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  • Anonymous

    Posted October 1, 2010

    A disapointing film, but a moving love letter...

    by dane youssef Emilio Esztevez's "Bobby" celebrates not only one of the greatest political icons to die before his time, before he had the opportunity to live up to even a fraction of his potential, but a seven-year effort to get it on the big screen. Esztevez is not as renown in the business as his father and brother are. Nor does he have such a sparkling track-record. Let's be honest. Most of the man's movies (paticularly those made after "The Mighty Ducks") borderline on unwatchable. But hey, what about "Rated X"? I heard good things. Somewhere. I don't remember where exactly... But just because a man has a few "Battlefield Earth" and "Catwoman"-like stinkers on his resume doesn't mean he's totally incapable of putting out anything at all decent. I know we love to skewer a star when they're down. But let's give a poor guy an even shake... Because of Estevez's experience in the biz, as well as his family's, "Bobby" is chock-full of big-name walk-ons. Yes, it's good to be able to employ the best and biggest names in the business, but I don't know if it nessicarily works here. There are so many familiar faces that pop up like a Jack-In-The-Box and then disapear just as quickly, that it's kind of distracting. They're all not on camera long enough so that we see the characters, not actors playing a role. We keep getting the feeling that all we're looking at is super-star after supers-star just here to do some temp work, have fun, do a favor and pay respect to a great political icon. There are so many storylines buzzing in and out in such a condensed amount of time that so many of them feel under-developed (and even pointless at times). There are some really intriguing ones, yes, but there's also too much that just feels like filler. They're not around longe enough to make us really think or care about them. There is no accomplished actor in the plum role of Robert Kennedy (a wise desicion on Esztevez' part)--Kennedy appears as himself in archive footage newsreels and voice-overs. There is an enourmously talented and renown cast for "Bobby," but no real head-liner. This is an ensemble vehicle, in the tradition of the late Robert Altman's films. Like every ensemble vehicle, the star is the subject matter--RFK himself. The lives he touched, the inpact he made, many of the goings-on during the time... that appears here. But too briefly. Like an extra that just blends into a massive crowd or a beige wall. Where are they? You want them to stand out, you want more. As for it's much-touted heavy-hitter cast: Joshua Jackson (who worked with Esztevez in "The Mighty Ducks" films) isn't really given much of anything to do as as Kennedy's campaign manager. Christian Slater is one of the best working actors out there today, but any schmuck standing in line at "Hot Dog On A Stick" could have done as good a job as he's allowed to do there. Hey, maybe some of that trademark reptillian-like demeanor of his might have helped. He's a racist, but he's as interesting as plain white-bread. Heather Graham is equally ineffective (has she ever given a really great perfomance?) Ashton Kutcher thankfully sheds his tired "Kelso" scthick as a spiritual drug dealer who introduces to LSD. He wears glasses, has long mop-like hair and a scruffy beard. This is good. We're looking at the character, not Kutcher. Lately, Kutcher has been trying to evolve past the dim-witted prett-boy roles in stupid throw-away rom-comedies. He seems to be in very serious danger of becoming just another flavor-of-the-month like so, so many, many other before him (and after him). With roles in movies like "The Butterfly Effect" and now "Bobby," there may be hope for him after all. William H. Macy and Starone Stone are some of the best out there. Here they play a married couple who have a rather ugly secret, but

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  • Anonymous

    Posted April 16, 2011

    No text was provided for this review.

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