Katerfelto, A Story of Exmoor by G. J. Whyte-Melville
Excerpt:
The room in which these worthies had assembled seemed more comfortable than luxurious. Its bare floor was sanded, and the chairs, long-legged, high-backed and narrow-seated, were little suggestive of repose, but the mahogany table had been rubbed till it shone like glass, the wood-fire blazed and crackled, lighting up the crimson hangings that festooned the windows, and though the candles were but tallow, there flared enough of them to bring into relief a few pictures with which the unpapered walls were hung. These works of art, being without exception of a sporting tendency, were treated in a realistic style, and seemed indeed to have been painted by the same master:--A fighting-cock, spurred, trimmed, and prepared for battle, standing on the very tip-toe of defiance. A horse with a preternaturally small head, and the shortest possible tail, galloping over Newmarket Heath, to win, as set forth in large print below, "a match or plate of the value of fifty guineas." The portrait of a celebrated prize-fighter, armed with a broadsword, of a noted boxer in position, stripped to the waist. Lastly, an ambitious composition, consisting of scarlet frocks, jack-boots, cocked hats, tired horses and baying hounds, grouped round a central figure brandishing a dead fox, and labelled "The Victory of obtaining the Brush."
One of the party had taken on himself to ladle out the punch. Its effects soon became apparent in the heightened colour and increased volubility of the company. Voices rose, two or three at once. A song was demanded, a glass broken. In the natural course of events, somebody called a toast.
"Blue-Eyes!" shouted a handsome young fellow flushed with drink, waving his glass above his head.
"A fine!" objected the punch-ladler, judicially. "By the laws of our society, no member has leave to pledge a female toast. It leads to mischief. Gentlemen, we have decided to draw the line, and we draw it at beauty. Call something else!"
"Then here's John Wilkes!" laughed the first speaker. "He's ugly enough in all conscience. John Wilkes! His good health and deliverance--with three!"
"Hold!" exclaimed a beetle-browed, square-shouldered man of forty or more, turning down his glass; "I protest against the toast. John Wilkes ought still to be fast by the heels in the Tower of London. If he had his deserts John Wilkes would never have come out again, alive or dead, and nobody but a d--d Jacobite, and traitor to His Majesty King George, would venture to call such a toast in this worshipful company. I stand to what I say, John Garnet. It's you to play next!"
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The room in which these worthies had assembled seemed more comfortable than luxurious. Its bare floor was sanded, and the chairs, long-legged, high-backed and narrow-seated, were little suggestive of repose, but the mahogany table had been rubbed till it shone like glass, the wood-fire blazed and crackled, lighting up the crimson hangings that festooned the windows, and though the candles were but tallow, there flared enough of them to bring into relief a few pictures with which the unpapered walls were hung. These works of art, being without exception of a sporting tendency, were treated in a realistic style, and seemed indeed to have been painted by the same master:--A fighting-cock, spurred, trimmed, and prepared for battle, standing on the very tip-toe of defiance. A horse with a preternaturally small head, and the shortest possible tail, galloping over Newmarket Heath, to win, as set forth in large print below, "a match or plate of the value of fifty guineas." The portrait of a celebrated prize-fighter, armed with a broadsword, of a noted boxer in position, stripped to the waist. Lastly, an ambitious composition, consisting of scarlet frocks, jack-boots, cocked hats, tired horses and baying hounds, grouped round a central figure brandishing a dead fox, and labelled "The Victory of obtaining the Brush."
One of the party had taken on himself to ladle out the punch. Its effects soon became apparent in the heightened colour and increased volubility of the company. Voices rose, two or three at once. A song was demanded, a glass broken. In the natural course of events, somebody called a toast.
"Blue-Eyes!" shouted a handsome young fellow flushed with drink, waving his glass above his head.
"A fine!" objected the punch-ladler, judicially. "By the laws of our society, no member has leave to pledge a female toast. It leads to mischief. Gentlemen, we have decided to draw the line, and we draw it at beauty. Call something else!"
"Then here's John Wilkes!" laughed the first speaker. "He's ugly enough in all conscience. John Wilkes! His good health and deliverance--with three!"
"Hold!" exclaimed a beetle-browed, square-shouldered man of forty or more, turning down his glass; "I protest against the toast. John Wilkes ought still to be fast by the heels in the Tower of London. If he had his deserts John Wilkes would never have come out again, alive or dead, and nobody but a d--d Jacobite, and traitor to His Majesty King George, would venture to call such a toast in this worshipful company. I stand to what I say, John Garnet. It's you to play next!"
Katerfelto, A Story of Exmoor by G. J. Whyte-Melville
Excerpt:
The room in which these worthies had assembled seemed more comfortable than luxurious. Its bare floor was sanded, and the chairs, long-legged, high-backed and narrow-seated, were little suggestive of repose, but the mahogany table had been rubbed till it shone like glass, the wood-fire blazed and crackled, lighting up the crimson hangings that festooned the windows, and though the candles were but tallow, there flared enough of them to bring into relief a few pictures with which the unpapered walls were hung. These works of art, being without exception of a sporting tendency, were treated in a realistic style, and seemed indeed to have been painted by the same master:--A fighting-cock, spurred, trimmed, and prepared for battle, standing on the very tip-toe of defiance. A horse with a preternaturally small head, and the shortest possible tail, galloping over Newmarket Heath, to win, as set forth in large print below, "a match or plate of the value of fifty guineas." The portrait of a celebrated prize-fighter, armed with a broadsword, of a noted boxer in position, stripped to the waist. Lastly, an ambitious composition, consisting of scarlet frocks, jack-boots, cocked hats, tired horses and baying hounds, grouped round a central figure brandishing a dead fox, and labelled "The Victory of obtaining the Brush."
One of the party had taken on himself to ladle out the punch. Its effects soon became apparent in the heightened colour and increased volubility of the company. Voices rose, two or three at once. A song was demanded, a glass broken. In the natural course of events, somebody called a toast.
"Blue-Eyes!" shouted a handsome young fellow flushed with drink, waving his glass above his head.
"A fine!" objected the punch-ladler, judicially. "By the laws of our society, no member has leave to pledge a female toast. It leads to mischief. Gentlemen, we have decided to draw the line, and we draw it at beauty. Call something else!"
"Then here's John Wilkes!" laughed the first speaker. "He's ugly enough in all conscience. John Wilkes! His good health and deliverance--with three!"
"Hold!" exclaimed a beetle-browed, square-shouldered man of forty or more, turning down his glass; "I protest against the toast. John Wilkes ought still to be fast by the heels in the Tower of London. If he had his deserts John Wilkes would never have come out again, alive or dead, and nobody but a d--d Jacobite, and traitor to His Majesty King George, would venture to call such a toast in this worshipful company. I stand to what I say, John Garnet. It's you to play next!"
The room in which these worthies had assembled seemed more comfortable than luxurious. Its bare floor was sanded, and the chairs, long-legged, high-backed and narrow-seated, were little suggestive of repose, but the mahogany table had been rubbed till it shone like glass, the wood-fire blazed and crackled, lighting up the crimson hangings that festooned the windows, and though the candles were but tallow, there flared enough of them to bring into relief a few pictures with which the unpapered walls were hung. These works of art, being without exception of a sporting tendency, were treated in a realistic style, and seemed indeed to have been painted by the same master:--A fighting-cock, spurred, trimmed, and prepared for battle, standing on the very tip-toe of defiance. A horse with a preternaturally small head, and the shortest possible tail, galloping over Newmarket Heath, to win, as set forth in large print below, "a match or plate of the value of fifty guineas." The portrait of a celebrated prize-fighter, armed with a broadsword, of a noted boxer in position, stripped to the waist. Lastly, an ambitious composition, consisting of scarlet frocks, jack-boots, cocked hats, tired horses and baying hounds, grouped round a central figure brandishing a dead fox, and labelled "The Victory of obtaining the Brush."
One of the party had taken on himself to ladle out the punch. Its effects soon became apparent in the heightened colour and increased volubility of the company. Voices rose, two or three at once. A song was demanded, a glass broken. In the natural course of events, somebody called a toast.
"Blue-Eyes!" shouted a handsome young fellow flushed with drink, waving his glass above his head.
"A fine!" objected the punch-ladler, judicially. "By the laws of our society, no member has leave to pledge a female toast. It leads to mischief. Gentlemen, we have decided to draw the line, and we draw it at beauty. Call something else!"
"Then here's John Wilkes!" laughed the first speaker. "He's ugly enough in all conscience. John Wilkes! His good health and deliverance--with three!"
"Hold!" exclaimed a beetle-browed, square-shouldered man of forty or more, turning down his glass; "I protest against the toast. John Wilkes ought still to be fast by the heels in the Tower of London. If he had his deserts John Wilkes would never have come out again, alive or dead, and nobody but a d--d Jacobite, and traitor to His Majesty King George, would venture to call such a toast in this worshipful company. I stand to what I say, John Garnet. It's you to play next!"
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Katerfelto, A Story of Exmoor by G. J. Whyte-Melville
Katerfelto, A Story of Exmoor by G. J. Whyte-Melville
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Product Details
BN ID: | 2940015524321 |
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Publisher: | Unforgotten Classics |
Publication date: | 09/29/2012 |
Sold by: | Barnes & Noble |
Format: | eBook |
File size: | 1 MB |
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