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“Young's study itself reanimates the critical relationship between artistic form and political function, indicating—regardless of the genre or even the political debate—the distinctly intertwined existences of social history, cultural critique, basic aesthetics, and generic form.”
-The Journal of American History

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"A subtle, complex, and deeply read romp through the last two centuries of transatlantic literary and cultural history. Truly eye-opening and provocative."
-—Eric Lott,University of Virginia

In Black Frankenstein, Young tears apart and rearranges the monster we think we know into something entirely fresh and challenging. This excellent and provocative book offers a compelling lesson in the political and cultural uses of a metaphor organized by design, as well as unconsciously, into a racial paradigm."
-—Eric J. Sundquist,author of Strangers in the Land: Blacks, Jews, Post-Holocaust America

"Young's 'black Frankenstein' monster becomes a powerful metaphor for negotiating the racial anxieties of modern America. As the author recounts, the figure appears in both racist and antiracist discourses, exhibiting the powerful mobility of the monster metaphor as well as its popular appeal. Young combines sharp analysis with her amazing research, noteworthy for its breadth and scope, to demonstrate the depths to which this image has penetrated American racial cultures. Whether she is examining novelist Paul Laurence Dunbar, filmmaker Mel Brooks, or comedian Dick Gregory, Young offers astute readings of the cultural text and its racial underpinnings. Building on recent work by Paul Gilroy, Teresa Goddu, Toni Morrison, Michael Hardt, and Antonio Negri, this book provides a compelling new vision of the monster we thought we knew so well. Highly recommended."
-—Choice