Paganini: The 'Demonic' Virtuoso

Paganini: The 'Demonic' Virtuoso

by Mai Kawabata
Paganini: The 'Demonic' Virtuoso

Paganini: The 'Demonic' Virtuoso

by Mai Kawabata

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Overview

Separating fact from fiction, this book explores how the legendary violinist challenged the very notion of what it meant to be a musician.

Our inherited image of Nicolo Paganini as a 'demonic violinist' has never been analysed in depth. What really made him 'demonic'? This book investigates the legend of Paganini. Separating fact from fiction, it explains how the virtuoso violinist challenged the very notion of what it meant to be a musician.
Mai Kawabata considers Paganini's performance innovations, violin techniques and musical ethos in the light of contemporary attitudes towards musicand the supernatural, gender, sexuality, violence, heroism and masculinity as well as conceptions of power. The many perceptions of Paganini as demonic - Faust, magician, devil, rake/libertine, Napoleon - were inter-related but not equivalent. A swirl of cultural factors coalesced in the performer to create that phenomenon of Romanticism, a larger-than-life Gothic villain. Kawabata shows how the idea of virtuosity spiralled out of control, acquiring a potent, overwhelmingly negative aura in the process, as the mythology surrounding Paganini outlived and outgrew the man to monstrous proportions. An appendix brings together late nineteenth-century British press and literature coverage of Paganini that contributed to the developing myth surrounding the now famous composer and performer.

MAI KAWABATA is Lecturer in Music at the University of East Anglia and a professional violinist.

Product Details

ISBN-13: 9781843837565
Publisher: BOYDELL & BREWER INC
Publication date: 06/20/2013
Edition description: New Edition
Pages: 303
Product dimensions: 6.10(w) x 9.30(h) x 0.90(d)

Table of Contents

List of Illustrations, Musical Examples, and Tables ix

Acknowledgements xi

1 Introduction 1

Paganini's Historical Context as a Violinist 3

Demystifying Virtuosity 10

The 'Paganini Cult' 17

On Theorising Virtuosity and 'Performance Studies' 20

Demythologising Paganini 23

2 'Demonic' Violinist, Magical Virtuosity 26

Constructions of Paganini as 'Demonic' 27

Paganini on Paganini 38

Conditions for 'Demonisation' 43

3 Hypereroticism and Violence 50

Hypereroticism 51

Gendered Power Dynamics in Performance 57

Paganini as Rock Star 71

4 Sovereignty, Domination, and Conquest 76

Self-Advancing Entrepreneurialism 78

'Napoleonic' Conquests 86

Soloistic Domination 88

5 Paganini's Legacies 96

Paganini's Misconstrued Legacy of Technique Fetishisation 104

Werktreue and Virtuosity 109

Paganini's Legacy of Self-Expression 112

Coda 118

Epilogue: Paganinian Mythology 121

The Fate of Virtuosity Among Nineteenth-Century Italian Violinists 122

The 'Secret Red Book' 127

Paganini's 'Demonic' Mythology After 1840 132

Paganini in Film 138

Paganini Today 140

Appendix: Paganiniana in the British Press (1840-1900) 142

Leigh Hunt, 'Paganini', British Minstrel, and Musical and Literary Miscellany Vol. 1 No. 1 (January 1843) 142

Leigh Hunt, 'The Fancy Concert', Ainsworth's Magazine 7 (January 1845) 146

Anon., 'The Violin (Abridged from Blackwood's Magazine)', British Minstrel Vol. 1 No. 1 (January 1843) 149

Anon., 'The Devil's Frills: A Dutch Illustration of the Water Cure', Blackwoods Edinburgh Magazine Vol. 54 No. 334 (August 1843) 165

Anon., 'Paganini', Mirror of Literature, Amusement, and Instruction Vol. 2 No. 13 (23 September 1843) 179

Abraham Elder, 'The Wandering Fiddler', Bentley's Miscellany 22 (July 1847) 180

Anon., 'The Fiddler's Fate', Ainsworth's Magazine 23 (January 1853) 198

'Zeta', 'Paganini', Musical World Vol. 35 No. 25 (20 June 1857) 204

W. J. Prowse, 'The Mazed Fiddler', Once a Week Vol. 4 No. 85 (2 February 1861) 205

Anon., 'Paganini's False Teeth', The Orchestra Musical Review Vol. 1 No. 11 (12 December 1863) 215

Anon., 'Paganini', Argosy: a Magazine of Tales, Travels, Essays, and Poems 21 (January 1876) 216

Norman Oliphant, 'A Vision of Paganini', Magazine of Music Vol. 2 No. 21 (December 1885) 223

Elise Polko, 'Paganini's First Love', Merry England Vol. 7 No. 40 (August 1886) 228

Marian Millar, 'The Magician on the G String. A Musical Reminiscence of Weimar' (From the German of J.C. Lobe), Quarterly Musical Review Vol. 4 No. 13 (February 1888) 231

Walter Spinney, 'The Dead Violin. An Account of a Strange Occurrence. Related by Walter Spinney', Musical Standard Vol. 36 No. 1294 (18 May 1889) 244

Anon., 'New Story of Paganini', Violin Times Vol. 5 No. 51 (January 1898) 248

R. E. Andrews, 'The Violin of Human Strings', Idler: an Illustrated Monthly Magazine (June 1898) 250

Bibliography 258

Index 279

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