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Posted March 26, 2009
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Deaver pulls out a joker in THE TWELFTH CARD.
For over the past decade, bestselling mystery writer Jeffery Deaver has astonished readers with the creation of Lincoln Rhyme, the fictional quadriplegic who, throughout the notorious series, has successfully answered the one question lingering from everyone's mind: how can you solve a crime that you cannot see? Throughout the books, fans have become aware of not only the elevated brilliance of the well known criminalist, but also of the love interest that he shares with his partner, Amelia Sachs. Despite of the some of the graphic crime scenes that two have had to encounter behind the yellow police tape, Deaver fails to deliver in THE TWELFTH CARD.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
In this sixth series entry, the duo take on a case that they have never took on before; one that has gone cold for 140 years. Throughout the entire case, both Rhyme and Sachs try in their best efforts to protect Geneva Settle, a sixteen-year old Harlem student who nearly gets ambushed by a crazed assassin in the beginning scenes of the book. By digging further into the investigation, Rhyme and Sachs later discover that the ruthless assassin may be after her because of a term paper she is working on regarding Charles Singleton, a former slave and an ancestor of Geneva's. Moreover, they find out that the madman who skulks Geneva leaves his calling card of the Hanged Man, the "twelfth card" in the tarot deck. They also discover that Charles witheld a devastating secret that he found to be too ahamed to reveal. Thoughout the investigation, questions linger through Rhyme and Sachs: Why is this crazed madman on the hunt for innocent blood? What secrets are lied within his calling card? And most important, what type of "secret" would Charles have had been veiling for all this time?
Sad to say, Deaver disappoints his fans in this entry. Throughout the majority of the narration of the book, readers will become exposed with various slang that they will happen to find tedious. Such figures of speech impedes Deaver's main talent in psychological writing. As he did in THE STONE MONKEY, the author yet again fails to deliver what makes this series enjoyable for readers.
A key literary element that seems to torpedo Deaver's attempt lies within the one-dimensional character development of not only Rhyme, but of also the majority of the other remaining characters. Througout the investigation, the interaction of characters made by Rhyme lackes the ecstacy that made the disabled criminalist popular.
Without a doubt, Deaver fans will also get the impression of having their intelligence insulted. Thoughout the book, the author provides a myriad amount of historical detail based on hearsay rather than actual research. Fans will become annoyed by his deversion from the well-known police procedural into a tale of historical uncertainty. Sure enough, readers will realize sooner or later that the details provided in this book was not anything in which they have learned or studied in history class.
THE TWELFTH CARD is yet indeed another disappointing attempt by Deaver. By the lack of character development and research, readers can certainly argue that this churning is actually a publication deadline rather than a piece of literature.
Posted January 10, 2006
Love Deaver, love Lincoln Rhyme, but this one was simply too much. Not at all believable. The story was interesting, and it moved well, but some of the stretches the readers are asked to make are just too far.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted June 25, 2010
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