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The Emperor's Tomb

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The Emperor's Tomb

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Overview

A continuation of the saga of the von Trotta family from The Radetzky March, it is both a powerful and moving look at a decaying society and its journey through the War and its devastating aftermath, and the story of the erosion of one man's desperate faith in the virtues of a simple life.

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ISBN-13:	9781585673278
Publisher:	The Overlook Press
Publication date:	09/01/2002
Series:	Works of Joseph Roth
Pages:	128
Product dimensions:	7.96(w) x 7.90(h) x 0.43(d)
Age Range:	18 Years

About the Author

Joseph Roth (1894-1939) was the great elegist of the cosmopolitan culture that flourished in the dying days of the Austro-Hungarian Empire. He published several books and articles before his untimely death at the age of 44. Roth’s writing has been admired by J. M. Coetzee, Jeffrey Eugenides, Elie Wiesel, and Nadine Gordimer, among many others.

The award-winning translator Michael Hofmann has also translated works by Jenny Erpenbeck, Gert Hofmann, Franz Kafka, Heinrich von Kleist, and Joseph Roth for New Directions.

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Editorial Reviews

In his final novel Roth retreads much of the narrative and thematic ground covered by his earlier works, notably Radetsky March. An elegy to the decline of the Austro-Hungarian Empire, this novel follows Franz Ferdinand Trotta, a young Viennese fop, from the eve of one World War to the eve of another. As often happens in this era's stories, Trotta watches his life of leisure and promise slowly disappear: trusted servants die, friendships dissolve, marriages become strained, and financial and po-litical instability topple an entire class of Viennese society. As Trotta says in one of his pithier mo-ments, they came to call it the World War not because "the whole world was involved in it, but be-cause as a result of it we lost a whole world, our world." While the novel checks all the marks of an interwar narrative, it does so by rote. Even translator Hoffmann admits that this is a minor work, "a canny valedictory repertoire of Rothian tropes and characters, done fast, glancingly and sometimes approximately." It's difficult to argue with Hoffman's assessment; Roth was a 20th-century master of the quixotic and melancholy, but this novel, though glimmering with his talent, lacks command and depth. (May)

Publishers Weekly

Novelist and journalist Roth (1894–1939) is known largely for his writings on the Austro-Hungarian Empire and particularly on the Jews living there in the previous century. This final novel is an extension of his most famous work, The Radetzky March (1932), following the life of a cousin first introduced in that book's pages. As the narrative moves from the end of World War I to the Nazi ascension in postwar Vienna, the inevitable bleakness makes the fate of the protagonist, a likable dandy, all the more heartbreaking. History, as seen through the eyes of this single character, is a compelling, timeless read. Roth has crafted a moving sketch of the world's darkest times, while poet and award-winning translator Hofmann (e.g., the Dublin International IMPAC Award) continues his tradition of keeping European classics available for modern English-reading audiences. VERDICT Start with The Radetzky March, then continue with this book; the way Roth writes about lives and history is everything but boring.—Travis Fristoe, Alachua Cty. Lib. Dist., Gainesville, FL

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The Emperor's Tomb

The Emperor's Tomb

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