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Posted November 28, 2010
Chris is like millions of middle-aged men. Stuck in a loveless marriage, he is frustrated at the thought that this might be all there is to his life. One night, while on the way home, he sees a streetwalker and impulsively, stops and tries to hire her. He is instantly filled with regret when the woman is insulted that he thought she was a prostitute. She then tells him that he can take her home to make up for it, and he does. As she leaves his car, she tells him that he seems a nice man and that he should come by sometime for coffee. Then she off-handedly mentions, "When I was bad girl I never took less than five hundred. I don't do cheap."Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Thus starts the relationship between Chris and Roza. Roza is a young Yugoslavian woman who is in England illegally. Chris does stop by her apartment and she becomes a modern-day Scheherazade, full of exotic stories that have made up her life. Each story reveals more and more of her character and needs. Chris is entranced, both by Roza personally and by the stories she tells. He is shown a side of life he'd never seen as he realizes that while he wants more adventure in his life, he is actually unlikely to pursue it if it means leaving his comfortable, boring life. "I wouldn't want to be a partisan unless I got weekends off and missions were optional."
Roza's stories revolve around men in her life, starting with her father. He fought for various factions in Yugoslavia as a partisan, and lived his life afterwards extolling the strength and honor of men like him who were willing to sacrifice everything for the land and lives they loved. Then there is her first love, met when she attended college. After that, she met a man who brought her to England and she lived with him for a while, then slowly drifted away when she got bored. She drifted into hostess work. Roza is fatalistic about her life, and is quick to say she has disappointed the idea of being a partisan's daughter.
Louis De Bernieres has created two characters that the reader quickly learns to care about. The slow emergence of Roza's history and of Chris' reaction to its revelations creates a tension that leaves the reader anxious and intrigued. The reader wants to read more of the emerging relationship between these two people who are so diametrically opposed in outlook and life experiences. This book is recommended for readers of current fiction, and is one that will remain in the reader's mind for quite a while after it is completed.
Posted September 25, 2008
This is an extremely complex relationship drama
In the late 1970s in wintry London, fortyish salesman Chris detests his life he loathes his job and hates his marriage though widower status gives him some hope to get past the despair of being with the ¿Great White Loaf¿ late wife. Discontented with his lot he keeps asking himself is that all there is?--------- When he spots Yugoslavian expatriate Roza walking, he assumes she is a hooker. He bungles his efforts to hire her services. She corrects his misconception and they begin to talk. He drives her home and she invites him in her flat for coffee. A friendship forms that he believes is the underpinning of a romance and she assumes is platonic. She explains she came from her homeland seeking a break but so far has found only hardship that has her considering a return to her homeland where her father is a die hard Tito backer.------------ This is an extremely complex relationship drama. The dark gloominess of both protagonists makes this a difficult novel to read as the focus is actually on opportunity costs, especially those not chosen. Roza is the more interesting star as her tale is sensationally erotic over the top and at times ugly, but also feels hyperbolic symbolizing the plight of minorities everywhere (especially Iron Curtain Europe during the Brezhnev Era). Chris is the more realistic characterization of the western middle aged normal who wonders why life is depressing so finds excitement in his companion¿s tales. Not for everyone, as at times overly dramatic and extremely reflective including the action scenes, A PARTISAN¿S DAUGHTER is a deep look at the late 1970s.--------- Harriet KlausnerWas this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.