The author of The Land’s Wild Music depicts Australia’s Blue Mountains through stories of the land and the lives within it.

At the farthest extent of Australia’s Blue Mountains, on the threshold of the country’s arid interior, the Blue Plateau reveals the vagaries of a hanging climate: the droughts last longer, the seasons change less, and the wildfires burn hotter and more often. In The Blue Plateau, Mark Tredinnick tries to learn what it means to fall in love with a home that is falling away.

A landscape memoir in the richest sense, Tredinnick’s story reveals as much about this contrary collection of canyons and ancient rivers, cow paddocks and wild eucalyptus forests as it does about the myriad generations who struggled to remain in the valley they loved. It captures the essence of a wilderness beyond subjugation, the spirit of a people just barely beyond defeat. Charting a lithology of indigenous presence, faltering settlers, failing ranches, floods, tragedy, and joy that the place constantly warps and erodes, The Blue Plateau reminds us that, though we may change the landscape around us, it works at us inexorably, with wind and water, heat and cold, altering who and what we are.

The result is an intimate and illuminating portrayal of tenacity, love, grief, and belonging. In the tradition of James Galvin, William Least Heat-Moon, and Annie Dillard, Tredinnick plumbs the depths of people’s relationship to a world in transition.

Praise for The Blue Plateau

“One of the wisest, most gifted and ingenious writers you could hope to find.” —Michael Pollan, author of In Defense of Food and The Omnivore’s Dilemma

“I’ve never been to Australia, but now—after this book—it comes up in my dreams. The landscape in the language of this work is alive and conscious, and Tredinnick channels it in prose both wild and inspired. . . . Part nonfiction novel, part classic pastoral, part nature elegy, part natural history, the whole of The Blue Plateau conveys a deep sense, rooted in the very syntax of a lush prose about an austere land, that there can be no meaningful division between nature and culture, between humans and all the other life that interdepends with us, not in the backcountry of southeastern Australia, nor anywhere else.” —Orion

“Absorbed slowly, as a pastoral landscape of loss and experiment in seeing and listening, the book richly rewards that patience.” —Publishers Weekly