Four Wives: A Novel

Four Wives: A Novel

by Wendy Walker
Four Wives: A Novel

Four Wives: A Novel

by Wendy Walker

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Overview

In Wendy Walker's brilliant debut, the lives of four wives and mothers intertwine and collide in a tale of suburban angst among outrageous wealth.

On the outside, it appears as though Love Welsh, Marie Passetti, Gayle Beck and Janie Kirk lead enviable lives, with marriages to handsome, successful men; bright, happy children; and homes right out of Architectural Digest. But in the wealthy suburb of Hunting Ridge, appearances mask a deeper truth: These four wives are anything but perfect. As they try to maintain a façade of bliss, behind closed doors they each face their own crises-infidelity, dissatisfaction, self-doubt. As springtime draws to an end, doors are both opened and closed and the women come face to face with the most difficult and heartbreaking challenge of their lives-to reconcile their innermost desires with the lives that each of them has chosen.

Four Wives shares a peek beyond the perfectly manicured lawns of Hunting Ridge—exposing a world as troubled as it is blessed.


Product Details

ISBN-13: 9781429927581
Publisher: St. Martin's Publishing Group
Publication date: 02/19/2008
Sold by: Macmillan
Format: eBook
Pages: 368
Sales rank: 988,224
File size: 3 MB

About the Author

Wendy Walker is a former commercial litigator and investment banker who now works at home writing and raising her children. She is the author of Social Lives (coming in August 2009), the editor of Chicken Soup for the Soul: Power Moms, and is currently working on her third novel.


WENDY WALKER is the author of the psychological suspense novels All is Not Forgotten, Emma In The Night,The Night Before, and Don't Look For Me. Her novels have been translated into 23 foreign languages and have topped bestseller lists both nationally and abroad. They have been featured on The Today Show, The Reese Witherspoon Book Club, and The Book of the Month Club and have been optioned for television and film. Prior to her writing career, Wendy practiced both corporate and family law, having earned her J.D. from Georgetown University Law Center and her undergraduate degree from Brown University. Wendy also worked as a financial analyst at Goldman, Sachs&Co. Wendy is currently finishing her next thriller and managing a busy household in Connecticut.

Read an Excerpt


Chapter 1
Her heart was pounding as she sat in the car. Before her was the house, a giant white colonial with black shutters, a quaint portico, and the three-car garage set off to the side where she now found herself, wondering. What have I done?
She took a breath to stave off the panic that was beginning to seep inside her. She needed to be careful. She reached for the garage remote, then thought better of it. The chain runner would cut through the still night air like a buzz saw. She killed the headlights, then the ignition. Her hand slipped inside the door latch, pulling it slowly until it clicked. She pushed open the door and swung her feet outside the car. She removed her shoes, her favorite strapped heels, and hung them on her fingers. She draped her purse around her shoulder, then, as softly as she’d opened it, closed the door with her hip. The soft silk of her skirt was deliciously sensuous as it brushed against her bare leg, testing her will to stay focused. To forget.
The sound of the neighbors’ sprinkler coming to life startled her as she began to make her way around the back of the house. Her feet stepped like a cat’s paws on the asphalt, and for a moment she was frozen in place, listening to the initial burst of water followed by a rhythmic pulsating—the pinging of water drops as they hit a small section of a flagstone terrace on their way around. Placing the sounds, she pictured the neighbors’ yard, the two acres of flat green grass, the free-form pool, the stone wall that divided their property from her own. Then her yard and back door, up the stairs to the children in their rooms, the husband in her bed. The reasons she was creeping about under the midnight sky.
Taking another breath, she carried on, around the outside of the garage to the patio—through the maze of wrought-iron furniture, kick balls, plastic toys, and gas grill, and finally to the sliding glass door that opened into the kitchen. It was unlocked, and she pushed it slowly, then looked inside, making out the shapes of things in the dark room—the oval table that was still piled with remnants from the dinner, a bottle of ketchup, The New York Times, a plastic sippy cup. It was the heart of their lives, this kitchen. She could see the babies, four of them in eight years, sitting in the high chair that now resided in the basement with the rest of the childhood monuments. She could see them running around the island as she chased behind them, their shrieks of laughter filling the room as they avoided capture. She could feel in her bones the toll from the daily struggles—getting them to eat, umpiring fights, and saving them from spilling over as they climbed upon their chairs like unruly savages at dinnertime. This was the place where they played, talked, cried, and fought with each other. And though she felt drawn to it like a time traveler returning home from a long journey, she remained frozen at its threshold, not yet able to enter.
It was not a terrible life. Janie Kirk was a suburban housewife, the steadfast bottom of an inverse pyramid upon which the demands of her family balanced. It was a life founded at its core in her love for the children who lay sleeping inside. From there it grew heavy with the weight of their needs, and those of her husband, which she had carried on her shoulders for so many years. School, soccer, ballet, swimming. Doctors, dentists, speech therapists. Food on the table every day. Laundry, yard work, pets. Birthday parties. Dieting. Sex. It was an odd existence when she stopped to consider it, but so completely common that she rarely did, and it occurred to her that it would be close to perfect if she hadn’t contracted the unfortunate disease of discontentment.
She was standing now between two worlds, her eyes taking in her life, her mind reliving the feel of his hands on her body not an hour before—his face replete with desire as he approached her. In that desire, she had seen the teenager in the back of his father’s Cadillac, the young man whose heart she’d so foolishly broken in high school, then the college lover who’d broken hers. He had been, in that moment, every first kiss, every curious glance from across a room. All the things she’d left behind so many years ago.
She recalled the firm hand gripping the back of her head and pulling her to him, the other hand reaching for her back. The hold was strong, powerful, and she’d given into it without the slightest hesitation, without a second thought. Then came the kiss, and with it a warm burning under her skin. She’d opened her eyes and pressed her mouth harder against his, no longer someone’s wife, someone’s mother. Just a woman. And he was nothing to her but a man she desired. He had tried to speak, You’re so beautiful . . . But she’d pressed her mouth harder against his and waited for the sound of his voice to disappear from her mind, along with everything else she knew about him. The shape of his face, the color of his eyes, his house and family. All of it had vanished. There had been no place for talk, no need for reassurances or stating one’s intentions. The confines of their social structure that kept the wheels turning in this privileged existence had been suspended, and for the first time in her life she had not cared what her lover thought—if he was comparing her to past lovers, assessing her performance, her body—whether he would call her, see her again, marry her and buy a house, have children and live happily ever after until they were both dead in the ground.
She closed her eyes now, wanting to remember for one moment more the feel of his weight over her, her legs wrapped around him, pulling him closer—her mouth on his, nearly consuming him in a frantic embrace. And yet her life was waiting, pulling her back in.
She opened her eyes and took a breath. How could she have imagined that this would be possible, that she could walk through that door and up the stairs, kiss her children, then crawl beside her sleeping husband? She had wanted this night for a long time, and the thought of this night had somehow managed to coexist with her inside those walls. Now that she had given life to her thoughts, now that she had given in to what was, at best, a purely selfish act of weakness and depravity, she felt alive. Her body, her senses, her mind. Everything was awake again. It was a feeling of intoxication, and though she was nearly sick from it, she knew she would have to have more. There would be war between what awaited her and this narcotic flowing through her blood, and there would be no chance of reconciling the opposing needs that would now demand attention within this house.
What have I done? she thought again, knowing she had cast them all on a different course—an uncertain course. With a quiet resolve, she stepped inside.
Copyright © 2008 by Wendy Walker. All rights reserved.

Reading Group Guide

1. Though all four wives face different personal struggles, there are some overarching issues that all of them must face throughout. What are they? If you had to pick one theme that runs through the stories of all four characters, what would it be?

2. What problems facing Love, Marie, Gayle and Janie seem specific to suburban life? Does the story seem to be critical of suburban life, in general, or this kind of upscale suburb, in particular? Have you read other novels that explored suburban life through this kind of lens? How did FOUR WIVES differ from other novels of suburban life that you've read?

3. It could be argued that the women in this book are archetypes of modern "wife-hood." Do you agree? Did you see the women as symbols or did they feel "real" to you? Which character felt the most "real" and why?

4. The author devotes a lot of attention to exploring how childhood experiences dramatically shape one's choices later in life. Through which characters is this theme most thoroughly explored? Did the revelation of childhood secrets change your impression of any of the characters?

5. The cause of Love's illness is never discovered. What do you think the author was trying to accomplish by leaving this mystery unsolved? What do you think, if anything, Love's unresolved illness symbolizes?

6. Professional identity is another important theme in the novel. Why does Marie cling to her identity as a lawyer so vehemently? What does her devotion to her career represent or say about her? What did Marie learn from the Farrell case? How do you think her involvement in the case plays into the decisions she makes at the end of the book?

7. Whether the wives simply ponder its possibilities, engage in it, or are "wronged" by it, infidelity is an issue that most of the women in the novel grapple with. What does this novel have to say about the reasons someone might become unfaithful to his or her spouse? In instances where affairs occur or nearly occur, what attracts each person to the other? Did you react differently to the infidelity of one character than you did to another?

8. For several, if not all, of the marriages in the novel, one might find it easy to question why they've stayed together as long as they have. What does the novel suggest about the reasons people remain in bad or unsatisfying marriages? Do you understand why some of the relationships have continued for as long as they have? Are there any you have trouble justifying?

9. What roles do supporting characters like Randy and Paul play in helping Marie and Gayle make the choices they do? What do these men provide these women that their husbands do not?
10. Readers tend to view Janie as the "bad" wife. Despite her questionable choices, do you see her as "bad?" What, if anything, could be said in her defense? Do you think her expectations of married life are unrealistic?

11. Were you satisfied with where each woman was left off at the end of the novel? Where do you think these women will be in their lives one year from the end of the book?

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