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| Alex Bugnon | Primary Artist, Organ, Synthesizer, Piano, Accordion, Drums, Electric Piano, Guitar (Hollow Body) |
| Victor Bailey | Bass, Fretless Bass Guitar |
| Janice Dempsey | Vocals, Track Performer |
| Mike Campbell | Guitar |
| Rahni Song | Synthesizer, Percussion, Vocals, Background Vocals |
| Buddy Williams | Cymbals, Drums, Tom-Tom, Overdubs, Hi Hat |
| Victor Wooten | Bass |
| Rohn Lawrence | Guitar |
| Cyrille Bugnon | Alto Saxophone |
| Michael "Dino" Campbell | Guitar |
| Alex Bugnon | Arranger, Producer, Contributor |
| Goh Hotoda | Producer, Engineer, Remixing |
| Beau Huggins | Executive Producer |
| Howie Lindeman | Engineer |
| Bob Ludwig | Mastering |
| Cole Porter | Composer |
| Rahni Song | Producer, Horn Arrangements, drum programming |
| Joel Zimmerman | Art Direction |
| John Hurley | Engineer |
Editorial Reviews
All Music Guide - Alex Henderson
Alex Bugnon's commercial pop-jazz output of the early to mid-1990s wasn't fantastic, but it did indicate that he had some potential as both a pianist/keyboardist and a composer. Generally more substantial than most of the other albums that smooth jazz stations played in 1991, the uneven, erratic 107 in the Shade is far from a gem, but has its moments. Bugnon gets into a pleasant, Joe Sample-ish groove on "Paris and May" and "When I Think About Home," whereas the much too brief "Fly, Spirit, Fly" hints at Pat Metheny. It was obvious that Sample was a major influence on Bugnon, although there were also traces of Ahmad Jamal in his playing. One of the CD's main flaws is ...