20 Under 40: Stories from The New Yorker

20 Under 40: Stories from The New Yorker

by Deborah Treisman

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In June 2010, the editors of The New Yorker announced to widespread media coverage their selection of "20 Under 40"—the young fiction writers who are, or will be, central to their generation. The magazine published twenty stories by this stellar group of writers over the course of the summer. They are now collected for the first time in one volume.

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In June 2010, the editors of The New Yorker announced to widespread media coverage their selection of "20 Under 40"—the young fiction writers who are, or will be, central to their generation. The magazine published twenty stories by this stellar group of writers over the course of the summer. They are now collected for the first time in one volume.

The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell.

Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.

Editorial Reviews

Library Journal
In the summer of 2010, The New Yorker published stories by 20 young North American writers it had identified as standouts; this volume collects those stories. Though the authors' youth or the publication of their stories in one particular magazine might suggest a sameness, these stories are in fact quite diverse, ranging from the historical to the futuristic, from the personal to the political. And their settings span the globe. Some of the most haunting tales involve abandonment of one kind or another: a boy left behind when his brother escapes their troubled homeland in Daniel Alarcón's "Second Lives," a child abandoned in an airport by his soldier father in Salvatore Scibona's "The Kid," a woman who must leave her parents and her country to better herself in Nell Freudenberger's "An Arranged Marriage." Two of the most touching stories are "The Science of Flight," in which Yiyun Li introduces us to a lonely woman whose coworkers have no idea how much their shared work life means to her, and ZZ Packer's "Dayward," in which a boy risks all to protect his deaf sister as they flee from slavery. VERDICT Highly recommended for readers who enjoy collections such as The Best American Short Stories.—Evelyn Beck, Piedmont Technical Coll., Greenwood, SC
Kirkus Reviews

Though many lament the decline of short fiction (and magazines that publish it), we seem to have entered a golden age of the short-story anthology, if the proliferation of annual and themed collections is any indication.

The latest addition to the short-fiction bookshelf proceeds from the provocative premise of the New Yorker's annual summer fiction issue of June 2010—which found the future of American fiction in the hands of its 20 most promising practitioners younger than 40. Inevitably, the selection invited controversy, as did the age limit. Writes fiction editor Treisman, "We will inevitably look back, in a decade or so, and see that we missed a writer—or even several. But for now, for us, these twenty women and men dazzlingly represent the multiple strands of inventiveness and creativity at play in the best fiction being written today." They also represent a departure from what was long considered the prototypical "New Yorker story," one that pondered contemporary, upper-middle-class, Caucasian ennui. The inclusions are international in scope (and authorship, though all have some ties to North America), occasionally historical, and feature far more narrative propulsion than navel gazing. Joining those who have already experienced critical success and some measure of commercial breakthrough—Joshua Ferris, Jonathan Safran Foer, Nicole Krauss (married to J.S. Foer, the anthology's power couple), ZZ Packer and Gary Shteyngart among them—are writers on the verge of a greater readership, the discoveries that highlight such collections. The youngest, 24-year-old Téa Obreht, has already appeared in two of the year's "best of" anthologies and will publish her debut novel in 2011. The Ethiopian Dinaw Mengestu contributes a vivid story about the power of storytelling, and Yiyun Li shows tonal command in her narrative of a reticent Chinese immigrant who sees herself as "who she was in other people's eyes," while inventing stories to shape that perception.

Like the magazine, the collection doesn't distinguish between short stories and novel excerpts, but each piece can be savored as a self-contained whole.

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20 Under 40

Stories from The New Yorker

By Deborah Treisman

Farrar, Straus and Giroux

Copyright © 2010 The New Yorker Magazine
All rights reserved.
ISBN: 978-1-4299-1840-4



Chimamanda Ngozi Adicie

The woman, a stranger, was looking at me. In the glare of the hot afternoon, in the swirl of motorcycles and hawkers, she was looking down at me from the back seat of her jeep. Her stare was too direct, not sufficiently vacant. She was not merely resting her eyes on the car next to hers, as people often do in Lagos traffic; she was looking at me. At first, I glanced away, but then I stared back, at the haughty silkiness of the weave that fell to her shoulders in loose curls, the kind of extension called Brazilian Hair and paid for in dollars at Victoria Island hair salons; at her fair skin, which had the plastic sheen that comes from expensive creams; and at her hand, forefinger bejewelled, which she raised to wave a magazine hawker away, with the ease of a person used to waving people away. She was beautiful, or perhaps she was just so unusual-looking, with wide-set eyes sunk deep in her face, that "beautiful" was the easiest way of describing her. She was the kind of woman I imagined my lover's wife was, a woman for whom things were done.

My lover. It sounds a little melodramatic, but I never knew how to refer to him. "Boyfriend" seemed wrong for an urbane man of forty-five who carefully slipped off his wedding ring before he touched me. Chikwado called him "your man," with a faintly sneering smile, as though we were both in on the joke: he was not, of course, mine. "Ah, you are always rushing to leave because of this your man," she would say, leaning back in her chair and smacking her head with her hand, over and over. Her scalp was itchy beneath her weave, and this was the only way she could come close to scratching it. "Have fun oh, as long as your spirit accepts it, but as for me, I cannot spread my legs for a married man." She said this often, with a clear-eyed moral superiority, as I packed my files and shut down my computer for the day.

We were friends out of necessity, because we had both graduated from Enugu Campus and ended up working for Celnet Telecom, in Lagos, as the only females in the community-relations unit. Otherwise, we would not have been friends. I was irritated by how full of simplified certainties she was, and I knew that she thought I behaved like an irresponsible, vaguely foreign teen-ager: wearing my hair in a natural low-cut, smoking cigarettes right in front of the building, where everyone could see, and refusing to join in the prayer sessions our boss led after Monday meetings. I would not have told her about my lover — I did not tell her about my personal life — but she was there when he first walked into our office, a lean, dark man with a purple tie and a moneyed manner. He was full of the glossy self-regard of men who shrugged off their importance in a way that only emphasized it. Our boss shook his hand with both hands and said, "Welcome, sir, it is good to see you, sir, how are you doing, sir, please come and sit down, sir." Chikwado was there when he looked at me and I looked at him and then he smiled, of all things, a warm, open smile. She heard when he said to our boss, "My family lives in America," a little too loudly, for my benefit, with that generic foreign accent of the worldly Nigerian, which, I would discover later, disappeared when he became truly animated about something. She saw him walk over and give me his business card. She was there, a few days later, when his driver came to deliver a gift bag. Because she had seen, and because I was swamped with emotions that I could not name for a man I knew was wrong for me, I showed her the perfume and the card that said, "I am thinking of you."

"Na wa! Look at how your eyes are shining because of a married man. You need deliverance prayers," Chikwado said, half joking. She went to night-vigil services often, at different churches, but all with the theme Finding Your God-Given Mate; she would come to work the next morning sleepy, the whites of her eyes flecked with red, but already planning to attend another service. She was thirty-two and tottering under the weight of her desire: to settle down. It was all she talked about. It was all our female co-workers talked about when we had lunch at the cafeteria. Yewande is wasting her time with that man — he is not ready to settle down. Please ask him oh, if he does not see marriage in the future then you better look elsewhere; nobody is getting any younger. Ekaete is lucky, just six months and she is already engaged. While they talked, I would look out the window, high up above Lagos, at the acres of rusted roofs, at the rise and fall of hope in this city full of tarnished angels.

Even my lover spoke of this desire. "You'll want to settle down soon," he said. "I just want you to know I'm not going to stand in your way." We were naked in bed; it was our first time. A feather from the pillow was stuck in his hair, and I had just picked it out and showed it to him. I could not believe, in the aftermath of what had just happened, both of us still flush from each other's warmth, how easily the words rolled out of his mouth. "I'm not like other men, who think they can dominate your life and not let you move forward," he continued, propping himself up on his elbow to look at me. He was telling me that he played the game better than others, while I had not yet conceived of the game itself. From the moment I met him, I had had the sensation of possibility, but for him the path was already closed, had indeed never been open; there was no room for things to sweep in and disrupt.

"You're very thoughtful," I said, with the kind of overdone mockery that masks damage. He nodded, as though he agreed with me. I pulled the covers up to my chin. I should have got dressed, gone back to my flat in Surulere, and deleted his number from my phone. But I stayed. I stayed for thirteen months and eight days, mostly in his house in Victoria Island — a faded-white house, with its quiet grandeur and airy spaces, which was built during British colonial rule and sat in a compound full of fruit trees, the enclosing wall wreathed in creeping bougainvillea. He had told me he was taking me to a Lebanese friend's guesthouse, where he was staying while his home in Ikoyi was being refurbished. When I stepped out of the car, I felt as though I had stumbled into a secret garden. A dense mass of periwinkles, white and pink, bordered the walkway to the house. The air was clean here, even fragrant, and there was something about it all that made me think of renewal. He was watching me; I could sense how much he wanted me to like it.

"This is your house, isn't it?" I said. "It doesn't belong to your Lebanese friend."

He moved closer to me, surprised. "Please don't misunderstand. I was going to tell you. I just didn't want you to think it was some kind of ..." He paused and took my hand. "I know what other men do, and I am not like that. I don't bring women here. I bought it last year to knock it down and build an apartment block, but it was so beautiful. My friends think I'm mad for keeping it. You know nobody respects old things in this country. I work from here most days now, instead of going to my office."

We were standing by sliding glass doors that led to a veranda, over which a large flame tree spread its branches. Wilted red flowers had fallen on the cane chairs. "I like to sit there and watch birds," he said, pointing.

He liked birds. Birds had always been just birds to me, but with him I became someone else: I became a person who liked birds. The following Sunday morning, on our first weekend together, as we passed sections of Next to each other in the quiet of that veranda, he looked up at the sky and said, "There's a magpie. They like shiny things." I imagined putting his wedding ring on the cane table so that the bird would swoop down and carry it away forever.

"I knew you were different!" he said, thrilled, when he noticed that I read the business and sports sections, as though my being different reflected his good taste. And so we talked eagerly about newspapers, and about the newscasts on AIT and CNN, marvelling at how similar our opinions were. We never discussed my staying. It was not safe to drive back to Surulere late, and he kept saying, "Why don't you bring your things tomorrow so you can go to work from here?" until most of my clothes were in the wardrobe and my moisturizers were on the bathroom ledge. He left me money on the table, in brown envelopes on which he wrote "For your fuel," as if I could possibly spend fifty thousand naira on petrol. Sometimes, he asked if I needed privacy to change, as if he had not seen me naked many times.

We did not talk about his wife or his children or my personal life or when I would want to settle down so that he could avoid standing in my way. Perhaps it was all the things we left unsaid that made me watch him. His skin was so dark that I teased him about being from Gambia; if he were a woman, I told him, he would never find a face powder that matched his tone. I watched as he carefully unwrapped scented moist tissues to clean his glasses, or cut the chicken on his plate, or tied his towel round his waist in a knot that seemed too elaborate for a mere towel, just below the embossed scar by his navel. I memorized him, because I did not know him. He was courtly, his life lived in well-oiled sequences, his cufflinks always tasteful.

His three cell phones rang often; I knew when it was his wife, because he would go to the toilet or out to the veranda, and I knew when it was a government official, because he would say afterward, "Why won't these governors leave somebody alone?" But it was clear that he liked the governors' calls, and the restaurant manager who came to our table to say, "We are so happy to see you, sah." He searched the Sunday-magazine pullouts for pictures of himself, and when he found one he said in a mildly complaining tone, "Look at this, why should they turn businessmen into celebrities?" Yet he would not wear the same suit to two events because of the newspaper photographers. He had a glowing ego, like a globe, round and large and in constant need of polishing. He did things for people. He gave them money, introduced them to contacts, helped their relatives get jobs, and when the gratitude and praise came — he showed me text messages thanking him; I remember one that read "History will immortalize you as a great man" — his eyes would glaze over, and I could almost hear him purr.

One day he told me, while we were watching two kingfishers do a mating dance on a guava tree, that most birds did not have penises. I had never thought about the penises of birds.

"My mother had chickens in the yard when I was growing up, and I used to watch them mating," I said.

"Of course they mate, but not with penises," he said. "Did you ever see a cock with a dick?"

I laughed, and he, only just realizing the joke, laughed, too. It became our endearment. "Cock with a dick," I would whisper, hugging him in greeting, and we would burst out laughing. He sent me texts signed "CwithaD." And each time I turned off the potholed road in Victoria Island and into that compound full of birdsong I felt as though I were home.

The woman was still looking at me. Traffic was at a standstill, unusual this early in the afternoon. A tanker must have fallen across the road — tankers were always falling across the roads — or a bus had broken down, or cars had formed a line outside a petrol station, blocking the road. My fuel gauge was close to empty. I switched off the ignition and rolled down the window, wondering if the woman would roll down hers as well and say something to me. I stared back at her, and yet she did not waver, her eyes remaining firm, until I looked away. There were many more hawkers now, holding out magazines, phone cards, plantain chips, newspapers, cans of Coke and Amstel Malta dipped in water to make them look cold. The driver in front of me was buying a phone card. The hawker, a boy in a red Arsenal shirt, scratched the card with his fingernail, and then waited for the driver to enter the numbers in his phone to make sure the card was not fake.

I turned again to look at the woman. I was reminded of what Chikwado had said about my lover the first day that he came to our office: "His face is full of overseas." The woman, too, had a face full of overseas, the face of a person whose life was a blur of comforts. There was something in the set of her lips, which were lined with cocoa lip pencil, that suggested an unsatisfying triumph, as though she had won a battle but hated having had to fight in the first place. Perhaps she was indeed my lover's wife and she had come back to Lagos and just found out about me, and then, as though in a bad farce, ended up next to me in traffic. But his wife could not possibly know; he had been so careful.

"I wish I could," he always said, when I asked him to spend Saturday afternoon with me at Jazz Hole, or when I suggested we go to a play at Terra Kulture on Sunday, or when I asked if we could try dinner at a different restaurant. We only ever went to one on a dark street off Awolowo Road, a place with expensive wines and no sign on the gate. He said "I wish I could" as though some great and ineluctable act of nature made it impossible for him to be seen publicly with me. And impossible for him to keep my text messages. I wanted to ask how he could so efficiently delete my texts as soon as he read them, why he felt no urge to keep them on his phone, even if only for a few hours, even if only for a day. There were reams of questions unasked, gathering like rough pebbles in my throat. It was a strange thing to feel so close to a man — to tell him about my resentment of my parents, to lie supine for him with an abandon that was unfamiliar to me — and yet be unable to ask him questions, bound as I was by insecurity and unnamed longings.

The first time we quarrelled, he said to me accusingly, "You don't cry." I realized that his wife cried, that he could handle tears but not my cold defiance.

The fight was about his driver, Emmanuel, an elderly man who might have looked wise if his features were not so snarled with dissatisfaction. It was a Saturday afternoon. I had been at work that morning. My boss had called an emergency meeting that I thought unnecessary: we all knew that His Royal Highness, the Oba of the town near the lagoon, was causing trouble, saying that Celnet Telecom had made him look bad in front of his people. He had sent many messages asking how we could build a big base station on his ancestral land and yet donate only a small borehole to his people. That morning, his guards had blocked off our building site, shoved some of our engineers around, and punctured the tires of their van. My boss was furious, and he slammed his hand on the table as he spoke at the meeting. I, too, slammed my hand on the cane table as I imitated him later, while my lover laughed. "That is the problem with these godless, demon-worshipping traditional rulers," my boss said. "The man is a crook. A common crook! What happened to the one million naira we gave him? Should we also bring bags of rice and beans for all his people before we put up our base station? Does he want a supply of meat pies every day? Nonsense!"

"Meat pies" had made Chikwado and me laugh, even though our boss was not being funny. "Why not something more ordinary, like bread?" Chikwado whispered to me, and then promptly raised her hand when our boss asked for volunteers to go see the Oba right away. I never volunteered. I disliked those visits — villagers watching us with awed eyes, young men asking for free phone cards, even free phones — because it all made me feel helplessly powerful.

"Why meat pies?" my lover asked, still laughing.

"I have no idea."

"Actually, I would like to have a meat pie right now."

"Me, too."

We were laughing, and with the sun shining, the sound of birds above, the slight flutter of the curtains against the sliding door, I was already thinking of future Saturdays that we would spend together, laughing at funny stories about my boss. My lover summoned Emmanuel and asked him to take me to the supermarket to buy the meat pies. When I got into the car, Emmanuel did not greet me. He simply stared straight ahead. It was the first time that he had driven me without my lover. The silence was tense. Perhaps he was thinking that all his children were older than me.

"Well done, Emmanuel!" I said finally, greeting him with forced brightness. "Do you know the supermarket on Kofo Abayomi Street?"

He said nothing and started the car. When we arrived, he stopped at the gate. "Come out here, let me go and park," he said.

"Please drop me at the entrance," I said. Every other driver did that, before looking for a parking space.

"Come out here." He still did not look at me. Rage rose under my skin, making me feel detached and bloodless, suspended in air; I could not sense the ground under my feet as I climbed out. After I had selected some meat pies from the display case, I called my lover and told him that Emmanuel had been rude and that I would be taking a taxi back.


Excerpted from 20 Under 40 by Deborah Treisman. Copyright © 2010 The New Yorker Magazine. Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Deborah Treisman has been the fiction editor of The New Yorker since 2003, and was deputy fiction editor for five years prior to that.

Deborah Treisman has been the fiction editor of The New Yorker since 2003, and was deputy fiction editor for five years prior to that. She is the editor of the book 20 Under 40: Stories from The New Yorker.

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