“Lacan Noir is an intellectual masterpiece. David Marriott successfully exceeds psychoanalytic application by offering, instead, a rigorous black critique of Lacanian psychoanalysis—revealing the concealed ‘(anti)black unconscious’ determining psychoanalytic limits, rupturing discursive formations, and engendering possibilities. With remarkable precision and indefatigable rigor, Marriott rethinks Lacan’s theory of signification, questions the racial axiology undergirding signs, and considers the ‘negrophobic occupation’ of the sign itself—requiring a prool of interpretation beyond classical Lacanian (and Freudian) hermeneutical practices. Rather than inserting blackness into Lacanian subjectivity, Lacan Noir proffers an object-oriented psychoanalysis, one tracking the psychic life of black objects and the symptoms peculiar to this objecthood. Even more, Marriott provides, perhaps, the first sustained psychoanalytic engagement with Afro-pessimism. By exhausting the distinction between slave incapacity (non-ontology) and human capacity (ontology), this displacement constitutes the emergence of a black existence yet ‘unthought’ psychoanalytically (n'est pas). Lacan Noir is much more than a book—it is also a theoretical event.”

(Calvin Warren, Associate Professor, African American Studies, Emory University, USA)

“Only David Marriott could have written this book and every serious scholar of contemporary thought will be grateful that he did. His project, pursued with extraordinary rigor and a scrupulous intellectual honesty, proposes nothing less than a “speculative wager” that the “n’est pas,” the nothingness that Blackness speaks, is “the only chance for black affirmation in a world of negation.” Large in scope though short in length, Lacan Noir disrupts received ideas about Lacan, Fanon, psychoanalysis, and Blackness and changes forever the possibilities of thinking them together. It is a major theoretical accomplishment.”

(Lee Edelman, Fletcher Professor of English Literature, Tufts University, USA)

“A remarkable piece of work that exists at a different level to the vast majority both of Lacan scholarship and Lacanian-oriented engagements with Fanon. Whereas much of that work focusses simply on explaining or applying Lacan (or Fanon), tracing moments of intersection and resonances between their respective forms of theorizing, Lacan Noir fundamentally reshapes the field. In Marriott’s hands one has the sense that the conceptual and political materials - Lacanian psychoanalysis, Blackness, racism and Afropessimism – are being thought, worked over and through, at a more challenging level than has hitherto been attempted. Neither Lacanian psychoanalysis nor Afropessimism remain unchanged after his timely and typically brilliant intervention.”

(Derek Hook, author of Six Moments in Lacan)