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Posted July 30, 2013
the first chapter starts by making heroes out of escaped slaves
the first chapter starts by making heroes out of escaped slaves for killing white women and children. at the end of the first chapter heWas this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
goes on to call the 1 and the 3 the upbeats of the measure and says that there is an accent on the three in funk too. this is infuriating to
me because its getting such great reviews. the author should have done some research before trying to write the definitive biography on
a legend. the best book on james brown ive seen is the funk masters, it is based on fact and actually breaks down the rhythm sections
with sheet music for most of his big hits.
Posted January 25, 2013
Posted July 1, 2012
I don't think that I can categorize myself as a James Brown &quo
I don't think that I can categorize myself as a James Brown "fan". His music has just always been there as a part of my life. From my parents albums to the samples used in the hip-hop music I later gravitated towards as a young adult.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
While the subtitle says "Life And Music", this book is more of a memoir of Brown as a musician and businessman, covering his entrepreneurial spirit from boyhood on. His personal and family life is not covered with as much scrutiny. That's probably for the better, because, although he was know to be gracious to children (his own and strangers), he was not that kind to the women in his life.
The stories of him as a strict bandleader are legendary and those are included. Hearing about his creating and recording process was enlightening, especially since his career spanned so many decades and he had to reinvent himself several times. What I found really interesting was the political and socially conscious James Brown. I wasn't aware of his close ties with President Nixon and Vice President Hubert Humphrey and it was difficult reconciling this James Brown with the one who wrote "Say It Loud (I'm Black and I'm Proud).
Exhaustive interviews provide a comprehensive look at how he became one of the hardest working men ever in entertainment. This is a must-read for anyone who loves contemporary music. The author is obviously a big fan of music, because sometimes his descriptions border on the poetic.
Posted April 6, 2012
The Complex personality of a Musical Titan
The One: The Life and Music of James Brown by RJ Smith is a biographyof the Godfather of Soul. The title “The One” refers mainly to the artist’s emphasis on playing the right beat.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
An integrated biography of James Brown with fascinating insights into the artist’s life, showmanship, business ventures and activism. With more than forty hits on the Billboard charts and playing 350 shows a year at his peak it is no wonder James Brown became an icon of American music and changed the industry.
Covering a life of a man whose eccentric childhood included taking soldiers to his aunt that ran a house of ill repute, to an adulthood which he managed to lose several fortunes, this biography is complicated, sincere and will make you feel a range of emotions.
The One: The Life and Music of James Brown by RJ Smith is a true testament that the nickname of “The Hardest Working Man in Show Business” is not an empty gesture. While I don’t think I’d like to have worked with Mr. Brown or even would have liked him personally, I can certainly appreciate and even admire his work ethic.
In this new biography, which digresses often but always stays on message, James Brown comes across as a demanding, violent, abusing and demanding man. However, this giant of music grew up in violent times; shaped by a segregated South in a rural community riddled with crime and poverty, which he never forgot and had had a hold on him.
When you’re a hammer, every problem looks like a nail.
And James Brown was a hammer.
You cannot have a biography of James Brown without mentioning the Civil Rights movement. Mr. Brown saw “equality” his way and according to his philosophy, he always maintained that once he’d be looked upon as a man, instead of a black man, he’d never be equal.
Most of all, James Brown understood showmanship and control. In the video below one could tell how he plays with the crowd – and he does it all like he did everything in life, under his own terms.
“"I never thought they’d have a statue of you in Augusta– and facing a confederate marker!”
He touched [Al] Sharpton on the arm, saying, “And don’t forget what I told you– I did it on my own terms. I never conformed to Augusta; they had to conform to me”
The complex personality of this musical titan comes across through the pages. From brandishing a gun to resolve disputes to picking up young fans with his limousine or from profiling those who worked for and/or against Mr. Brown (yes… and) to a fabulous story of Mr. Brown coming home to the town he loved, Augusta, GA only to be stopped by a fan and then hoisting a sign to welcome the young man’s mother who was on the same flight (I think).
Race relations and civil rights are really the strong point in this book. Through the life of James Brown the reader gets a his
Posted April 25, 2012
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Posted May 8, 2012
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