Peter Arno: The Mad, Mad World of The New Yorker's Greatest Cartoonist
The incredible, wild life of Peter Arno, the fabled cartoonist whose racy satire and bold visuals became the unforgiving mirror of his times and the foundation of the New Yorker cartoon.

In the summer of 1925, The New Yorker was struggling to survive its first year in print. They took a chance on a young, indecorous cartoonist who was about to give up his career as an artist. His name was Peter Arno, and his witty social commentary, blush-inducing content, and compositional mastery brought a cosmopolitan edge to the magazine's pages-a vitality that would soon cement The New Yorker as one of the world's most celebrated publications.

Alongside New Yorker luminaries such as E.B. White, James Thurber, and founding editor Harold Ross, Arno is one of the select few who made the magazine the cultural touchstone it is today. In this intimate biography of one of The New Yorker's first geniuses, Michael Maslin dives into Arno's rocky relationship with the magazine, his fiery marriage to the columnist Lois Long, and his tabloid-cover altercations involving pistols, fists, and barely-legal debutantes. Maslin invites us inside the Roaring Twenties' cultural swirl known as Café Society, in which Arno was an insider and observant outsider, both fascinated and repulsed by America's swelling concept of "celebrity."

Through a nuanced constellation of Arno's most defining experiences and escapades that inspired his work in the pages of The New Yorker, Maslin explores the formative years of the publication and its iconic cartoon tradition. In tandem, he traces the shifting gradations of Arno's brushstrokes and characters over the decades-all in light of the cultural upheavals that informed Arno's sardonic humor.

In this first-ever portrait of America's seminal cartoonist, we finally come eye-to-eye with the irreverent spirit at the core of the New Yorker cartoon-a genre in itself-and leave with no doubt as to how and why this genre came to be embraced by the masses as a timeless reflection of ourselves.

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Peter Arno: The Mad, Mad World of The New Yorker's Greatest Cartoonist
The incredible, wild life of Peter Arno, the fabled cartoonist whose racy satire and bold visuals became the unforgiving mirror of his times and the foundation of the New Yorker cartoon.

In the summer of 1925, The New Yorker was struggling to survive its first year in print. They took a chance on a young, indecorous cartoonist who was about to give up his career as an artist. His name was Peter Arno, and his witty social commentary, blush-inducing content, and compositional mastery brought a cosmopolitan edge to the magazine's pages-a vitality that would soon cement The New Yorker as one of the world's most celebrated publications.

Alongside New Yorker luminaries such as E.B. White, James Thurber, and founding editor Harold Ross, Arno is one of the select few who made the magazine the cultural touchstone it is today. In this intimate biography of one of The New Yorker's first geniuses, Michael Maslin dives into Arno's rocky relationship with the magazine, his fiery marriage to the columnist Lois Long, and his tabloid-cover altercations involving pistols, fists, and barely-legal debutantes. Maslin invites us inside the Roaring Twenties' cultural swirl known as Café Society, in which Arno was an insider and observant outsider, both fascinated and repulsed by America's swelling concept of "celebrity."

Through a nuanced constellation of Arno's most defining experiences and escapades that inspired his work in the pages of The New Yorker, Maslin explores the formative years of the publication and its iconic cartoon tradition. In tandem, he traces the shifting gradations of Arno's brushstrokes and characters over the decades-all in light of the cultural upheavals that informed Arno's sardonic humor.

In this first-ever portrait of America's seminal cartoonist, we finally come eye-to-eye with the irreverent spirit at the core of the New Yorker cartoon-a genre in itself-and leave with no doubt as to how and why this genre came to be embraced by the masses as a timeless reflection of ourselves.

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Peter Arno: The Mad, Mad World of The New Yorker's Greatest Cartoonist

Peter Arno: The Mad, Mad World of The New Yorker's Greatest Cartoonist

by Michael Maslin
Peter Arno: The Mad, Mad World of The New Yorker's Greatest Cartoonist

Peter Arno: The Mad, Mad World of The New Yorker's Greatest Cartoonist

by Michael Maslin

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Overview

The incredible, wild life of Peter Arno, the fabled cartoonist whose racy satire and bold visuals became the unforgiving mirror of his times and the foundation of the New Yorker cartoon.

In the summer of 1925, The New Yorker was struggling to survive its first year in print. They took a chance on a young, indecorous cartoonist who was about to give up his career as an artist. His name was Peter Arno, and his witty social commentary, blush-inducing content, and compositional mastery brought a cosmopolitan edge to the magazine's pages-a vitality that would soon cement The New Yorker as one of the world's most celebrated publications.

Alongside New Yorker luminaries such as E.B. White, James Thurber, and founding editor Harold Ross, Arno is one of the select few who made the magazine the cultural touchstone it is today. In this intimate biography of one of The New Yorker's first geniuses, Michael Maslin dives into Arno's rocky relationship with the magazine, his fiery marriage to the columnist Lois Long, and his tabloid-cover altercations involving pistols, fists, and barely-legal debutantes. Maslin invites us inside the Roaring Twenties' cultural swirl known as Café Society, in which Arno was an insider and observant outsider, both fascinated and repulsed by America's swelling concept of "celebrity."

Through a nuanced constellation of Arno's most defining experiences and escapades that inspired his work in the pages of The New Yorker, Maslin explores the formative years of the publication and its iconic cartoon tradition. In tandem, he traces the shifting gradations of Arno's brushstrokes and characters over the decades-all in light of the cultural upheavals that informed Arno's sardonic humor.

In this first-ever portrait of America's seminal cartoonist, we finally come eye-to-eye with the irreverent spirit at the core of the New Yorker cartoon-a genre in itself-and leave with no doubt as to how and why this genre came to be embraced by the masses as a timeless reflection of ourselves.


Product Details

ISBN-13: 9781682451816
Publisher: Regan Arts
Publication date: 11/03/2020
Pages: 306
Sales rank: 985,435
Product dimensions: 6.00(w) x 9.00(h) x 0.64(d)

About the Author

Michael Maslin’s cartoons have been appearing in The New Yorker for nearly forty years. He is the author or coauthor of eight books of cartoons, and his work has appeared in every New Yorker cartoon anthology since 1985. His website, Inkspill, is devoted to news and events of New Yorker cartoonists, past and present.

Table of Contents

Prologue: Peter Arno is Coming! xi

Chapter 1 Something Special 1

Chapter 2 Mad at Something 11

Chapter 3 Hullabaloo: New York and the New Yorker 24

Chapter 4 Whoops! 41

Chapter 5 That Set 47

Chapter 6 He/She 68

Chapter 7 Up Broadway … And Down 73

Chapter 8 Not Too Nude 83

Chapter 9 "Busy Doin' Nothing" 92

Chapter 10 Humorously Sinister 100

Chapter 11 Geraghty 120

Chapter 12 I Can't Fight, But I Can Draw 127

Chapter 13 Harold Ross: "We Are Pretty Much at Arno's Mercy" 138

Chapter 14 Ross Died 169

Chapter 15 Hell of a Way to … 179

Chapter 16 Oh, Grow Up! 191

Afterword 203

Acknowledgments 231

Bibliography 235

Notes 243

Index 271

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