Nobody's Home
"Ugresic is sharp, funny and unafraid. . . . Orwell would approve."—Times Literary Supplement

"Every day and age has its rules. Currently, good behavior dictates that we be politically correct, evade conflicts, espouse tolerance, and make no hasty judgments. To be judgmental is viewed as one of the most reprehensible human traits. People are likely to think today that an optimist is a good person, while a pessimist is the lowest of the low. Picking your nose in public is more forgivable then being pessimistic. [. . .] We live in a time that urges us to behave as if we are in paradise. Yet the world we live in is no paradise. This book breaks the rules of good behavior, because it bickers."

This series of thought-provoking and incisive essays from Dubravka Ugresic explores the full spectrum of human existence. From life in exile to life in prison, from bottled-water drinking tourists with massive backpacks to the Eurovision song contest, Ugresic's unfailingly sharp critical eye never fails to reveal what has been hidden in plain sight by routine, or uncover the tragic, and the comic, in the everyday.

Dubravka Ugresic is the author of several works of fiction and several essay collections, including the NBCC award finalist, Karaoke Culture. She went into exile from Croatia after being label a "witch" for her anti-nationalistic stance during the Yugoslav war. She now resides in the Netherlands.

Ellen Elias-Bursac is an American scholar and literary translator. Specializing in South Slavic literature, she has translated numerous works from Bosnian, Croatian, and Serbian.

1009209401
Nobody's Home
"Ugresic is sharp, funny and unafraid. . . . Orwell would approve."—Times Literary Supplement

"Every day and age has its rules. Currently, good behavior dictates that we be politically correct, evade conflicts, espouse tolerance, and make no hasty judgments. To be judgmental is viewed as one of the most reprehensible human traits. People are likely to think today that an optimist is a good person, while a pessimist is the lowest of the low. Picking your nose in public is more forgivable then being pessimistic. [. . .] We live in a time that urges us to behave as if we are in paradise. Yet the world we live in is no paradise. This book breaks the rules of good behavior, because it bickers."

This series of thought-provoking and incisive essays from Dubravka Ugresic explores the full spectrum of human existence. From life in exile to life in prison, from bottled-water drinking tourists with massive backpacks to the Eurovision song contest, Ugresic's unfailingly sharp critical eye never fails to reveal what has been hidden in plain sight by routine, or uncover the tragic, and the comic, in the everyday.

Dubravka Ugresic is the author of several works of fiction and several essay collections, including the NBCC award finalist, Karaoke Culture. She went into exile from Croatia after being label a "witch" for her anti-nationalistic stance during the Yugoslav war. She now resides in the Netherlands.

Ellen Elias-Bursac is an American scholar and literary translator. Specializing in South Slavic literature, she has translated numerous works from Bosnian, Croatian, and Serbian.

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Overview

"Ugresic is sharp, funny and unafraid. . . . Orwell would approve."—Times Literary Supplement

"Every day and age has its rules. Currently, good behavior dictates that we be politically correct, evade conflicts, espouse tolerance, and make no hasty judgments. To be judgmental is viewed as one of the most reprehensible human traits. People are likely to think today that an optimist is a good person, while a pessimist is the lowest of the low. Picking your nose in public is more forgivable then being pessimistic. [. . .] We live in a time that urges us to behave as if we are in paradise. Yet the world we live in is no paradise. This book breaks the rules of good behavior, because it bickers."

This series of thought-provoking and incisive essays from Dubravka Ugresic explores the full spectrum of human existence. From life in exile to life in prison, from bottled-water drinking tourists with massive backpacks to the Eurovision song contest, Ugresic's unfailingly sharp critical eye never fails to reveal what has been hidden in plain sight by routine, or uncover the tragic, and the comic, in the everyday.

Dubravka Ugresic is the author of several works of fiction and several essay collections, including the NBCC award finalist, Karaoke Culture. She went into exile from Croatia after being label a "witch" for her anti-nationalistic stance during the Yugoslav war. She now resides in the Netherlands.

Ellen Elias-Bursac is an American scholar and literary translator. Specializing in South Slavic literature, she has translated numerous works from Bosnian, Croatian, and Serbian.


Product Details

ISBN-13: 9781934824009
Publisher: Open Letter
Publication date: 09/26/2008
Pages: 297
Product dimensions: 5.70(w) x 8.50(h) x 1.10(d)

About the Author

Dubravka Ugresic is the author of several works of fiction and several essay collections, including the NBCC award finalist, Karaoke Culture. She went into exile from Croatia after being label a "witch" for her anti-nationalistic stance during the Yugoslav war. She now resides in the Netherlands.

Ellen Elias-Bursac is an American scholar and literary translator. Specializing in South Slavic literature, she has translated numerous works from Bosnian, Croatian, and Serbian.

Table of Contents

CONTENTS


1.
A Global View
Flea Market
A Suitcase
The Basement
A Right to Misery
Stereotypes
Ostalgia
The Tamils
Birdhouse
Gardening
My Hometown
Old Age—New Craze
Ah, that Rhetoric
Little Dog—Big Bark
Time and Space
The Natives
History and Culture
Shit
Sobs
Heart
Identity
Pavlik Morozov
Happiness
Celebs
Rise Up, Ye Slavs!
Beauty Killed the Beast


2.
Europe, Europe (August 2000)
Amsterdam, Amsterdam (2001)
USA Nails (September 2002)


3.
What is European about European Literature? (October 2003—September 2005)
Literary Geopolitics (April 2004)
Transition: Morphs & Sliders & Polymorphs (October 2004)
Opium (2006)

4.
The Stendhal Syndrome
Leaving it to Lolita
Let Putin Kiss a Wet Slippery Fish
The New Barbarians
All Foreigners Beep...
The Underclass
A Requiem for the Yugoslav Guest Worker
A Monument to the Polish Plumber
Marlene
Go, Burekana, Go!

5.
The Alibi of Cultural Differences, or: How I Got the Picture (December 2004)
Souvenirs of Communism (January 2005)
A Postcard from My Vacation (2006)
Nobody’s Home (June 2005)

6.
Author’s Note
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