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Posted July 30, 2012
I really enjoyed this book--it was a literary, can't-put-it-down
I really enjoyed this book--it was a literary, can't-put-it-down, beautiful work. I was first drawn to it by my passion for O'Connor's works. I've read Gooch's biography of her, and some of O'Connor's letters, and I've also walked through O'Connor's Savannah home on a personal tour that was unforgettable, imprinting the young Flannery on my mind forever. So with this background, I probably would be a severe critic if this work did not measure up. Napolitano captured Flannery. The most powerful passages are those when Napolitano describes O'Connor's writing process--those seem straight from heaven, almost as if Flannery approved them. Napolitano got inside the writer's mind and spoke truth about the pain of artistic birth and finding the right words. I also enjoyed the other characters, their arcs, and the violence that plagued each of them--very O'Connor, very honest, very believable despite the outrageous moments (like O'Connor's work--the events seemed logical, grace and sin-filled consequence, where all fall short and yet are still bathed in holy light).Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
My only critiques are the stilted nature of O'Connor and Whiteson's interactions (I didn't quite believe their attraction to one another, when they were together) and some of the cliched similes. Many comparisons were brilliant. These are minor issues, the only reason I didn't give it 5 stars.
Posted October 8, 2011
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