With her penchant for floppy hats and her pale blonde hair, London, Ontario?based Basia Bulat could pass for a high school girl. But her music so perfectly evokes decades of the classic chanteuse that one feels she would be equally at home on the am dial alongside Joni Mitchell, playing festivals with Tonya Donnelly or Liz Phair in her acoustic period, or opening for the likes of Sondre Lerche and Loney, Dear (which she actually has done). Bulat’s debut album, Oh My Darling, opens with a song about first love, accompanied only by ukulele, simple handclaps, and Bulat’s own throaty, magnificently distinguished voice. Though that voice alone could make a career, Bulat plays guitar, banjo, ukulele, saxophone, flute, upright bass, and autoharp; the latter makes for a striking image when she breaks it out onstage at rock clubs. She moves easily from barely-there instrumentation to symphonic compositions. Brother Bobby’s drums lend some rock ‘n’ roll to the proceedings, especially on the rollicking single “In the Night.” While Bulat would fit nicely on a mix tape alongside contemporaries Feist and Becky Sharp of Lavender Diamond, one could imagine that particular tape could be passed along to both the college kids and their parents and sound familiar to each group. –
About the Writer
Amy Benfer has worked as an editor and staff writer at Salon, Legal Affairs, and Paper magazine. Her reviews and features on books have appeared in Salon, The San Francisco Chronicle Book Review, The Believer, Kirkus Reviews, and The New York Times Book Review.