From the Publisher
“While the maritime imagination is now a well-established research topic, the role of pirates in this context has remained all but elusive, despite their ongoing popularity. This book is important for the study of popular culture in America, which needs to be expanded to early American studies. By historicizing piracy in its romanticized and demonized variants in a longue duree study, Ganser also adds substantially to the scholarship on the Atlantic as a transnational space. Extremely fascinating, cutting-edge scholarship.” (Heike Paul, winner of the Gottfried Wilhelm Leibniz Award 2018)
“A highly successful book in its conceptual-theoretical analysis of the pirate as a figure of empire, as a prototype for different legalistic-political orders in the Americas, and as a foil for divergent discursive formations and shift. Deep read and methodologically well thought-out throughout.” (Udo Hebel, former Chair of the International Committee of the American Studies Association/ASA)
“The author breaks new ground by wresting hitherto little explored material from the archive. But above all, it is the comprehensive synopsis of various local scenarios and a consequent border-crossing perspective that render this study a masterpiece of remarkable originality. It contributes to freeing the figure of the pirate from the muck of romanticizing fictions, rethinking the pirate as a central ideological category and a sign of societal crisis. This is a great and superbly presented achievement.” (Gesa Mackenthun, author of Metaphors of Dispossession: American Beginnings and the Translation of Empire, 1492–1637 (1997) and Fictions of the Black Atlantic in American Foundational Literature (2004))