Table of Contents
Introduction
KATELYN BARNEY
1 Black fulla, White fulla: Can there be a truly balanced collaboration?
LOU BENNETT
2 Rock band: A third, brave space for Indigenous language
CLINT BRACKNELL
3 Theorising ganma: Yothu Yindi and third-space musical collaborations
AARON CORN
4 Call to Yawahr: Opening a third space for collaborative music making between Indigenous and non-Indigenous communities
CANDACE KRUGER
5 One mob dreaming: Cultivating a working model for song-sharing between Koori and non-Koori children in the Bega Valley, New South Wales
ROBIN RYAN CRUSE AND UNCLE OSSIE CRUSE
6 Indigenous music and cultural engagement: Listening with our ears and hearts
DAWN JOSEPH AND YIN PARADIES
7 Finding solid ground: Industry collaboration and mentoring Aboriginal and Torres Strait Islander students in secondary schools
THOMAS FIENBERG AND DEBBIE HIGGISON
8 Adventures in the third space of intra-Indigenous recording projects: Is border-crossing a bridge or a barrier?
KARL NEUENFELDT
9 In the borders and borderlands of coloniality with Hélène Cixous and Gloria Anzaldúa: An ethnomusicological theory-story of intercultural music-making
ELIZABETH MACKINLA