One of the most compulsively listenable
college rock albums of the '80s,
the Pixies' 1988 full-length debut
Surfer Rosa fulfilled the promise of
Come on Pilgrim and, thanks to
Steve Albini's production, added a muscular edge that made their harshest moments seem even more menacing and perverse. On songs like
"Something Against You," Black Francis' cryptic shrieks and non sequiturs are backed by
David Lovering and
Kim Deal's punchy rhythms, which are so visceral that they'd overwhelm any guitarist except
Joey Santiago, who takes the spotlight on the epic
"Vamos." Albini's high-contrast dynamics suit
Surfer Rosa well, especially on the explosive opener
"Bone Machine" and the kinky,
T. Rex-inspired
"Cactus." But, like the black-and-white photo of a flamenco dancer on its cover,
Surfer Rosa is
the Pixies' most polarized work. For each blazing piece of
punk, there are softer, poppier moments such as
"Where Is My Mind?," Francis' strangely poignant song inspired by scuba diving in the Caribbean, and the
Kim Deal-penned
"Gigantic," which almost outshines the rest of the album. But even
Surfer Rosa's less iconic songs reflect how important the album was in the group's development. The "song about a superhero named Tony" (
"Tony's Theme") was the most lighthearted song
the Pixies had recorded, pointing the way to their more overtly playful, whimsical work on
Doolittle.
Francis' warped sense of humor is evident in lyrics like
"Bone Machine"'s "He bought me a soda and tried to molest me in the parking lot/Yep yep yep!" In a year that included landmark albums from contemporaries like
Throwing Muses,
Sonic Youth, and
My Bloody Valentine,
the Pixies managed to turn in one of 1988's most striking, distinctive records.
Surfer Rosa may not be the group's most accessible work, but it is one of their most compelling. ~ Heather Phares