Bewitched Again: Supernaturally Powerful Women on Television, 1996-2011

Starting in 1996, U.S. television saw an influx of superhuman female characters who could materialize objects like Sabrina, the Teenage Witch, defeat evil like Buffy the Vampire Slayer and have premonitions like Charmed's Phoebe. The extraordinary abilities of these women showed resistance to traditional gender roles, although these characters experienced infringements on their abilities in ways superpowered men did not.

Supernaturally powerful women and girls have remained on television, including the heavenly connected Grace (of Saving Grace), telepathic Sookie (of True Blood), and magical Cassie (of The Secret Circle). These more recent characters also face numerous constraints on their powers. As a result, superpowers become a narrative technique to diminish these characters, a technique that began with television's first superpowered woman, Samantha (of Bewitched). They all illustrate a paradox of women's power: are these characters ever truly powerful, much less superpowerful, if they cannot use their abilities fully? The superwoman has endured as a metaphor for women trying to "have it all"; therefore, the travails of these television examples parallel those of their off-screen counterparts.

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Bewitched Again: Supernaturally Powerful Women on Television, 1996-2011

Starting in 1996, U.S. television saw an influx of superhuman female characters who could materialize objects like Sabrina, the Teenage Witch, defeat evil like Buffy the Vampire Slayer and have premonitions like Charmed's Phoebe. The extraordinary abilities of these women showed resistance to traditional gender roles, although these characters experienced infringements on their abilities in ways superpowered men did not.

Supernaturally powerful women and girls have remained on television, including the heavenly connected Grace (of Saving Grace), telepathic Sookie (of True Blood), and magical Cassie (of The Secret Circle). These more recent characters also face numerous constraints on their powers. As a result, superpowers become a narrative technique to diminish these characters, a technique that began with television's first superpowered woman, Samantha (of Bewitched). They all illustrate a paradox of women's power: are these characters ever truly powerful, much less superpowerful, if they cannot use their abilities fully? The superwoman has endured as a metaphor for women trying to "have it all"; therefore, the travails of these television examples parallel those of their off-screen counterparts.

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Bewitched Again: Supernaturally Powerful Women on Television, 1996-2011

Bewitched Again: Supernaturally Powerful Women on Television, 1996-2011

by Julie D. O'Reilly
Bewitched Again: Supernaturally Powerful Women on Television, 1996-2011

Bewitched Again: Supernaturally Powerful Women on Television, 1996-2011

by Julie D. O'Reilly

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Overview

Starting in 1996, U.S. television saw an influx of superhuman female characters who could materialize objects like Sabrina, the Teenage Witch, defeat evil like Buffy the Vampire Slayer and have premonitions like Charmed's Phoebe. The extraordinary abilities of these women showed resistance to traditional gender roles, although these characters experienced infringements on their abilities in ways superpowered men did not.

Supernaturally powerful women and girls have remained on television, including the heavenly connected Grace (of Saving Grace), telepathic Sookie (of True Blood), and magical Cassie (of The Secret Circle). These more recent characters also face numerous constraints on their powers. As a result, superpowers become a narrative technique to diminish these characters, a technique that began with television's first superpowered woman, Samantha (of Bewitched). They all illustrate a paradox of women's power: are these characters ever truly powerful, much less superpowerful, if they cannot use their abilities fully? The superwoman has endured as a metaphor for women trying to "have it all"; therefore, the travails of these television examples parallel those of their off-screen counterparts.


Product Details

ISBN-13: 9781476601618
Publisher: McFarland & Company, Inc., Publishers
Publication date: 07/20/2013
Sold by: Barnes & Noble
Format: eBook
Pages: 248
File size: 4 MB
Age Range: 18 Years

About the Author

Julie D. O’Reilly is a professor of communication and gender studies at Heidelberg University in Tiffin, Ohio. She has published articles in the Journal of American Culture and Clues: A Journal of Detection.
Julie D. O'Reilly is a professor of communication and gender studies at Heidelberg University in Tiffin, Ohio. She has published articles in the Journal of American Culture and Clues: A Journal of Detection.

Table of Contents

Table of Contents

Acknowledgments
Introduction
Chapter 1 Samantha as Archetype
Chapter 2 Misreading the Superpowerful Female Body
Chapter 3 Masquerade of Selflessness
Chapter 4 Surveillance of Female Superpower
Chapter 5 Female Empowerment on Trial
Chapter 6 Sacrifice and Sanctuary
Conclusion
Chapter Notes
Bibliography
Television Episodes, Telefilms and Feature Films Cited
Index
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