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My Century
In My Century the great Polish poet Aleksander Wat provides a spellbinding account of life in Eastern Europe in the midst of the terrible twentieth century. Based on interviews with Nobel Prize winner Czeslaw Milosz, My Century describes the artistic, sexual, and political experimentation —in which Wat was a major participant— that followed the end of World War I: an explosion of talent and ideas which, he argues, in some ways helped to open the door to the destruction that the Nazis and Bolsheviks soon visited upon the world. But Wat's book is at heart a story of spiritual struggle and conversion. He tells of his separation during World War II from his wife and young son, of his confinement in the Soviet prison system, of the night when the sound of far-off laughter brought on a vision of "the devil in history." "It was then," Wat writes, "that I began to be a believer."
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My Century
In My Century the great Polish poet Aleksander Wat provides a spellbinding account of life in Eastern Europe in the midst of the terrible twentieth century. Based on interviews with Nobel Prize winner Czeslaw Milosz, My Century describes the artistic, sexual, and political experimentation —in which Wat was a major participant— that followed the end of World War I: an explosion of talent and ideas which, he argues, in some ways helped to open the door to the destruction that the Nazis and Bolsheviks soon visited upon the world. But Wat's book is at heart a story of spiritual struggle and conversion. He tells of his separation during World War II from his wife and young son, of his confinement in the Soviet prison system, of the night when the sound of far-off laughter brought on a vision of "the devil in history." "It was then," Wat writes, "that I began to be a believer."
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My Century

My Century

Overview

In My Century the great Polish poet Aleksander Wat provides a spellbinding account of life in Eastern Europe in the midst of the terrible twentieth century. Based on interviews with Nobel Prize winner Czeslaw Milosz, My Century describes the artistic, sexual, and political experimentation —in which Wat was a major participant— that followed the end of World War I: an explosion of talent and ideas which, he argues, in some ways helped to open the door to the destruction that the Nazis and Bolsheviks soon visited upon the world. But Wat's book is at heart a story of spiritual struggle and conversion. He tells of his separation during World War II from his wife and young son, of his confinement in the Soviet prison system, of the night when the sound of far-off laughter brought on a vision of "the devil in history." "It was then," Wat writes, "that I began to be a believer."

Product Details

ISBN-13: 9781590170656
Publisher: New York Review Books
Publication date: 12/31/2003
Series: NYRB Classics Series
Edition description: Revised ed.
Pages: 448
Product dimensions: 5.10(w) x 7.97(h) x 1.19(d)

About the Author

Aleksander Wat (1900–1967), the nom de plume of Aleksander Chwat, was born in Warsaw, the descendant of an old and distinguished Jewish family which counted among its members the great sixteenth-century cabalist Isaac Luria. He attended Warsaw University, where he studied philosophy, psychology, and logic, and formed strong ties with the literary avant-garde, publishing a first book of poems, Me from One Side and Me from the Other Side of My Pug Iron Stove, in 1920 and, some years later, a collection of stories entitled Lucifer Unemployed. Wat edited a variety of influential journals and helped to disseminate the work of Mayakovsky and the futurists in Poland, before forming an allegiance with the Communist Party and confining his writing to journalism. In 1939 he fled east before the advancing German army and was separated from his wife and young son. The family reunited in Lwów, then under Soviet control, where Wat found work on a newspaper, only to be placed under arrest. Imprisoned in the Soviet Union for the better part of two years, during which time he converted from Judaism to Christianity, Wat again rejoined his family, who had been exiled to Kazakhstan, in 1942. They returned after the war to Poland, where Wat began to write poetry again while serving as editor of the state publishing house. In 1963, he left his native country for France. Wat was invited in 1964 to the University of California, Berkeley, where he taped a series of conversations about his life and times with his countryman the poet Czeslaw Milosz. Edited by Milosz, these were published posthumously as My Century.

Czeslaw Milosz (1911—2004) was born in Lithuania. Among his published books are works of criticism (The Captive Mind), fiction (The Issa Valley), memoir (Native Realm), and many volumes of poetry. In 1980 he was awarded the Nobel Prize in Literature.

RICHARD LOURIE is the critically acclaimed author of both fiction and nonfiction, including The Autobiography of Joseph Stalin and Sakharov: A Biography. He has translated more than thirty books and served as Mikhail Gorbachev’s translator for The New York Times. His articles and reviews have appeared in many influential publications, including The New York Times, The Washington Post, the New Republic, and The Nation.
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