Starred Review.
Though he's best known outside of New Orleans for his 1961 hit "Mother-in-Law," Ernest Kador Jr., aka Ernie K-Doe, was a legendary figure in the Crescent City. Known for his wild performances, self-aggrandizing, and free-association radio broadcasts-not to mention his Mother-In-Law Lounge (essentially a shrine to the performer and his musical career, in which he frequently held court)-, Ernie K-Doe couldn't have existed anywhere other than in New Orleans. Here, local music expert Sandmel (Zydeco!) offers a terrific biography of the much-missed performer. Packed with anecdotes, candid photos, and interviews from those who knew K-Doe best, Sandmel charts the mercurial performer's rise, fall, and redemption before his death in 2001. Though K-Doe's trajectory (rapid stardom, reckless spending, substance abuse, career decline, and poverty) isn't surprising, Sandmel remains respectful and manages to hold the reader's interest, portraying K-Doe as an eccentric man who was by turns irritating, egotistical, and incredibly generous. A tireless self-promoter that often led to comparisons to Muhammad Ali, the self-proclaimed Emperor of the World would likely have been pleased by this balanced biography of a truly unique performer. Rounded out with a thorough index and discography of K-Doe's recordings, this is essential reading for those interested in the unique culture of New Orleans. Photos.
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A vital, loving chronicle of the colorful life and frequently hard times of the New Orleans R&B singer and self-styled "Emperor of the Universe." To many, Ernie K-Doe (1936–2001) is a one-hit wonder: His evergreen oldie "Mother-in-Law" topped the pop and R&B charts in 1961. But to New Orleans journalist Sandmel (Zydeco!, 1999), the vocalist was much more, and this smart, funny and richly designed and illustrated book makes a rousing case for the musician as a quintessential Crescent City figure. Born Ernest Kador Jr. in the city's Charity Hospital, K-Doe authored his hit single and other lively R&B tracks for local Minit Records, but a follow-up smash proved elusive. While he maintained a hometown profile as a hardworking performer in the James Brown/Joe Tex mold, K-Doe was best known for years as a DJ on New Orleans' WWOZ. There, his lunatic manner, unique lexicon and stream-of-consciousness raps cemented his status as a NoLa institution. Megalomania, alcoholism and a propensity for professional bridge burning left him virtually homeless by the late '80s. However, he enjoyed a second act in the '90s after he opened his famed Mother-in-Law Lounge with wife Antoinette, who restored him personally and professionally. The club, which often doubled as the K-Does' living room, attracted a crowd of tourists, oddball locals, young musicians and journalists (including the New York Times' Neil Strauss, who had a notorious set-to with the eccentric proprietors while on assignment in 2000). K-Doe's saga didn't end with his death: He maintained a bizarre afterlife at the Mother-in-Law and around town in the form of a life-sized sculpture created by local artist Jason Poirier. Though severely damaged by Hurricane Katrina, the lounge was restored and run by Antoinette until her death in 2009. Despite a multitude of personal faults, K-Doe emerges here as hilarious, complex and indomitable--a larger-than-life character altogether worthy of inclusion in the pantheon of his city's oversized musical titans. A vital, essential addition to the shelf of great books about New Orleans.
