Swingin' the Blues - The Virtuosity of Eddie Durham

What did Count Basie, Herschel Evans, Lester Young, Mary Lou Williams, The International Sweethearts of Rhythm, Glenn Miller, and Charlie Christian share in common? Their careers were massively impacted by the genius of Eddie Durham (1906-1987).

This book chronicles the life, extensive musical contributions, and career of one of the world's most prolific and influential artists overlooked in the 20th Century. Raised as a Spanish-speaking cowboy in southern Texas by a Native American mother and African-American/Irish father, Eddie Durham is the most important jazz master you've NEVER heard of... His career began in the southwest circuses but if you remove him from the equation, the Swing idiom may not have happened.

As a performer, he innovated a non-pressure technique on his trombone, amplified his own guitar, built his amp, innovated a whammy bar, and was one of the first to record on amplified and electric guitar. He was a musician's musician who pioneered 6-part harmony in his compositions and arrangements, and a showman who choreographed brass sections to add visual excitement to the performances.

Eddie's charts spawned, then his charts document the swing era craze.

He became the "hit-maker" scouted by promoters and bandleaders, who hired him to be the primary creative force in their bands. He was also Musical Director for several all-girl's orchestras. Bandleaders needed him in more ways than they ever admitted. It was Durham's 1939 arrangement of "In The Mood" which was inducted into the N.A.R.A.S. Hall of Fame.

Eddie Durham's unique perspective has never been revealed… Until now…

1138625622
Swingin' the Blues - The Virtuosity of Eddie Durham

What did Count Basie, Herschel Evans, Lester Young, Mary Lou Williams, The International Sweethearts of Rhythm, Glenn Miller, and Charlie Christian share in common? Their careers were massively impacted by the genius of Eddie Durham (1906-1987).

This book chronicles the life, extensive musical contributions, and career of one of the world's most prolific and influential artists overlooked in the 20th Century. Raised as a Spanish-speaking cowboy in southern Texas by a Native American mother and African-American/Irish father, Eddie Durham is the most important jazz master you've NEVER heard of... His career began in the southwest circuses but if you remove him from the equation, the Swing idiom may not have happened.

As a performer, he innovated a non-pressure technique on his trombone, amplified his own guitar, built his amp, innovated a whammy bar, and was one of the first to record on amplified and electric guitar. He was a musician's musician who pioneered 6-part harmony in his compositions and arrangements, and a showman who choreographed brass sections to add visual excitement to the performances.

Eddie's charts spawned, then his charts document the swing era craze.

He became the "hit-maker" scouted by promoters and bandleaders, who hired him to be the primary creative force in their bands. He was also Musical Director for several all-girl's orchestras. Bandleaders needed him in more ways than they ever admitted. It was Durham's 1939 arrangement of "In The Mood" which was inducted into the N.A.R.A.S. Hall of Fame.

Eddie Durham's unique perspective has never been revealed… Until now…

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Swingin' the Blues - The Virtuosity of Eddie Durham

Swingin' the Blues - The Virtuosity of Eddie Durham

by Topsy M. Durham
Swingin' the Blues - The Virtuosity of Eddie Durham

Swingin' the Blues - The Virtuosity of Eddie Durham

by Topsy M. Durham

eBook

$11.99 

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Overview

What did Count Basie, Herschel Evans, Lester Young, Mary Lou Williams, The International Sweethearts of Rhythm, Glenn Miller, and Charlie Christian share in common? Their careers were massively impacted by the genius of Eddie Durham (1906-1987).

This book chronicles the life, extensive musical contributions, and career of one of the world's most prolific and influential artists overlooked in the 20th Century. Raised as a Spanish-speaking cowboy in southern Texas by a Native American mother and African-American/Irish father, Eddie Durham is the most important jazz master you've NEVER heard of... His career began in the southwest circuses but if you remove him from the equation, the Swing idiom may not have happened.

As a performer, he innovated a non-pressure technique on his trombone, amplified his own guitar, built his amp, innovated a whammy bar, and was one of the first to record on amplified and electric guitar. He was a musician's musician who pioneered 6-part harmony in his compositions and arrangements, and a showman who choreographed brass sections to add visual excitement to the performances.

Eddie's charts spawned, then his charts document the swing era craze.

He became the "hit-maker" scouted by promoters and bandleaders, who hired him to be the primary creative force in their bands. He was also Musical Director for several all-girl's orchestras. Bandleaders needed him in more ways than they ever admitted. It was Durham's 1939 arrangement of "In The Mood" which was inducted into the N.A.R.A.S. Hall of Fame.

Eddie Durham's unique perspective has never been revealed… Until now…


Product Details

BN ID: 2940165248672
Publisher: Swingin' the Blues Publishing
Publication date: 02/25/2021
Sold by: Draft2Digital
Format: eBook
File size: 7 MB

About the Author

Topsy M. Durham was born in Harlem and raised in Brooklyn, New York.

A paralegal by profession, she spent five years working on this labor of love, a comprehensive biography of her father, the late jazz pioneer Eddie Durham. In 2004, she was granted Honorary Citizenship and the Key to the City of San Marcos, Texas, Eddie’s birthplace. She emcee’d and co-produced the second, third, and fourth outdoor Eddie Durham Music and Heritage Festivals in San Marcos. As president of Swingin’ the Blues! Durham Music Publishing, she oversees many of Eddie’s copyrights on such hits as “I Don’t Want To Set The World On Fire”, and “Topsy”. As an activist in the jazz community, she has served on the Board of Directors of The International Women In Jazz, The Harlem Swing Dance Society, and AmSong, Inc., a grassroots organization that spearheaded the Copyright Term Extension Act of 1996. She co-produced and designed the cover for several CDs by NewYorkBlues Hall of Famer Michael Powers, and, although she is not a musician by trade, she played percussions on a few of the songs. Articles about her have appeared in The New York Times, Just Jazz Magazine, and the Swedish publication, Jefferson Blues Magazine.

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