilbert Sanchez Luján 32 4. Notes on an Aesthetic Alternative / Carlos Almaraz 35 5. A Critical Perspective on the State of Chicano Art / Malaquís Montoya and Lezlie Salkowitz-Montoya 37 6. Response: Another Opinion on the State of Chicano Art / Shifra M. Goldman 45 7. Post-Chicano / Rita Gonzalez 54 8. The New Chicano Moment / Josh Kun 58 9. Post-movimiento: The Contemporary (Re)Generation of Chicana/o Art / Tomás Ybarra-Frausto 66 Further Reading 72 Part II. Cultural Reclamation and Vernacular Traditions Introduction / Terezita Romo 75 10. The Politics of Popular Art / Rupert García 81 11. Rasquachismo: A Chicano Sensibility / Tomás Ybarra-Frausto 85 12. Domesticana: The Sensibility of Chicana Rasquache / Amalia Mesa-Bains 91 13. Chicano Humor in Art: For Whom the Taco Bell Tolls / Rubén Trejo 100 14. Points of Convergence: Iconography of the Chicano Poster / Terezita Romo 104 15. Graffiti Is Art: Any Drawn Line That Speaks about Identity, Dignity, and Unity . . . That Line Is Art / Charles "Chaz" Bojórquez 117 16. Inventing Tradition, Negotiating Modernism: Chicano/a Art and the Pre-Columbian Past / Victor Zamudio-Taylor 123 17. Negotiated Frontiers: Contemporary Chicano Photography / Jennifer A. González 135 18. Deus ex Machina: Tradition, Technology, and the Chicanafuturist Art of Marion C. Martinez / Catherine S. Ramírez 146 19. Celia Alvarez Muñoz: "Civic Studies" / Roberto Tejada 165 Further Reading 174 Part III. Bodily Aesthetics and Iconologies Introduction / Jennifer A. González 177 20. Mel Casas: Redefining America / Nancy Kelker 183 21. Drawing Offensive/Offensive Drawing: Toward a Theory of Mariconógraphy / Robb Hernández 194 22. The Pachuco's Flayed Hide: Mobility, Identity, and Buenas Garras / Marcos Sánchez-Tranquilino and John Tagg 208 23. Writing on the Social Body: Dresses and Body Ornamentation in Contemporary Chicana Art / Laura A. Pérez 219 24. Ojo de la Diosa: Becoming Divine in Delilah Montoya's Photography / Asta Kuusinen 237 25. Art Comes for the Archbishop: The Semiotics of Contemporary Chicana Feminism and the Work of Alma López / Luz Calvo 250 Further Reading 263 Part IV. Public Practices and Enacted Landscapes Introduction / C. Ondine Chavoya 267 26. The Enacted Environment of East Los Angeles / James T. Rojas 271 27. Space, Power, and Youth Culture: Mexican American Graffiti and Chicano Murals in East Los Angeles, 1972-1978 / Marcos Sánchez-Tranquilino 278 28. Pseudographic Cinema: Asco's No-Movies / C. Ondine Chavoya 292 29. Whose Monument Where? Public Art in a Many-Cultured Society / Judith F. Baca 304 30. La Memoria de Nuestra Tierra: Colorado / Judith F. Baca 310 31. The Donkey Cart Caper: Some Thoughts on Socially Conscious Art in Antisocial Public Space / David Avalos 314 32. Public Audit: An Interview with Elizabeth Sisco, Louis Hock, and David Avalos / Clyena Simonds 319 Further Reading 331 Part V. Border Visions and Immigration Politics Introduction / Jennifer A. González 335 33. Border Arte: Nepantle, el Lugar de la Frontera / Gloria Anzaldúa 341 34. The Spaces of Home in Chicano and Latino Representations of the San Diego–Tijuana Borderlands (1968–2002) / Jo-Anne Berelowitz 351 35. Straddling la otra frontera: Inserting MiChicana/o Visual Culture into Chicana/o Art History / Dylan Miner 372 36. Borders, Border Crossing, and Political Art in North Carolina / Gabriela Valdivia, Joseph Palis, and Matthew Reilly 394 37. Excerpts from Codex Espangliensis: From Columbus to the Border Patrol / Enrique Chagoya, Guillermo Gómez-Peña, and Felicia Rice 402 38. 187 Reasons Why Mexicanos Can't Cross the Border (Remix) / Juan Felipe Herrera 406 Further Reading 410 Part VI. Institutional Frameworks and Critical Reception Introduction / C. Ondine Chavoya 413 39. Los Four / Peter Plagens 417 40. MARCH to an Aesthetic of Revolution / Raye Bemis 420 41. Resisting Modernism: Chicano Art: Retro Progressive or Progressive Retro? / Ralph Rugoff 423 42. Our America at the Smithsonian / Philip Kennicott 427 43. Alex Rivera, Philip Kennicott Debate Washington Post Review of Our America / Philip Kennicott 430 44. What Do We Mean When We Talk about "Latino Art"? / Elizabeth Blair 434 45. Chicano Art: Looking Backward / Shifra M. Goldman 436 46. Readers' Forum Letter to the Editor in Response to Shifra Goldman's Exhibition Review / Judithe Elena Hernández de Neikrug 440 47. Readers' Forum Response to Judithe Hernandez's Letter to the Editor / Shifra M. Goldman 442 48. "All Roads Lead to East L.A.," Goez Art Studios and Gallery / Karen Mary Davalos 444 49. From CARA to CACA: The Multiple Anatomies of Chicano/a Art at the Turn of the New Century / Alicia Gaspar de Alba 455 50. On Museum Row: Aesthetics and the Politics of Exhibition / Chon Noriega 470 51. Strangeways Here We Come / Rita Gonzalez 484 Further Reading 495 Glossary 497 Contributors 501 Index 509 Acknowledgment of Copyrights 531What People are Saying About This
Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage - Laura G. Gutiérrez
“Bringing together a number of essays that are often quoted within Chicano studies with those that are not readily available, this volume gives readers a full sense of Chicano visual studies as a field of study in its own right. A truly impressive collection.”
Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage - Laura G. Gutiérrez
“Bringing together a number of essays that are often quoted within Chicano studies with those that are not readily available, this volume gives readers a full sense of Chicano visual studies as a field of study in its own right. A truly impressive collection.”
Lynching in the West: 1850–1935 - Ken Gonzales-Day
“The editors have assembled leading scholars and historic essays to unpack the generative force of the Chicana/o art movement. The essays are organized by themes and historic benchmarks; they consider everything from cultural reclamation to political action and even invite readers to imagine what a ‘post-movimiento’ future might look like. A must-have for anyone wishing to learn the history of Chicana/o art, particularly at a time when questions of immigration and assimilation continue to fuel political debate.”
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