Disc 1
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 1. Introduction. Introduction, background and perspective
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 1. Introduction. A gentle, other-worldly start; no sign of the
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 1. Introduction. Music as mosaic; the composer as constructor
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 1. Introduction. Two functions of metrical change: going with t
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 1. Introduction. Or disrupting it: a sample of metrical violenc
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 1. Introduction. A stealthy entry (clarinets)
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 1. Introduction. Detour: the destabilising properties of chroma
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 1. Introduction. On melodies, themes and motifs
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 1. Introduction. The new cor anglais motif dominates
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 1. Introduction. The oboe's rhythmic motif takes over
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 1. Introduction. A primeval awakening
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 1. Introduction. A panoply of Stravinskyan birdsong
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 1. Introduction. A matter of mode
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 1. Introduction. Cue to Introduction
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra~Part 1. The Adoration of the Earth. 1. Introduction (complete)
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The 'Rite of
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The great ar
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Putting the
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The prevalen
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Metre restor
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The musical
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. An important
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Another new
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. A crowded co
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 3. Ritual of Abduction. A real study in contrasts
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 3. Ritual of Abduction. Panic and pandemonium as timpani open f
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 3. Ritual of Abduction. Climactic m¿¿l¿¿e haunted by 'fear motif'
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 4. Spring Rounds. Suddenly another world, as flutes hover over
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 4. Spring Rounds. But a transient one: new movement arises from
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Dragging feet motif' over ostinato violins,
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Matching motif' developed further by flutes
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 4. Spring Rounds. A trilling commentary from piccolo and high c
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Marching motif' theme goes polymetric in hug
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 4. Spring Rounds. An unexpected change of pace as tempo doubles
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 4. Spring Rounds. And an unexpected reversion, to a quiet close
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Violent onslaught from brass and
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Rival Tribes, rival motifs
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Sensational violence comes close
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Effects, impressions and alterat
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. A surprise re-entry and a change
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. A thinning of texture, a new ide
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. The new idea developed: a minor
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. The use of tone colour as an age
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. An unusual climax...
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. And a sinister transition
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 6. Procession of the Sage. Across the threshold into an instrum
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 6. Procession of the Sage. A sudden silence and then another wo
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 6. Procession of the Sage. Catapulted into the 'Dance of the Ea
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 7. Dance of the Earth. Tiny changes, unyielding ostinatos, masi
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 1. The Adoration of the Earth. 7. Dance of the Earth. Cue to Part One complete
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra~Part 1. The Adoration of the Earth (complete)
Disc 2
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 1. Introduction. Again a muted, subtly coloured start
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 1. Introduction. Tone colour as atmosphere - the strings' motif
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 1. Introduction. Four solo violas, above gently rocking strings
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 1. Introduction. A pregnant pause, and a new motif in muted trumpets
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Motif from the Introduction varied and
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. New motif, heralded by clarinets and v
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Variant of Motif No. 2 given out by tw
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Continued by oboes and bassoons; new m
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Main motifs yield to new idea from flu
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. All change - direction, tone colour, m
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Motif No. 1 returns in horn, then pass
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Texture, balance and tone colour keep
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Instrumental enrichment, new counterpo
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. New derivative of Motif No. 2, a host
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Into the finishing stretch, and we kno
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Putting the movement back together aga
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra~Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls (complete)
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 3. Glorification of the Chosen One. On into one of the most sensational move
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 3. Glorification of the Chosen One. The violence is almost graphic. An examp
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 3. Glorification of the Chosen One. Motif No. 2: a terrible, off-beat oom-pa
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 3. Glorification of the Chosen One. The air is filled with the fearsome bayi
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 3. Glorification of the Chosen One. A variant of Motif No. 2, but now descen
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 3. Glorification of the Chosen One. A study in the brutality of suspense - a
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 3. Glorification of the Chosen One. The middle section begins with a massive
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 3. Glorification of the Chosen One. Against the odds, the 'descending motif'
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 3. Glorification of the Chosen One. In the midst of the fray, a new 'rising
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 3. Glorification of the Chosen One. And undergoes a typically Stravinskyan e
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 3. Glorification of the Chosen One. A much-needed breath before the movement
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra~Part 2. The Sacrifice. 3. Glorification of the Chosen One (complete)
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 4. Evocation of the Ancestors. The next movement consists of a single, chord
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 4. Evocation of the Ancestors. The second statement: breaking the metrical f
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. At last the establishment of a clear and
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. A counterpoint of ostinatos lends continu
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. Horns introduce the first real motif, des
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The motif disappears, though the backgrou
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. A change of mood, then the whole orchestr
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The steady pulse gives way to a tossed sa
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. Lately abandoned, the steady pulse return
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The movement ends with a varied reprise o
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra~Part 2. The Sacrifice. 4. Evocation of the Ancestors (complete). 5. Ritual Action of the Ancestors
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. The last movement is based on two motifs, the first mo
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. The second motif is likewise predominantly rhythmical
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. Two variants: one a rhythmic simplification, the other
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. A new section, again with two main motifs, the first f
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. This is joined by another brief but very striking moti
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. Tension dramatically increased by a violent interrupti
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. Motif No. 2 is passed from bassoons to high wind and t
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. And is twice interrupted by horns
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. Motif No. 1 erupts in full orchestra, then all hell br
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. New ostinato, over implacable repetitions of Motif No.
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. A new section, kick-started by percussion: timpani, ba
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. Horns, doubled by strings, introduce the main idea of
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. The return of the movement's opening section - or so w
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. Dramatic compression of now-familiar material
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. A terrifying cocktail of motifs old and new confounds
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. And leads to the coda, the final flourish of the whole
- Stravinsky's "The Rite of Spring," Narration with Musical Excerpts~Part 2. The Sacrifice. 6. Sacrificial Dance. Cue to all of Part Two and end of CD
- Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra~Part 2. The Sacrifice (complete)