Read an Excerpt
The Way We Were
Remembering Diana
By Paul Burrell
William Morrow
Copyright © 2006
 
Paul BurrellAll right reserved.
ISBN: 0-06-113895-9
Chapter One
 The gold Yale key turned in the lock, and my stomach lurched 
as the back door of Kensington Palace opened. 
I stepped inside and walked forward, as the heavy black door 
slammed behind me, sending an echo throughout the emptiness 
that lay ahead. It was as dark and gloomy as ever in that part 
of the palace so I flicked the light switch. Nothing happened. 
The bulb must have blown, I thought. 
Then I looked up to the ceiling and saw that the entire light 
fixture had been ripped out, leaving only dangling wires. I 
walked on, my footsteps echoing, to what had been the engine 
room of the 'home' I called KP, where tradesmen, staff and 
deliverymen had once busied themselves. I was in the middle of 
the lobby, once filled with the buzz of the refrigerator, the 
whirr of the ice-making machine, the swish of the dishwasher, 
the chatter of people coming and going. Now there was a void. 
The mail pigeon-holes were empty; black garbage bags, empty 
drawers and chairs lay about, discarded. KP looked as if it 
had been ransacked by thieves. Apartments 8 and 9 had been 
reduced to a shell, there wasn't a single hook for my 
memories. 
It was 2002, and I had gone back to the apartments of Diana, 
Princess of Wales for the first time since I had left them in 
July 1998 when,even then, they were being emptied. Fine 
furniture was transferred to the Royal Collection. Jewellery 
was returned to Buckingham Palace. As the family was entitled 
to do, Princes William and Harry and the Spencer family had 
taken some items, and the Crown Estates had reclaimed the 
property. On the day I moved out, 24 July 1998, the apartments 
were being stripped. It was too painful for me to witness. I 
wanted to leave with a mental picture of what had been, 
dismissing the reality of what was taking place. 
In the ensuing four years I steered clear of the palace. 
I never imagined I'd ever see the day when I'd need to go 
back. I didn't want to go back. But it became necessary to 
return 'home' when Scotland Yard and the CPS charged me with 
theft from the boss's estate-the system's response to my 
spontaneous protection of her legacy. In preparation for my 
Old Bailey trial, which ended in acquittal in 2002, I had to 
walk my legal team through the palace to build up a picture of 
what life, and my role, had been like. 
That day, accompanied by my barrister Lord Carlile, QC, and 
solicitor Andrew Shaw, I steeled myself for what I knew I 
would see-the dismantling of the princess's world had long 
been complete. But I was still unprepared for the devastating 
scene of erasure and decay that confronted me when I walked up 
the main staircase, then went from room to room. Each had been 
stripped with a disregard that said everything about how the 
princess had been treated in life. 
Nothing had been respected. Workmen had moved in, ripping up 
carpets, tearing down the silk wall panels that had decorated 
the drawing room and sitting room, leaving the doors of fitted 
cupboards hanging off their hinges. Even plug sockets had been 
removed. There were horizontal gaps where the odd floorboard 
had been pulled up and left propped against a wall. Newspapers 
were scattered on the floor. A blue mattress was propped 
against one wall. Junk lay everywhere. And it was dirty. It 
seemed that the place hadn't been cleaned in the four years 
since 1998. A layer of dust covered the once polished 
banisters, giant cobwebs were spun round grubby cornices, and 
the air was musty. A once pristine home was now as dark and 
unhealthy as Charles Dickens had depicted Satis House in Great 
Expectations. 
Those with no reason to care about the princess's world, and 
the devastation I saw, might have shrugged and said, "Well, 
she's dead. It's time to move on. Who cares?" But moving on 
shouldn't mean forgetting. 
I could have cried as I walked round those rooms. It was a 
stark illustration of how quickly some people had wanted to 
forget her, how eager some people were to remove every vestige 
of her. 
It also represented a lost opportunity. A potential museum of 
memories had been wrecked. 
After Princess Margaret's death in 2002, the administration of 
her home, Apartment 1A, was transferred to the care of 
Historic Royal Palaces so that part of her living quarters 
could be viewed for educational and exhibition purposes. 
Today, although the place has been stripped of its furniture, 
the public has the chance to visualize Princess Margaret's 
life, and study the photographs of her. Would it not have been 
possible to do the same with Apartments 8 and 9 five years 
earlier? 
Also, when the Queen Mother died in 2002, the Prince of Wales 
ensured that there was a fitting tribute to his grandmother: 
he arranged for the World of Interiors magazine to photograph 
the inside of her home to show how she had lived; to capture 
her way of life, her tastes and style, for posterity. It was 
published in October 2003. 
That is why I've decided to share with you my photographs, 
taken inside Apartments 8 and 9. 
I took them, with my own camera, in the weeks after the 
princess's death, for purely sentimental reasons-to preserve 
what had been a special place to me. They also catalogued the 
precise location of her possessions, which was useful to me in 
my role as guardian of her world. 
Over the years, the photographs have been a comfort, and have 
helped me remember details and moments that might have blurred 
with time. Many people from around the world have written to 
me, or asked me face to face, what life was like with the 
boss, how she lived, and what her inner sanctum really looked 
like. Well, the photographs in this book provide the answer; 
you will enjoy a virtual tour of Apartments 8 and 9. They show 
the rooms as she left them. 
(Continues...) 
 
Excerpted from The Way We Were
by Paul Burrell 
Copyright © 2006  by Paul Burrell. 
 Excerpted by permission.
 All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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