Worlds of Music: An Introduction to the Music of the World's Peoples / Edition 5

Worlds of Music: An Introduction to the Music of the World's Peoples / Edition 5

ISBN-10:
0534595391
ISBN-13:
9780534595395
Pub. Date:
02/12/2008
Publisher:
Cengage Learning
ISBN-10:
0534595391
ISBN-13:
9780534595395
Pub. Date:
02/12/2008
Publisher:
Cengage Learning
Worlds of Music: An Introduction to the Music of the World's Peoples / Edition 5

Worlds of Music: An Introduction to the Music of the World's Peoples / Edition 5

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Overview

This market-leading, best-selling text covers ethnomusicology-the study of music in a people's way of life, which treats music as a distillation of cultural styles. The authors of this text approach diverse musical styles with the desire to understand them on their own terms-as the people who make the music would understand them. The text is organized by region. Each study focuses on the life histories and autobiographies that are essential to understanding music as a human activity. Song lyrics are singled out by the authors as a way to understand the meaning and purpose of musical performances. Musical examples, or transcriptions, are included on the accompanying CDs, and are treated throughout as points of departure for discussion. Student music-making projects-singing, building and playing instruments-greatly increase music appreciation and allow students to experience firsthand what it's like to be an ethnomusicologist puzzling out unfamiliar music. This text seeks to provide as much pleasure as knowledge, fostering lifelong curiosity and a desire to experience and appreciate music in all its forms.

Product Details

ISBN-13: 9780534595395
Publisher: Cengage Learning
Publication date: 02/12/2008
Edition description: REV
Pages: 640
Product dimensions: 8.00(w) x 9.87(h) x 0.79(d)

About the Author

Jeff Todd Titon is Professor of Music, Emeritus, at Brown University, where he directed the Ph.D. program in ethnomusicology from 1986 to 2013. He received a Ph.D. in American Studies from the University of Minnesota, where he studied ethnomusicology with Alan Kagan, cultural anthropology with Pertti Pelto, and musicology with Johannes Riedel. He founded the ethnomusicology program at Tufts University, where he taught from 1971 to 1986. From 1990 to 1995 he served as the editor of Ethnomusicology, the journal of the Society for Ethnomusicology. He has done ethnographic fieldwork in North America on religious folk music, blues music, and old-time fiddling, with support from the National Endowment for the Arts and the National Endowment for the Humanities. For two years, he was the guitarist in the Lazy Bill Lucas Blues Band, a group that appeared at the 1970 Ann Arbor Blues Festival. He founded and directed an old-time, Appalachian, string-band ethnomusicology ensemble at Tufts (1981-1986) and then at Brown (1986-2013). He is the author or editor of eight books, including Early Downhome Blues, which won the ASCAP-Deems Taylor Award, Give Me This Mountain, Powerhouse for God, and the Oxford Handbook of Applied Ethnomusicology. A documentary photographer and filmmaker as well as author, he is considered a pioneer in applied ethnomusicology, phenomenological ethnography, and ecomusicology. His most recent research may be tracked on his blog at sustainablemusic.blogspot.com.

Table of Contents

Recorded Selectionsviii
Prefacexii
The Authorsxvi
1The Music-Culture as a World of Music1
The Soundscape1
The Music-Culture2
Music or Nonmusic?5
Structure in Music9
Rhythm and Meter9
Melody10
Harmony13
Form14
A Music-Culture Model: Affect, Performance, Community, and History15
The Four Components of a Music-Culture19
Ideas About Music19
Activities Involving Music24
Repertories of Music26
Material Culture of Music28
Ecological Worlds of Music30
References32
Additional Reading32
2North America/Native America35
Three Different Styles35
Sioux Grass Dance35
Zuni Lullaby40
Iroquois Quiver Dance42
Making a "Cowhorn" Rattle44
Music of the Navajos46
A Yeibichai Song from the Nightway Ceremony46
"Folsom Prison Blues"49
The Navajo Way of Life50
Traditional Popular Music54
The Circle Dance Song "Shizhane'e"54
The Enemyway Ceremony56
The "Classical" Music of the Navajos60
The Life Story of a Navajo Ceremonial Practitioner64
The Native American Church71
The Water Drum74
The Sun Dance76
Navajo Hymn Music76
New Composers in Traditional Modes77
Music with Newly Created Navajo Texts and Melodies79
New Navajo Music with English Texts and Orchestral Accompaniment79
The Native American Flute Revival80
References82
Additional Reading83
Additional Listening84
Major Sources for Recordings85
3Africa/Ewe, Mande, Dagbamba, Shona, BaAka87
Postal Workers Canceling Stamps89
Generalizations About African Music-Culture90
Musical Analysis: Toward Participation92
Agbekor: Music and Dance of the Ewe People94
The Ewe People94
Agbekor: History and Contemporary Performance96
A Performance100
Music of the Percussion Ensemble101
Songs107
Mande Jaliya: "Lambango"113
Historical and Social Background114
Music-Culture115
Elements of Performance117
A Hearing of "Lambango"119
A Drummer of Dagbon122
The Drums122
A Praise Name Dance123
Life Story: Abubakari Lunna124
Shona Mbira Music127
Cultural Context127
The Mbira128
"Nhemamusasa"131
Thomas Mapfumo and Chimurenga Music135
The BaAka People Singing: "Makala"137
Three Images of the Forest People138
"Makala," a Mabo Song139
Music-Culture as an Adaptive Resource142
Conclusion as Discussion145
References147
Additional Reading149
Additional Listening149
4North America/Black America151
Music of Worship151
Music of Work162
Music of Play168
Blues169
Blues and the Truth170
Response to the Lyrics of "Poor Boy Blues"172
Autobiography and the Blues174
Learning the Blues180
The Blues Scale182
Composing the Blues183
A Blues Song in the Making184
How to Make and Play a One-Stringed Diddly-Bow187
Social Context and the Meaning of the Blues192
The Blues Yesterday196
The Blues Today202
A Few Final Words206
References207
Additional Reading208
Additional Listening208
Viewing209
5Bosnia and Central/Southeastern Europe: Music and Musicians in Transition211
Bosnia: From Tradition to Destruction214
Music in a Muslim Highlander Village215
Music of Rural and Urban Lowlands Muslims221
Popular Music Styles: "Newly Composed Folk Music" and Rock225
Mensur Hatic: Versatile Musical Traveler228
Flory Jagoda: Keeper of the Sephardic Jewish Tradition of Bosnia230
Update: Bosnia, 2001232
Bulgaria: Another Approach to Musical Change236
Summary239
References240
Additional Reading240
Additional Listening241
6India/South India243
The Environment of Indian Musics247
History, Culture, Politics247
Many Musics249
Karnataka Sangeeta, the Classical Music of South India255
The Sound World257
The Ensemble: Musical Texture259
Raga: The Melodic System261
Tala: The Time Cycle264
The Drummer's Art265
A Carnatic Music Performance267
Alapana269
Tanam270
Kriti "Sarasiruha"270
Kalpana Svaras272
The Drum Solo: Tani Avartanam272
Indian Music and the West273
References275
Additional Reading and Viewing275
Additional Listening275
Major Sources for Recordings277
7Asia/Judouesia279
Central Java281
Gamelan282
Gamelan Construction287
Gamelan Identity288
Gamelan Performance Contexts289
Gamelan Music: A Javanese Gendhing in Performance291
Irama Level298
Performing Your Own Gamelan Music299
A Javanese Gendhing in Soft-Playing Style299
Pathet300
A Close Examination of "Ladrang Wilujeng"302
Biography of Ki Nartosabdho, a Gamelan Musician, Composer, and Puppeteer307
Gamelan Music and Shadow Puppetry312
Bali314
North Sumatra316
Indonesian Popular Music319
Rhoma Irama, Dangdut319
Responses to Globalization321
References326
Additional Reading326
Additional Listening327
Viewing329
8East Asia/Japan331
Listening Habits of Contemporary Japanese333
General Characteristics of Japanese Traditional Music334
Pitch and Scales334
Timbre335
Melody and Harmony336
Rhythm336
Musical Form337
The Shakuhachi (Bamboo Flute)338
The Koto (Zither)344
The Kouta (Short Song) and Shamisen (Lute)345
Gidayu-bushi (Music of the Puppet Theater)352
Minyo (Folk Song)356
Matsuri-bayashi (Festival Music)361
Ensemble and Technique364
Biography of Ueno Mitsuyuki366
Popular Music369
Historical Background370
Karaoke374
Gunka380
Folk Song380
New Music380
Pops380
Final Words381
References382
Additional Reading383
Additional Listening383
Viewing384
9Latin America/Ecuador385
The Venezuelan Joropo387
Chilean Nueva Cancion388
Victor Jara388
Violeta Parra392
The Front Lines of Social Change393
Bolivian K'antu395
The Quichua of the Northern Andes of Ecuador400
The Musical Tradition: Sanjuan403
Sanjuan and Cotacachi Quichua Lifeways412
Walking in Sanjuan: The Vital-Domain Metaphor415
Two Classic Sanjuanes417
The Andean Ensemble Phenomenon420
Wawa Velorio426
The Career Dilemma of Don Cesar Muquinche432
African-Ecuadorian Music of the Chota River Valley438
Despedida, or Farewell440
References441
Additional Reading443
Additional Listening445
Viewing446
10Discovering and Documenting a World of Music447
Music in Our Own Backyards447
Family449
Generation450
Avocation451
Religion451
Ethnicity452
Regionalism454
Nationalism454
Commercial Music455
Doing Musical Ethnography457
Selecting a Subject: Some Practical Suggestions457
Collecting Information459
Finishing the Project473
References474
Additional Reading474
Credits475
Index477
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