The Assignment: or, On the Observing of the Observer of the Observers
In Friedrich Dürrenmatt’s experimental thriller The Assignment, the wife of a psychiatrist has been raped and killed near a desert ruin in North Africa. Her husband hires a woman named F. to reconstruct the unsolved crime in a documentary film. F. is soon unwittingly thrust into a paranoid world of international espionage where everyone is watched—including the watchers. After discovering a recent photograph of the supposed murder victim happily reunited with her husband, F. becomes trapped in an apocalyptic landscape riddled with political intrigue, crimes of mistaken identity, and terrorism.

F.’s labyrinthine quest for the truth is Dürrenmatt’s fictionalized warning against the dangers of a technologically advanced society that turns everyday life into one of constant scrutiny. Joel Agee’s elegant translation will introduce a fresh generation of English-speaking readers to one of European literature’s masters of language, suspense, and dystopia.
 
“The narrative is accelerated from the start. . . . As the novella builds to its horripilating climax, we realize the extent to which all values have thereby been inverted. The Assignment is a parable of hell for an age consumed by images.”—New York Times Book Review
 
“His most ambitious book . . . dark and devious . . . almost obsessively drawn to mankind’s most fiendish crimes.”—Chicago Tribune
 
“A tour-de-force . . . mesmerizing.”—Village Voice
 
1134896268
The Assignment: or, On the Observing of the Observer of the Observers
In Friedrich Dürrenmatt’s experimental thriller The Assignment, the wife of a psychiatrist has been raped and killed near a desert ruin in North Africa. Her husband hires a woman named F. to reconstruct the unsolved crime in a documentary film. F. is soon unwittingly thrust into a paranoid world of international espionage where everyone is watched—including the watchers. After discovering a recent photograph of the supposed murder victim happily reunited with her husband, F. becomes trapped in an apocalyptic landscape riddled with political intrigue, crimes of mistaken identity, and terrorism.

F.’s labyrinthine quest for the truth is Dürrenmatt’s fictionalized warning against the dangers of a technologically advanced society that turns everyday life into one of constant scrutiny. Joel Agee’s elegant translation will introduce a fresh generation of English-speaking readers to one of European literature’s masters of language, suspense, and dystopia.
 
“The narrative is accelerated from the start. . . . As the novella builds to its horripilating climax, we realize the extent to which all values have thereby been inverted. The Assignment is a parable of hell for an age consumed by images.”—New York Times Book Review
 
“His most ambitious book . . . dark and devious . . . almost obsessively drawn to mankind’s most fiendish crimes.”—Chicago Tribune
 
“A tour-de-force . . . mesmerizing.”—Village Voice
 
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The Assignment: or, On the Observing of the Observer of the Observers

The Assignment: or, On the Observing of the Observer of the Observers

The Assignment: or, On the Observing of the Observer of the Observers

The Assignment: or, On the Observing of the Observer of the Observers

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Overview

In Friedrich Dürrenmatt’s experimental thriller The Assignment, the wife of a psychiatrist has been raped and killed near a desert ruin in North Africa. Her husband hires a woman named F. to reconstruct the unsolved crime in a documentary film. F. is soon unwittingly thrust into a paranoid world of international espionage where everyone is watched—including the watchers. After discovering a recent photograph of the supposed murder victim happily reunited with her husband, F. becomes trapped in an apocalyptic landscape riddled with political intrigue, crimes of mistaken identity, and terrorism.

F.’s labyrinthine quest for the truth is Dürrenmatt’s fictionalized warning against the dangers of a technologically advanced society that turns everyday life into one of constant scrutiny. Joel Agee’s elegant translation will introduce a fresh generation of English-speaking readers to one of European literature’s masters of language, suspense, and dystopia.
 
“The narrative is accelerated from the start. . . . As the novella builds to its horripilating climax, we realize the extent to which all values have thereby been inverted. The Assignment is a parable of hell for an age consumed by images.”—New York Times Book Review
 
“His most ambitious book . . . dark and devious . . . almost obsessively drawn to mankind’s most fiendish crimes.”—Chicago Tribune
 
“A tour-de-force . . . mesmerizing.”—Village Voice
 

Product Details

ISBN-13: 9780226174464
Publisher: University of Chicago Press
Publication date: 10/15/2008
Edition description: New Edition
Pages: 152
Product dimensions: 5.20(w) x 7.90(h) x 0.50(d)

About the Author

Friedrich Dürrenmatt (1921-1990) was born in the village of Konolfingen, near Berne, Switzerland. He wrote prolifically during the 1950s, ’60s, and ’70s, taking particular interest in human rights and the preservation of Israel. He is the author of numerous books published by the University of Chicago Press, including The Pledge.


Joel Agee has translated numerous German authors into English, including Heinrich von Kleist, Rainer Maria Rilke, and Elias Canetti. In 2005 he received the Modern Language Association’s Lois Roth Award for his translation of Hans Erich Nossack’s The End: Hamburg 1943. He is the author of two memoirs: Twelve Years: An American Boyhood in East Germany and In the House of My Fear

Theodore Ziolkowski (1932-2020) was the Class of 1900 Professor Emeritus of German and Comparative Literature at Princeton University. He is the author of many books, including The Mirror of Justice: Literary Reflections of Legal Crises

Read an Excerpt

CHAPTER 1

When Otto von Lambert was informed by the police that his wife Tina had been found dead and violated at the foot of the Al-Hakim ruin, and that the crime was as yet unsolved, the psychiatrist, well known for his book on terrorism, had the corpse transported by helicopter across the Mediterranean, suspended in its coffin by ropes from the bottom of the plane, so that it trailed after it slightly, over vast stretches of sunlit land, through shreds of clouds, across the Alps in a snowstorm, and later through rain showers, until it was gently reeled down into an open grave surrounded by a mourning party, and covered with earth, whereupon von Lambert, who had noticed that F., too, had filmed the event, briefly scrutinized her and, closing his umbrella despite the rain, demanded that she and her team visit him that same evening, since he had an assignment for her that could not be delayed.

CHAPTER 2

F., well known for her film portraits, who had resolved to explore new paths and was pursuing the still vague idea of creating a total portrait, namely a portrait of our planet, by combining random scenes into a whole, which was the reason why she had filmed the strange burial, stood staring after the massively built man, von Lambert, who, drenched and unshaven, had accosted her, and had turned his back on her without greeting, and she decided only after some hesitation to do what he had asked, for she had an unpleasant feeling that something was not right, and that besides, she was running the danger of being drawn into a story that would deflect her from her plans, so that it was with a feeling of repugnance that she arrived with her crew at the psychiatrist's house, impelled by curiosity about the nature of his offer but determined to refuse whatever it was.

CHAPTER 3

Von Lambert received her in his studio, demanded to be immediately filmed, willingly submitted to all the preparations, and then, sitting behind his desk, explained to the running camera that he was guilty of his wife's death because he had always treated the heavily depressed woman as a case instead of as a person, until she had accidentally discovered his notes on her sickness and, according to the maid, left the house straight away, a red fur coat thrown over her denim suit, clutching her pocketbook, after which he had not heard from her at all, but neither had he undertaken to learn her whereabouts, if only to grant her whatever freedom she desired, or, on the other hand, should she discover his investigations, to spare her the feeling that she was being watched from a distance, but now that she had come to such a terrible end he was forced to recognize his guilt not only in having treated her with the cool scrutiny prescribed by psychoanalytic practice but also in having failed to investigate her disappearance, he regarded it as his duty to find out the truth, and beyond that, to make it available to science, since his wife's fate had brought him up against the limits of his profession, but since he was a physical wreck and not capable of taking the trip himself, he was giving her, F., the assignment of reconstructing the murder (of which he as her doctor was the primary cause, the actual perpetrator being but an accidental factor) at the apparent scene of the crime, of recording whatever was there to be recorded, so that the results could be shown at psychoanalytic conferences and presented to the state prosecutor's office, since, being guilty, he, like any criminal, had lost the right to keep his failure secret, and having said this, he handed her a check for a considerable sum of money, several photographs of the murdered woman, her journal, and his notes, whereupon F., much to the surprise of her crew, accepted the assignment.

CHAPTER 4

After leaving the psychiatrist's house, F. refused to answer her cameraman's question as to the meaning of all this nonsense, spent most of the night perusing the journal and the doctor's notes, and, after a brief sleep, still in bed, made arrangements with a travel agency for the flight to M., drove into town, bought several newspapers with pictures of the strange funeral and the dead woman on their front pages, and, before checking a hastily scribbled address she had found in the journal, went to an Italian restaurant for breakfast, where she encountered the logician D., whose lectures at the university were attended by two or three students — an eccentric and sharp-witted man of whom no one could tell whether he was unfit for life or merely pretended to be helpless, who expounded his logical problems to anyone who joined him at his table in the always crowded restaurant, and this in such a confused and thoroughgoing manner that no one was able to understand him, not F. either, though she found him amusing, liked him, and often told him about her plans, as she did now, mentioning first the peculiar assignment she had been given, and going on to talk about the dead woman's journal, as if to herself, unconscious of her interlocutor, so preoccupied was she by that densely filled notebook: never, she said, never in her life had she read a similar description of a person, Tina von Lambert had portrayed her husband as a monster, but gradually, not immediately, virtually peeling off pieces of him, facet by facet, examining each one separately, as if under a microscope, constantly narrowing and magnifying the focus and sharpening the light, page after page about his eating habits, page after page about the way he picked his teeth, page after page about how and where he scratched himself, page after page about his coughing or sneezing or clearing his throat or smacking his lips, his involuntary movements, gestures, twitches, idiosyncrasies more or less common to most people, but described in such a way that she, F., had a hard time contemplating the subject of food now, and if she had not touched her breakfast yet, it was only because she could not help imagining that she herself was disgusting to look at while eating, for it was impossible to eat aesthetically, and reading this journal was like being immersed in a cloud of pure observations gradually condensing into a lump of hate and revulsion, or like reading a film script for a documentary of every human being, as if every person, if he or she were filmed in this manner, would turn into a von Lambert as he was described by this woman, all individuality crushed out by such ruthless observation, while F.'s own impression of the psychiatrist had been one of a fanatic who was beginning to doubt his cause, extraordinarily childlike and helpless in a way that reminded her of many scientists, a man who had always believed and still believed that he loved his wife, and to whom it had never occurred that it was all too easy to imagine that one loved someone, and that basically one loved only oneself, but even before meeting him, the spectacular funeral had made her suspect that its purpose was to cover up his hurt pride, why not, and as for the assignment to hunt for the circumstances of her death, he was probably trying, albeit unconsciously, to build a monument to himself, and if Tina's description of her husband was grotesque in its exaggeration and excessive concreteness, von Lambert's notes were equally grotesque in their abstraction, they weren't observations at all but literally an abstracting of her humanity, defining depression as a psychosomatic phenomenon resulting from insight into the meaninglessness of existence, which is inherent in existence itself, since the meaning of existence is existence, which insight, once accepted and affirmed, makes existence unbearable, so that Tina's insight into that insight was the depression, and so forth, this sort of idiocy page after page, which made it seem inconceivable to her that Tina had fled as a result of having read these pages, as von Lambert apparently suspected, even though two of her journal entries ended with the doubly underlined sentence: "I am being watched," a statement for which F. had a different interpretation, namely that Tina had found out that von Lambert had read her journal, obviously a much more shattering discovery than von Lambert's notes could have been, since, for one who secretly hates and suddenly learns that the hated one knows it, there could be no other way out than to flee, at which point F. ended her comments with the remark that something about this story was not right, there still was the riddle of what could have driven Tina into the desert, it was all beginning to make her feel like one of those probes they shoot out into space in the hope that they will transmit back to the earth information about its still unknown composition.

CHAPTER 5

D. had listened to F.'s report and absently ordered a glass of wine, even though it was just eleven o'clock, gulped it down with an equally absent air, ordered a second glass, and remarked that he was still pondering the useless problem of whether the law of identity A = A was correct, since it posited two identical A's, while actually there could only be one A identical with itself, and anyway, applied to reality it was quite meaningless, since there was no self-identical person anywhere, because everyone was subject to time and was therefore, strictly speaking, a different person at every moment, which was why he, D., sometimes had the impression that he was a different person each morning, as if a different self had replaced his previous self and were using his brain and consequently his memory, making him all the more glad that he was a logician, for logic was beyond all reality and removed from every sort of existential mishap, and so he would like to respond to the story she had told him but could only do so in very general terms: good old von Lambert had no doubt experienced a shock, not as a husband, though, but as a psychiatrist whose patient has fled, and now he was turning his human failing into a failure of psychiatry, and the psychiatrist was left standing like a jailer without prisoners, bereft of his subject, and what he was calling his fault was this lack, what he wanted from F. was merely the missing document for his documentation, by trying to know what he could never understand, he was hoping to bring the dead woman back into captivity, and the whole thing would be perfect material for a comedy if it didn't contain a problem that had been troubling him, D., for a long time, a logical problem loosely involving a mirror telescope he had installed in his house in the mountains, an unwieldy thing that he occasionally pointed at a cliff from which he was being observed by people with field glasses, with the effect that, as soon as the people observing him through their field glasses realized that he was observing them through his telescope, they would retreat in a hurry, an empirical confirmation, in short, of the logical conclusion that anything observed requires the presence of an observer, who, if he is observed by what he is observing, himself becomes an object of observation, a banal logical interaction, which, however, transposed into reality, had a destabilizing effect, for the people observing him and discovering that he was observing them through a mirror telescope felt caught in the act, and since being caught in the act produces embarrassment and embarrassment frequently leads to aggression, more than one of these people, after retreating in haste, had come back to throw rocks at his house as soon as he had dismantled the telescope, a dialectical process, said D., that was symptomatic of our time, when everyone observed and felt observed by everyone else, so that a very suitable definition of contemporary man might be that he is man under observation — observed by the state, for one, with more and more sophisticated methods, while man makes more and more desperate attempts to escape being observed, which in turn renders man increasingly suspect in the eyes of the state and the state even more suspect in the eyes of man; similarly each state observes and feels observed by all the other states, and man, on another plane, is busy observing nature as never before, inventing more and more subtle instruments for this purpose, cameras, telescopes, stereoscopes, radio telescopes, X-ray telescopes, microscopes, synchrotrons, satellites, space probes, computers, all designed to coax more and more new observations out of nature, from quasars trillions of light-years away to particles a billionth of a millimeter in diameter to the discovery that electromagnetic rays are nothing but radiant mass and mass is frozen electromagnetic radiation: never before had man observed nature so closely that she stood virtually naked before him, yes, denuded of all her secrets, exploited, her resources squandered, which was why it occasionally seemed to him, D., that nature, for her part, was observing man and becoming aggressive, for what was the pollution of air, earth, and water, what were the dying forests, but a strike, a deliberate refusal to neutralize the poisons, while the new viruses, earthquakes, droughts, floods, hurricanes, volcanic eruptions, et cetera, were precisely aimed defensive measures of observed nature against her observer, much the way D.'s mirror telescope and the rocks that were thrown at his house were measures taken against being observed, or, for that matter, von Lambert's manner of observing his wife and her manner of observing him, in each case a process of objectification pursued to a degree that could only be unbearable to the other, the doctor turning the wife into an object of psychoanalytic scrutiny and she turning him into an object of hate until, struck by the sudden insight that she, the observer, was being observed by the observed, she spontaneously threw her red fur coat over her denim suit and fled the vicious circle of mutual observation, and met with her death, but, he added, after suddenly bursting into laughter and becoming serious again, what he was constructing here was of course only one of two possibilities, the other one being the precise opposite of what he had described, for a logical conclusion always depends on the initial situation: if, in his house in the mountains, he was being observed less and less, so rarely that, when he pointed his mirror telescope at people who he presumed were observing him from the cliff, they turned out to be observing not him but something else through their field glasses, chamois or mountain climbers or whatnot, this state of not being observed would begin to torment him after a while, much more than the knowledge of being observed had bothered him earlier, so that he would virtually yearn for those rocks to be thrown at his house, because not being watched would make him feel not worth noticing, not being worth noticing would make him feel disrespected, being disrespected would make him feel insignificant, being insignificant would make him feel meaningless, and, he imagined, the end result might be a hopeless depression, in fact he might even give up his unsuccessful academic career as meaningless, and would have to conclude that other people suffered as much from not being observed as he did, that they, too, felt meaningless unless they were being observed, and that this was the reason why they all observed and took snapshots and movies of each other, for fear of experiencing the meaninglessness of their existence in the face of a dispersing universe with billions of Milky Ways like our own, settled with countless of life-bearing but hopelessly remote and therefore isolated planets like our own, a cosmos filled with incessant pulsations of exploding and collapsing suns, leaving no one, except man himself, to pay any attention to man and thereby lend him meaning, for a personal god was no longer possible in the face of such a monstrosity as this universe, a god as world regent and father who keeps an eye on everyone, who counts the hairs on every head, this god was dead because he had become inconceivable, an axiom of faith without any roots in human understanding, only an impersonal god was still conceivable as an abstract principle, as a philosophical-literary construct with which to magically smuggle some kind of meaning into the monstrous whole, vague and vaporous, feeling is all, the name nothing but sound and fury, nebulous glow of heaven locked in the porcelain stove of the heart, but the intellect too, he said, was incapable of coming up with a persuasive illusion of meaning outside of man, for everything that could be thought or done, logic, metaphysics, mathematics, natural law, art, music, poetry, was given its meaning by man, and without man, it sank back into the realm of the unimagined and unconceived and hence into meaninglessness, and a great deal of what was happening today became understandable if one pursued this line of reasoning, man was staggering along in the mad hope of somehow finding someone to be observed by somewhere, by conducting an arms race, for instance, for of course the powers engaged in an arms race were forced to observe one another, which was why they basically hoped to be able to keep up the arms race forever, so that they would have to observe one another forever, since without an arms race, the contending powers would sink into insignificance, but if by some mishap the arms race should set off the nuclear fireworks, which it had been quite capable of accomplishing for some time, it would represent nothing more than a meaningless manifestation of the fact that the earth had once been inhabited, a fireworks without anyone to observe it, unless it were some kind of humanity or similar life-form somewhere near Sirius or elsewhere, without any chance of communicating to the one who so badly desired to be observed (since he would no longer exist) that, in fact, he had been observed, and even the religious and political fundamentalism that was breaking out or persisting wherever one looked was an indication that many, indeed most, people could not stand themselves if they were not observed by someone, and would flee either into the fantasy of a personal god or into an equally metaphysically conceived political party that (or who) would observe them, a condition from which they in turn would derive the right to observe whether the world was heeding the laws of the all-observing god or party — except for the terrorists, their case was a bit more complex, their goal being not an observed but an unobserved child's paradise, but because they experienced the world in which they lived as a prison where they were not only unjustly locked up but were left unattended and unobserved in one of the dungeons, they desperately sought to force themselves on the attention of their guards and thus step out of their unobserved condition into the limelight of public notice, which, however, they could achieve only by, paradoxically, drawing back into unobserved obscurity again and again, from the dungeon into the dungeon, unable, ever, to come out and be free, in short, humanity was about to return to its swaddling clothes, fundamentalists, idealists, moralists, and political Christers were doing their utmost to saddle unobserved humanity with the blessings of being observed, and therefore with meaning, for man, in the final analysis, was a pedant who couldn't get by without meaning and was therefore willing to put up with anything except the freedom to not give a damn about meaning — like Tina von Lambert: she, too, had dreamed of drawing upon herself the observing eyes of the world, so perhaps one could read her doubly underlined sentence "I am being observed" as a statement of certainty about the victorious outcome of her enterprise, but, if one accepted this possibility, it would be just the beginning of the actual tragedy, in that her husband did not recognize her flight as an attempt to make others observe her, but, interpreting it as an escape from being observed, failed to undertake an investigation, thus scotching her plans from the outset, and she, upon finding that her disappearance remained unobserved, which is to say, ignored, may have felt impelled to seek out more and more audacious adventures, until, by her death, she achieved the desired end, her picture in all the papers and all the world observing her and giving her the recognition and meaning for which she had yearned.

(Continues…)



Excerpted from "The Assignment, or, On the Observing of the Observer of the Observers"
by .
Copyright © 1986 Diogenes Verlag AG, Zurich.
Excerpted by permission of The University of Chicago Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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