Read an Excerpt

CHAPTER 1

Halfway through August, a heat wave sinks into central Pennsylvania, and it feels like the countryside is sealed inside a clammy Mason jar. Sweat trickles down my back as I smoke a cigarette to calm my nerves. I have been hired as a reporter for my hometown newspaper. It's my first night. I lean against the brown bricks outside the single-story building that houses the Sentinel and wish for a breeze or thunderstorm — anything that might funnel relief into the soupy air — but I know that none will come. The sky is mottled with haze. I toss my cigarette down into a metal coffee can, a makeshift ashtray half full of spent butts, and open the back door.

Just two days earlier I had somehow convinced Elizabeth, the newspaper's editor, that I have the "nose for journalism" the advertisement for a reporter's position demanded. I know how to write a story, I told her, leaving out the fact that I had taken only one journalism class in college. I told her there are the sacred five Ws — who, what, where, when, why — but beyond that, there are human stories. These are real people with real lives and I would be indebted to tell the truth. When I stood to leave, Elizabeth shook my hand and apologized about forgetting my scheduled interview; I wore a suit and tie while she stood in purple sweatpants and a T-shirt silk-screened with butterflies.

My first afternoon at the Sentinel, Elizabeth leads me through the newspaper's small office. The low ceilings hold buzzing fluorescent lights — there seem to be no shadows cast onto the worn, brown carpet. The only natural light that seeps into the building comes from the glass facade at the front of the building. However, none of that light makes it to the newsroom because it is eclipsed by the tall, carpeted walls of cubicles that make up the advertising department.

Elizabeth introduces me to my fellow reporters, then finally shows me to my cubicle. The walls are waist high and it feels as spacious as a shoe box. Sitting on the desk is a computer that looks to be fifteen years old, perhaps a remnant from the Reagan administration. Next to the computer sits a police and fire scanner that beeps every few minutes, just like the red Motorola pager my father used to clip on his leather belt. A streak of tones, vacillating in pitch and frequency, whine from the tiny black scanner. Dread singes my nerves — I know that sound too well already.

"Why the scanner?" I ask.

"Figured we'll start you out on police and fire," Elizabeth says. She narrows her eyes, as if examining me. "That'll be okay, right?"

"Sure," I say. "Yeah, that's no problem."

As I stare at that scanner, I think of my father who had been McVeytown's volunteer fire chief. Each time I pass the McVey-town Volunteer Fire Company and see a few of the guys standing outside, I don't swell with the pride that most people in small towns feel for their volunteer firemen — I feel the same way about them as I feel about my father. Those men abandon their families. The firehouse was my dad's excuse to miss dinner, skip out on my elementary school's open houses, and break plans to play baseball or take me fishing. His commitment to his job as fire chief exceeded expectations — it seemed a guttural obsession, perhaps an addiction.

My dad left home for fires, car accidents, flooded basements, company meetings, seminars, training exercises, and conventions. Even when he worked himself raw cutting glass at his factory job and complained of sore joints and bloody knuckles and stomach problems, when he was called he bolted to his feet and went out to save the day, like one of the superheroes I watched on afternoon cartoons.

He jumped from his chair at dinner, lunged out of bed in the night. He raced past cars on the highway in his pickup truck — the red strobe light on the roof flashing, the speedometer climbing, sometimes my mother and I sitting beside him and grasping the vinyl seat. One such day, he pulled into the firehouse parking lot, slamming on the brake and jerking the truck to a sudden stop. He popped the door, jumped down, and ran toward the station house.

"Just drive it home," he yelled to my mother before he dashed into the engine room.

It was scary, amd sometimes frustrating, but there was something exciting about it as well. It was as if he kept the entire town safe, as if somehow none of us could survive without him.

My complicated history with fire seems unknown to my newsroom co-workers, many of whom are in their early thirties and probably never even heard of Denton Varner, my father. But lots of other people in Mifflin County still love him and consider him a hero. Fewer people remember, or perhaps conveniently forget, that my grandfather Lucky loved to ignite fires. I don't say a word to Elizabeth about my family's past, afraid that if I decline the police and fire beat, I will be fired from a job that I desperately need. Most of my friends in the class of 2003 began working jobs when we graduated three months earlier — places like insurance companies, corporate front offices, and national magazines. None of them still live in their hometown and write for their local daily newspapers.

Later that first night, I learn how to write obituaries.

Ken, the newsroom clerk, sits next to me as I type my first batch of obits. He tells me the formula on how to write up the dead. The most important things come first: name, age, address, and time and place of death. Then a new paragraph for the background: date of birth, place of birth, parents, and spouse. The next paragraph lists the survivors. There is an order to this laundry list of family members as well: The most important (usually the children) come first. Aunts, uncles, or cousins come last. The rest fall somewhere in between. There are exact rules, wordings, and euphemisms that must be followed.

Ken scratches his goatee while I type. He seems to genuinely enjoy the order of death. Faxes from the funeral homes provide the specifics of the deceased. All I have to do is arrange the information.

"We used to include the words public viewing," Ken says. "But now it's friends may call instead. Someone who was doing these forgot a letter once and wrote pubic instead of public. The family didn't like that."

"This is bitch work, isn't it?" I ask. "The lowest job for a reporter?"

"Look at it this way," he says, and taps a finger on the desk. "You're guaranteed to have your stuff read. People want to know who died. They read these obituaries every day."

When I finish for the night, I walk through the newsroom, past the tiny lunch room and the cubicles of the circulation department, and slip out the back door for a cigarette. The night looks still and haunted. A fat moon, two days past its prime, spills a blue tint over the wooded knob of a nearby hill and washes down onto the parking lot. Lightning bugs glow to life, then fade, like the flashing beacons of the radio relay towers stuck on distant ridges. In a few weeks the fireflies will disappear from the night along with the heat. It feels as if everything will go out with the summer but me.

One of the guys from the press room opens the door and steps outside for a breath of air. His blue uniform clings to the heft of his frame. Ink stains his fingers and forearms.

"We got a name for you already," he says. "Clark Kent."

"Well, I am wearing red underwear, but I'd need a cape."

"No, it's the glasses," he says, pointing to my trendy, black-rimmed frames. "What beat do they have you working?"

"Police and fire. And writing obits."

"I've seen so many people go through that desk," he says. "I've just stopped learning their names. I've been here thirty years and let me tell you something — you'll be gone in a year."

"You think so?"

"I know so," he says. "You burn out on that beat."

I had already burned out on Mifflin County — I never even wanted to return here.

Many people in my family had not gone to college and the ones who did had attended state universities, not liberal arts schools as I had done. Though tuition had been expensive, I relied on financial aid, student loans, and grants. Most of my family worked practical jobs — they dug ditches along the railroad, reviewed loans at banks, or taught middle school. I was raised believing that college was the ultimate privilege, something sacred that should never be wasted. With that attitude, my family couldn't understand what I would possibly pursue with a degree in creative writing. None of them had a penchant for the arts — they enjoyed things like hunting deer and turkey, fishing for trout and rock bass, or watching baseball and football. To me, moving back home was my admission of defeat, a declaration that their concerns had been justified and that my four years at college had been wasted. Here comes the prodigal son, I imagined them saying, crawling back home with his tail between his legs.

And so, on graduation day, I swallowed my pride and packed up my dorm room, loaded everything into the car, and moved back home with my mother. There was no party and no cake, just the two of us quietly watching television together that Sunday night. The place still looked exactly as I had remembered it — there was not much room, even for two people. We couldn't even walk past each other in the hallway by turning sideways — someone had to step into the bathroom or bedrooms until the other passed. And no matter where I went — my bedroom, the corner office I had set up in the basement to write, or the front porch — I could hear every move she made. The floors squeaked and moaned as if the house were alive. I yearned for the privacy of my dorm room, which had actually been quieter.

But my mother seemed happy to have me home. We took walks together in the evenings. Once a week we mowed the lawn — she drove the riding mower, while I circled trees with the push mower. She told me things that needed to be fixed — the clothesline, a bench on the porch, the door to the shed — and I made sure they were repaired to her liking. On Sunday nights we ordered a pizza from Jimmy's Pizza, McVeytown's only attempt at anything resembling an Italian restaurant, and then watched baseball together.

"You know," she said one night, "you're going to have to get a job soon."

"I know."

"What were you thinking of doing?"

"Something will work out," I said.

"When are you thinking of looking for a job?" she asked.

"I looked," I said. "There's not much open right now."

"Wal-Mart's hiring again." She raised her eyebrows and waited for my response.

During college, I worked three summers at Wal-Mart, barely making above the minimum wage. It was bad enough then, but now that I had a degree, there was no way I would work there again.

That summer dragged on, but then I opened the newspaper and saw an advertisement for a reporting position with the Sentinel. It didn't seem like such a bad job. Maybe it would make living in Mifflin County a bearable experience.

The area, located almost directly between Philadelphia and Pittsburgh, once thrived on agriculture and industry but now suffered in irrelevance. I had grown up in McVeytown, a blink-and-you-miss-it town that had only one store at which to buy groceries, one gas station, and two restaurants. Alfalfa and corn-fields surrounded everything; they rolled out like long tracts of green and brown carpet before meeting the undulating ridges on the horizon, part of the Appalachian Mountains' long stretch through central Pennsylvania. At dusk, sunset fired the dairy farms in a golden hue and burnished the surface of the Juniata River. The silence of night was broken by the distant wail of a freight train as it beat and clanked along the railroad tracks, or by the machine-gunning Jake Brakes on the semis rolling on Route 522 through McVeytown.

Lewistown, the largest town in Mifflin County and home to the Sentinel office, was fifteen miles east of McVeytown and had seemed like a city when I was a kid, when I thought that I wanted to live here for the rest of my life. This was when industrial plants still clustered along the snaking Juniata River, a waterway that once transported tons of goods each day as part of the Pennsylvania Canal, back before railroad lines veined over fields and roads. Back then, factories that produced airplane parts, stereos, televisions, automobile seats, cabinets, and candy surrounded the town. Family-owned storefronts surrounded the town square.

But like so many small towns across the country, the strangle-hold of Wal-Mart spread like cancer. The stores closest to "Wally World" shut down first, then the ones on the square, and finally people had two choices: shop at Wal-Mart or don't shop at all. Around this same time, the first of the factories began to close.

It wasn't just the jobs that left — people did too. Since the 1960s, Lewistown's population had decreased by 29 percent. Around twelve thousand resided in the borough in 1973. By the time I returned to Mifflin County after college, only eight thousand were left within the city limits. And though there were fewer people competing for employment openings, even dead-end jobs became increasingly difficult to find. The options for high school graduates ebbed. Grandfathers, fathers, and sons who had defined themselves by their lineage at the same manufacturing plants searched for something different to do. Their jobs went away but the old factories were left standing, mausoleums of the town's industrial past. The buildings' windows were boarded up; the insides stripped, boxed, and shipped overseas. Parking lots the size of football fields sat empty.

For the past several years, my dream has been to escape all of this, yet I accepted a job at the Sentinel because Elizabeth offered to hire me, because I was too scared to turn it down, because I don't know what else to do with my life. When I graduated college, I believed that I had overcome the negative pull of my past and that my family's history of fascination with fire no longer haunted me. But now I think I am wrong about that. I know that working the police and fire beat will unearth memories I buried long ago, and that I will ultimately have to face the unsettling memory of my father.

After work that first night, I drive on the narrow back roads between Lewistown and McVeytown, headed home where I know my mother will still be awake. I pull into our driveway and watch as a half-dozen cats scatter in my headlights. My mom has opened all the windows to our home, a doublewide trailer, which feels like the inside of a kiln at the height of summer. Most of my college friends know only that I live in a small house — I was usually too embarrassed to admit the truth and tip off people about my social class. Even a girlfriend in college believed it for two years before she finally visited for a week one summer.

"How'd it go?" my mother asks. She stands at the kitchen sink and dries her hands on a dish towel. Her face looks flushed and hot.

"Fine," I say. "They want me to work the police and fire beat."

"That's not so bad, is it?" She smiles and I notice how few wrinkles she has. She thinks forty-six is old, though I tell her that most of my friends have parents who are already sixty.

I sit at the dining room table and shake my head. "I have to go out on calls. I have to go to the fires and talk with victims. Would you want to do that?"

She doesn't say anything for a while. She finishes her work at the sink and then sits on the love seat in the dining room. Her fingers pick at frays of itchy upholstering.

"It won't be that bad, will it?" she asks.

"It's a job," I say.

"Around here, you're lucky to get one of those," she says.

"Going out on fire calls. Well, I'm sure you dad would find that interesting."

On some evenings, I rode into McVeytown with my father, usually to buy milk or bread. My dad's heavy steel-toed boots pounded up the rickety wooden steps outside Kline's Market. He pulled open the heavy glass door and I followed him inside. These trips should have taken ten minutes, but for my dad they lasted an hour. Usually, we saw some of his friends: firemen, police officers, reporters, or co-workers. They always smiled when they saw him. They were tall, thick men, not unlike my dad, who wore hats and mustaches like him. They even dressed the same: scuffed steel-toed boots, grease-stained and faded blue jeans, and solid-color T-shirts. All of them wanted to talk with my father.

One night, my father's best friend, Art Kenmore, was in the store. The two worked together at a factory called Overhead Door, and both volunteered with the fire company. Art stood in line at the meat counter at the back of the store and stared at cuts of chipped ham, Lebanon bologna, and farmer's cheese, as if studying them for a test.

My father looked down at me and pressed a finger against his lips. He slowly walked up behind Art and stuck a finger into Art's shoulder blade.

---

Excerpted from "Nothing Left to Burn"
by .
Copyright © 2010 Jay Varner.
Excerpted by permission of ALGONQUIN BOOKS OF CHAPEL HILL.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

---