A Patchwork Planet

Barnaby Gaitlin has been in trouble ever since adolescence. He had this habit of breaking into other people's houses. It wasn't the big loot he was after, like his teenage cohorts. It was just that he liked to read other people's mail, pore over their family photo albums, and appropriate a few of their precious mementos.

But for eleven years now, he's been working steadily for Rent-a-Back, renting his back to old folks and shut-ins who can't move their own porch furniture or bring the Christmas tree down from the attic. At last, his life seems to be on an even keel.

Still, the Gaitlins (of "old" Baltimore) cannot forget the price they paid for buying off Barnaby's former victims. And his ex-wife would just as soon he didn't show up ever to visit their little girl, Opal. Even the nice, steady woman (his guardian angel?) who seems to have designs on him doesn't fully trust him, it develops, when the chips are down, and it looks as though his world may fall apart again.

There is no one like Anne Tyler, with her sharp, funny, tender perceptions about how human beings navigate on a puzzling planet, and she keeps us enthralled from start to finish in this delicious new novel.

1100271846
A Patchwork Planet

Barnaby Gaitlin has been in trouble ever since adolescence. He had this habit of breaking into other people's houses. It wasn't the big loot he was after, like his teenage cohorts. It was just that he liked to read other people's mail, pore over their family photo albums, and appropriate a few of their precious mementos.

But for eleven years now, he's been working steadily for Rent-a-Back, renting his back to old folks and shut-ins who can't move their own porch furniture or bring the Christmas tree down from the attic. At last, his life seems to be on an even keel.

Still, the Gaitlins (of "old" Baltimore) cannot forget the price they paid for buying off Barnaby's former victims. And his ex-wife would just as soon he didn't show up ever to visit their little girl, Opal. Even the nice, steady woman (his guardian angel?) who seems to have designs on him doesn't fully trust him, it develops, when the chips are down, and it looks as though his world may fall apart again.

There is no one like Anne Tyler, with her sharp, funny, tender perceptions about how human beings navigate on a puzzling planet, and she keeps us enthralled from start to finish in this delicious new novel.

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A Patchwork Planet

A Patchwork Planet

by Anne Tyler
A Patchwork Planet

A Patchwork Planet

by Anne Tyler

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Overview


Barnaby Gaitlin has been in trouble ever since adolescence. He had this habit of breaking into other people's houses. It wasn't the big loot he was after, like his teenage cohorts. It was just that he liked to read other people's mail, pore over their family photo albums, and appropriate a few of their precious mementos.

But for eleven years now, he's been working steadily for Rent-a-Back, renting his back to old folks and shut-ins who can't move their own porch furniture or bring the Christmas tree down from the attic. At last, his life seems to be on an even keel.

Still, the Gaitlins (of "old" Baltimore) cannot forget the price they paid for buying off Barnaby's former victims. And his ex-wife would just as soon he didn't show up ever to visit their little girl, Opal. Even the nice, steady woman (his guardian angel?) who seems to have designs on him doesn't fully trust him, it develops, when the chips are down, and it looks as though his world may fall apart again.

There is no one like Anne Tyler, with her sharp, funny, tender perceptions about how human beings navigate on a puzzling planet, and she keeps us enthralled from start to finish in this delicious new novel.


Product Details

ISBN-13: 9780099272687
Publisher: Knopf Publishing Group
Publication date: 02/28/1999
Product dimensions: 6.00(w) x 1.25(h) x 9.00(d)

About the Author

About The Author
ANNE TYLER was born in Minneapolis, Minnesota, in 1941 and grew up in Raleigh, North Carolina. She is the author of more than twenty novels. Her twentieth novel, A Spool of Blue Thread, was short-listed for the Man Booker Prize in 2015. Her eleventh novel, Breathing Lessons, was awarded the Pulitzer Prize in 1989. She is a member of the American Academy of Arts and Letters. She lives in Baltimore, Maryland.

Hometown:

Baltimore, Maryland

Date of Birth:

October 25, 1941

Place of Birth:

Minneapolis, Minnesota

Education:

B.A., Duke University, 1961

Read an Excerpt

As if she'd heard me, she told the man, "I hope this isn't some kind of contraband." Except she pronounced it "counterband," which made me think she must not be a schoolmarm, after all.

"No, no!" the man told her. He gave a huff of a laugh. "No, I can assure you it's not counterband."

Was he repeating her mistake on purpose? I couldn't tell. (Or maybe the word really was "counterband.") Meanwhile, the loudspeaker came to life again. The delayed 10:10 was now boarding. Train wheels squealed below me. "I'll do it," the woman decided.

"Oh, wonderful! That's wonderful! Thanks!" the man told her, and he handed her the packet. She was already rising. Instead of a suitcase, she had one of those tote things that could have been just a large purse, and she fitted the strap over her shoulder and lined up the packet with the book she'd been reading. "So let's see," the man was saying. "You've got light-colored hair, you're wearing a brown print coat. . . . I'll call the pay phone where my daughter's waiting and let her know who to watch for. She'll be standing at Information when you get there. Esther Brimm, her name is--a redhead. You can't miss that hair of hers. Wearing jeans and a blue-jean jacket. Ask if she's Esther Brimm."

He followed the woman through the double doors and down the stairs, although he wasn't supposed to. I was close behind. The cold felt good after the packed waiting room. "And you are?" the man was asking.

Affected way of putting it. They arrived on the platform and stopped short, so that I just about ran over them. The woman said, "I'm Sophia--" and then something like "Maiden" that I couldn't exactly hear. (The train was in placebut rumbling, and passengers were clip-clopping by.) "In case we miss connections, though . . . ," she said, raising her voice.

In case they missed connections, he should put his name and phone number on the mailer. Any fool would know that much. But he seemed to have his mind elsewhere. He said, "Um . . . now, do you live in Baltimore? I mean, are you coming back to Baltimore, or is Philly your end destination?"

I almost laughed aloud at that. So! Already he'd forgotten he was grateful; begun to question his angel of mercy's reliability. But she didn't take offense. She said, "Oh, I'm a long-time Baltimorean. This is just an overnight visit to my mother. I do it every weekend: take the ten-ten Patriot Saturday morning and come back sometime Sunday."

"Well, then!" he said. "Well. I certainly do appreciate this."

"It's no trouble at all," she said, and she smiled and turned to board.

I had been hoping to sit next to her. I was planning to start a conversation--mention I'd overheard what the man had asked of her and then suggest the two of us check the contents of his packet. But the car was nearly full, and she settled down beside a lady in a fur hat. The closest I could manage was across the aisle to her left and one row back, next to a black kid wearing earphones. Only view I had was a schoolmarm's netted yellow bun and a curve of cheek.

Well, anyhow, why was I making this out to be such a big deal? Just bored, I guess. I shucked my jacket off and sat forward to peer in my seat-back pocket. A wrinkly McDonald's bag, a napkin stained with ketchup, a newspaper section folded to the crossword puzzle. The puzzle was only half done, but I didn't have a pen on me. I looked over at the black kid. He probably didn't have a pen, either, and anyhow he was deep in his music--long brown fingers tapping time on his knees.

Then just beyond him, out the window, I chanced to notice the passport man talking on the phone. Talking on the phone? Down here beside the tracks? Sure enough: one of those little cell phones you all the time see obnoxious businessmen showing off in public. I leaned closer to the window. Something here was weird, I thought. Maybe he smuggled drugs, or worked for the CIA. Maybe he was a terrorist. I wished I knew how to read lips. But already he was closing his phone, slipping it into his pocket, turning to go back upstairs.

Reading Group Guide

1.         "I am a man you can trust." Barnaby begins and ends the novel with this statement. How has Barnaby's understanding of this characterization of himself changed over the course of this story?

2.         "Just because we were related didn't mean we were any good at understanding each other, " says Barnaby after yet another frustrating conversation with his mother. Communication problems abound within the families depicted in this novel. Discuss the nature and source of these problems. Why do we often have so much trouble talking to the people we love?

3.         Even as adults, many of us, like Barnaby, still view our families through the eyes of a child. How does this blind us? How do we heal the old wounds? Can we?

4.         During a family dinner for his birthday, Barnaby asks himself, "How come I always got the feeling that somebody was missing from our family table?" What do you think Barnaby was missing? And why is his mother so insistent upon including his childhood friend, Len Parrish, in the festivities?

5.         How does Barnaby's understanding of and relationship with his daughter change over the course of this story? How does it mirror his relationship with his own parents?

6.         Barnaby's daughter is upset upon meeting some of his clients, and Barnaby is criticized for this. Do you think he was wrong to bring Opal with him on his rounds?

7.         While Barnaby tells us a great deal about his marriage to Natalie, we learn little about her views of things. How do you think Natalie would describe their relationship, and how would it differ from Barnaby's account?

8.         "And I was beginning to suspect that it made no difference whether they'd married the right person. Finally, you're just with who you're with. You've signed on with her, put in half a century with her, grown to know her as well as you know yourself or even better, and she's become the right person." Discuss the meaning of this summary of marriage according to Barnaby. Do you agree or disagree?

9.         Barnaby's brief career as a juvenile delinquent involves snooping in other people's personal effects and "collecting" their personal mementos. What do you think motivated him to do this? Have you ever felt the compulsion to look in other people's private things? Why or why not?

10.         Have you ever encountered a stranger on a train who intrigued you as Sophia intrigued Barnaby? Have you ever done anything about it as Barnaby does?

11.         Barnaby seems surrounded by smug and self-satisfied people--his mother, his ex-wife, his brother, to name a few--who he never seems to measure up to. Barnaby feels much less comfortable in his own skin. Do you think this is a trait only he possesses?

12.         What motivates Barnaby to re-pay his parents, and why does his mother try to give the money back?

13.          This novel explores the bittersweet struggles of older people to maintain their dignity and independence in the face of advancing age. What do you think about the fact that Barnaby knows more about the lives of his clients than many of their own families do? What does this novel suggest about the treatment and place of elderly people in our society?

14.         Barnaby's clients deal with the indignities and problems associated with aging--e. g., failing health, isolation--in many different ways. How do their approaches vary, and what accounts for this?

15.         Do you think Sophia was actually Barnaby's guardian angel? Why or why not?

16.         Why is Barnaby able to overlook attributes in Sophia that infuriate him in other people for so long? How does his attitude change and why?

17.         Which character(s) did you find to be the most compelling and why?

18.         What is the significance of the title of this novel?

19.         Why did your group choose to read this particular work? How does this novel compare with other works your group has read?

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