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Most Helpful Favorable Review
2 out of 2 people found this review helpful.
One of a kind and enchanting
posted by Anonymous on May 12, 2005Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Most Helpful Critical Review
4 out of 6 people found this review helpful.
Sorry tale of a sick relationship
posted by Anonymous on August 12, 2004Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted August 12, 2004
Sorry tale of a sick relationship
This book is being publicized as a moving account of an enduring, loving friendship. It actuality, it is a disturbing tale of an unhealthy, co-dependent union between two women who both have severe emotional problems. Ann Patchett wrote an article for New York Magazine following the death of her friend Lucy Grealy; this book is simply a longer version of that article. Patchett cannot stop reiterating how everybody loved Lucy, how so many people were enamoured of her, 'so many people in love with her'. In reality, Grealy comes across as being very much alone. I get the impression that people viewed her as a sort of interesting novelty because of her history of illness and facial disfigurement, and that's why she got a fair amount of attention from various types of people. Certainly people were not attracted to her because of her sterling character. Even Patchett, who is bizarrely devoted to Grealy no matter how abominably she behaves, admits that Lucy was frequently awful. Lucy was the roommate from hell; she left all the cooking and cleaning duties to Patchett, while she herself left bowls of Cream of Wheat on the floor, left wet towels under pillows and runs up huge phone bills. After Patchett moves into a house with a boyfriend, Grealy, for some unexplained reason, gets a key to the place, which enables her to bring men there and have sex with them in Patchett and the boyfriends's bed. After doing so, she tells Patchett all about it...some friend! Despite Patchett's protestions about how wonderful Lucy is, I find Lucy to be downright unbearable; self-absorbed, reckless, promiscuous, thoughtless, and psychotically needy. Over and over she asks Patchett 'do you love me?'; over and over she is jumping into Patchett's arms, wrapping her legs around her waist, leaning her head on her shoulder, crawling into bed with her, hanging on to her as a limpet to a rock. Grealy is morbidly jealous on any relationship Patchett has with anyone else be they male or female. When Patchett wants to work with a woman named Betsy, she asks for Grealy's permission! Patchett does literally everything for Grealy; she gives, gives gives, while Grealy takes, takes, takes. What sense can be made of this? The only thing I can figure is that Patchett is a person who needs to be used. Grealy was a master at doing this, so no wonder Patchett was hooked on this creepy 'friendship' that seems more like a marriage. One final note: Grealy's sister Suellen, has some choice words about this book. You can read about her views in The Guardian Review. She is understandable upset by what she feels is the exploitation of her sister by Ann Patchett (who she does not regard as a very skilled writer) and by how her family has been portrayed since Grealy's death. Patchett remarked to Suellen that she has been working, writing, and living in 'the Lucy factory' and discussed film rights. Crass.
4 out of 6 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.