Although newspaper comic strips and animated cartoons and comic books have inspired tangible tchotchkes ever since the Yellow Kid first showed up, it was only in 1964, with Hasbro’s introduction of the G.I. Joe doll, that the modern-day “action figure” was born. Molded from plastic with “articulated” joints, featuring a variety of accessories, the action figure has become the infinitely variable template for the depiction of any number or real and imaginary characters. In Scott Beatty’s The DC Comics Action Figure Archive, we are treated to a colorful panorama of the DC plastic pantheon, an inclusive, collector-friendly listing of all the action figures authorized to date by this publisher. Beatty offers catchy sidebars that discuss mostly matters of rarity. He provides one-sentence biographies for many of the more esoteric figures, although the non-fan will remain baffled by the hermetic and recondite nature of the characters. Of course, the Big Three depicted on the cover — Batman, Superman, and Wonder Woman — are household names and account for 40 pages between them. But it’s not always the most famous hero who receives the best design. For instance, minor heroine Mademoiselle Marie, with her fashionable WWII partisan outfit, is just gorgeous. My one complaint about this feast of eye candy: alphabetizing characters by first name, such as placing Jimmy Olsen in the “J” section. Perry White would be scandalized! –
About the Writer
Author of several acclaimed novels and story collections, including Fractal Paisleys, Little Doors, and Neutrino Drag, Paul DiFilippo was nominated for a Sturgeon Award, a Hugo Award, and a World Fantasy Award -- all in a single year. William Gibson has called his work "spooky, haunting, and hilarious." His reviews have appeared in The Washington Post, Science Fiction Weekly, Asimov's Magazine, and The San Francisco Chronicle.