32 Yolks: From My Mother's Table to Working the Line

32 Yolks: From My Mother's Table to Working the Line

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by Eric Ripert
     
 

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For readers of Jacques Pépin’s The Apprentice and Marcus Samuelsson’s Yes, Chef, here is the coming-of-age story of a true French chef and international culinary icon. Before he earned three Michelin stars at Le Bernardin, won the James Beard Foundation Award for Outstanding Chef, or became a regular guest judge on Bravo’s Top

Overview

For readers of Jacques Pépin’s The Apprentice and Marcus Samuelsson’s Yes, Chef, here is the coming-of-age story of a true French chef and international culinary icon. Before he earned three Michelin stars at Le Bernardin, won the James Beard Foundation Award for Outstanding Chef, or became a regular guest judge on Bravo’s Top Chef, and even before he knew how to make a proper omelet, Eric Ripert was a young boy in the South of France who felt that his world had come to an end. The only place Eric felt at home was in the kitchen. His desire to not only cook, but to become the best would lead him into some of the most celebrated and demanding restaurants in Paris, serving under such legendary chefs as Joël Robuchon and Dominique Bouchet, and trying to survive the brutal, exacting environment of their kitchens.

Editorial Reviews

The New York Times Book Review - Lisa Abend
That these tales are enjoyable despite their general familiarity is a tribute to the vividness with which Ripert (aided by his co-writer, Veronica Chambers) conveys them.
Publishers Weekly
04/04/2016
Food enthusiasts who have seen the finesse of Ripert’s delicate plates on television shows and have attempted recipes from Le Bernardin Cookbook will be delighted to meet the man behind the recipes. In this engaging memoir, Ripert shares his life as a young boy in Southern France. Ripert refines his palette and learns to treat food like a gift. He watches his mother set the table with exquisite care even for his daily goûter, or after-school snack. At age 11, after the death of his father, Ripert finds solace and inspiration in the kitchen. Ripert begins to cook in some of the finest kitchens in France, under the thumb of some of the most notorious culinary masters; his apprenticeships involve painful, long hours and no social life. After his obligatory military service, he gets back to the line, discovers a particular love for seafood, and dives into his culinary passions with an unmatched drive. He masters some of the most difficult techniques, and eventually follows his dream to the U.S. With his exacting prose and eye for detail, Ripert has created a wonderful memoir about his early days as a chef. (May)
Library Journal
04/15/2016
Readers may know Ripert as the meditative host of the PBS series Avec Eric; a fan-favorite judge on Bravo's Top Chef; and the owner of Le Bernardin, a French seafood restaurant in New York. His roots, however, are far from that calm and thoughtful adult. This memoir tells of Ripert's tumultuous childhood in France where a love of excellent food was instilled in him early on. In his preteens, he was taken under the wing of a professional chef. Food and cooking were an escape for Ripert, though the stress of professional kitchens steeped him in almost unmanageable levels of fear and desperation. The militaristic attitude in three-star restaurants, as Ripert describes it, is physically and mentally grueling. Despite the difficulties, Ripert knew cooking was his calling and he likens talented chefs to having the creative genius of composers Wolfgang Mozart and Frédéric Chopin. VERDICT Although the loving descriptions of flavors and cooking techniques will make some long for recipes, this narrative sheds light on the carefully controlled chaos behind the scenes at several top restaurants in the 1970s and 1980s. It will appeal to fans of Anthony Bourdain's Kitchen Confidential and Joe Bastianich and Mario Batali's Restaurant Man.—Maggie Knapp, Trinity Valley Sch., Fort Worth, TX
Kirkus Reviews
2016-03-20
The acclaimed French chef and co-owner of Le Bernardin delivers a breezy account of his life in France and Andorra before he moved to the United States in his early 20s. Ripert (Avec Eric: A Culinary Journey with Eric Ripert, 2010, etc.) makes it clear that food was always the warm center of his life, and his descriptions of the meals he prepared or devoured will make even the most ascetic reader hungry. As a boy, the author took refuge in a restaurant in his little town, where the chef indulged him with bowls of chocolate mousse or spoonfuls of caviar while his glamorous mother was off running the boutique she owned. Bored with academics, he left high school to go to a no-frills vocational boarding school, where he learned knife skills and "took naturally to the non-negotiable, army-like rules of the brigade system" in a restaurant. After an apprenticeship where he boned pounds of anchovies and peeled dozens of potatoes every day, working from 8:30 in the morning until 11:00 at night, the 17-year-old moved to Paris, where he learned to transform the "32 yolks" of the title into a proper hollandaise sauce and lived in fear of daunting chefs. Ripert worked first for Dominique Bouchet and then for Joel Robuchon, neither of whom cut their underlings any slack. The author keeps his tone light, even as he describes forbidding work environments, constant anxiety, escalating anger, and the pressures of being low on an aggressively male pecking order. His pleasure in good food—whether he's following his grandmother to a town market, where he "swooned at the fragrance of anise, clove, and mint," or preparing lavish restaurant dishes plated with 90 equally spaced dots of sauce—makes for some vicarious gastronomic thrills. It doesn't take a refined palate to savor Ripert's culinary adventures.
From the Publisher
“Passionate, poetical . . . What makes 32 Yolks compelling is the honesty and laudable humility [Eric] Ripert brings to the telling.”Chicago Tribune
 
“With a vulnerability and honesty that is breathtaking . . . Ripert takes us into the mind of a boy with thoughts so sweet they will cause you to weep. He also lets us into the mind of the man he is today, revealing all the golden cracks and chips that made him more valuable to those around him.”The Wall Street Journal
 
“Eric Ripert makes magic with 32 Yolks.”Vanity Fair

32 Yolks may not be what you’d expect from a charming, Emmy-winning cooking show host and cookbook author. In the book, there are, of course, scenes of elaborate meals both eaten and prepared. And all the talk of gigot d’agneau, tarte tatin, petits farcis, paupiette de veau and saumon en croute may prompt a dinner reservation at your local French restaurant. But Ripert’s story is, for the most part, one of profound loss, a tumultuous childhood and abuse, both mental and physical.”Los Angeles Times
 
“If you’re interested in how successful people become successful—and if you’re not, why aren’t you?—check out 32 Yolks: From My Mother’s Table to Working the Line. It’s a great story, especially for people just starting out, since Eric focuses on his formative years. ‘My time at Le Bernardin has been well documented,’ Eric told me, ‘and so I wanted to share what came before then and how my early years as a child and first kitchen experiences shaped my journey.’”—Jeff Haden, Inc.

“Heartbreaking. Horrifying. Poignant. And inspiring. I’ve known Eric for years, and I had no idea that this was how it all started. If you want to get a clear picture of where one gets the drive and dedication to be a truly great chef, there is no better or more harrowing account.”—Anthony Bourdain

“This book demonstrates just how amazing Eric’s life has been both inside and outside the kitchen. It makes total sense now that he has become one of the greatest chefs in the world today. This is a portrait of a chef as a young man. It’s endlessly entertaining and teaches young cooks how it used to be.”—David Chang
 
“Eric Ripert is known around the world for his talent and passion for food. I have been friends with him for half his life, but his memoir let me discover more about his past. His journey from Andorra to Manhattan is full of adventure, hard work, and ambition, and it is an inspiration to us all.”—Daniel Boulud
 
“Eric Ripert’s 32 Yolks is almost as irresistible as his cooking—a suspenseful, scary, and deeply moving memoir. Even with the knowledge of his eventual triumph as one of the world’s greatest chefs, you can’t help wondering as you turn the pages whether he will manage to survive his childhood or his grueling apprenticeship in two of France’s top kitchens. But ultimately his deep, visceral appreciation of food and the joy of cooking make this a lyrical and inspiring story.”—Jay McInerney

From the Hardcover edition.

Product Details

ISBN-13:
9780812992984
Publisher:
Random House Publishing Group
Publication date:
05/17/2016
Pages:
256
Sales rank:
16,946
Product dimensions:
5.60(w) x 8.40(h) x 1.20(d)

Read an Excerpt

1

First, Dessert: Chocolate Mousse

Two things happened the year I turned eleven: my father died and I became friends with my first professional chef, a guy named Jacques.

My mother, distressed at my sadness over the loss of my father, tried to cure it with the one thing she knew I still loved: an extraordinary meal. One day, after she closed her shop, she announced that we wouldn’t be going home to have dinner with her new husband, Hugo, and my baby sister. Instead we were going to the restaurant in the same complex of shops as her own, Chez Jacques.

“It is almost impossible to get a table,” my mother said, smiling conspiratorially. “But why don’t you and I go, just the two of us?”

I smiled for the first time in weeks. A night out alone with my mother? At an exclusive restaurant? It was like Christmas had come early.

As we approached Chez Jacques, my mother whispered, “Let me do the talking. They say the chef is a lunatic.”

We were greeted at the door by Mercedes Quillacq, a voluptuous blond Spanish woman in her midforties. I had never met her but she greeted my mother as if they were old friends, and she seated us with a flourish that implied we were honored guests. The restaurant was rustic and simple. I would later learn that Jacques had built the entire establishment himself and that the dining room was actually the first floor of the family home. There were maybe twenty seats and an open plan kitchen, which was unusual for the time. There was no menu, just a set meal for the night. You ate what Jacques prepared, and you paid a hefty price for the pleasure.

From my seat at the table I could see Jacques at work in the kitchen: short and muscular, he wore a white chef’s jacket with short sleeves and sweated with the force of a man who was all at once chef, sous-chef, and dishwasher. In one pot, he cooked pasta. In another, he made green beans. The industrial oven churned out culinary masterpieces, seemingly on its own. Now there’s a platter of caramel pork. Look, there’s a camembert en chemise (a version of brie en croute). And is that a roast duck? Watching Jacques cook for an entire restaurant, alone and happy in his kitchen, was like going to the circus and watching a master juggler spin a hundred plates. I was mesmerized.

I quickly learned that while the food was indeed legendary, part of what kept Chez Jacques packed was the show he put on. You did not choose to eat at Chez Jacques. Jacques chose you.

Ten minutes after we sat down, the door opened. A well-dressed man walked in and greeted Jacques, whose eyes immediately narrowed.

“Get out!” he snarled.

The man was understandably startled and tried to politely introduce himself. “Uh, je suis Monsieur Veysette. . . .”

“Who sent you?”

“Uh . . .”

“Get out!” Jacques yelled, and so the man did as he asked and left.

My mother and I sat in silence, watching the drama unfold with both amusement and awe. My pleasure in being there grew, just knowing that we had been lucky to be let in the front door.

A few minutes later, another couple arrived.

“Who sent you?” Jacques barked.

“No one. We saw . . .”

“Welcome, welcome,” Jacques said, suddenly switching to the warm tone of a mâitre’d in a famed Parisian bistro. “Mercedes, please see to it that they get the best table!”

My mother whispered to me, “Chef Jacques is known for kicking even the most elite residents of Andorra out of his restaurant. He takes great pleasure in telling the richest people in town to go screw themselves, but the food is so good, they always come back.” She went on to explain that Jacques was ex–French Legion and he wasn’t impressed with power. He’d survived the Battle of Dien Bien Phu; he didn’t care about the vice-president of the local hydroelectric company or a retired British footballer. Naturally, the spectacle only made Chez Jacques more of a destination. “Whatever you do,” my mother warned, “don’t ask for salt.”

When the dishes arrived, it was clear that we were being presented with more than a meal: this was a gift. The salad was composed as if Jacques had spent the afternoon in the garden, picking each green leaf himself. The coq au vin was so rich and satisfying that I had to resist the urge to lick the plate when I was done. When the meal was over, Jacques sent over not two small bowls of chocolate mousse, but nearly a tub of the stuff. My eyes widened at the heft of it; then I quickly and happily polished off the whole dish.

Jacques walked over to the table just as I was shoveling the last heaping spoon of mousse into my mouth. He looked pleased.

“The young man has a good appetite,” he said, winking at me.

“C’est trop, Monsieur Jacques,” I replied, respectfully. And it was—the very best meal I’d ever had.

“Do you want a tour of the factory?” Jacques asked, gesturing for me to follow him to the kitchen.

My mother nodded her permission and I eagerly followed Jacques back to the kitchen and propped myself onto a barstool for a better view. I pointed at the salads Jacques was making.

“How did you get the vinaigrette so creamy?” I asked.

He smiled at the question. “That’s a secret,” he said. “Come back one day and I’ll show you.”

The next day after school, instead of heading to the stockroom above my mother’s boutique, I went to Chez Jacques. I sat on the same barstool, eating bowl after bowl of baba au rhum, and listened as he told me stories about his years in the military.

Jacques was what was called a titi Parisien, a kind of scrappy, working-class guy who grew up on the not-fancy streets of Paris, like Robert De Niro in New York. He spent his career as a parachutist with the French army and had done tours of duty in Vietnam, Egypt, and Algeria. I learned more about history from him than I did from any schoolbook.

“You’ve read about the coalition between Germany, France, and Great Britain against Egypt when they tried to nationalize the Suez Canal?” he asked as he rubbed a leg of lamb with salt for that evening’s meal.

I had never heard of the Suez Canal, but I nodded my head vigorously in the hopes that he’d keep talking and serving me sweets.

“Alors. Each country had their own black market of goods,” Jacques explained. “Crates of everything from caviar to licorice. Well, one day, we heard that the British had gotten ahold of some fresh vegetables, so we traded with them—a crate of whiskey for a crate of arugula, endives, and romaine. They just wanted to get drunk! But we said, ‘The French must eat the way God intended man to eat!’ ”

He laughed so hard at the memory that he had to brace himself on the counter. “Can you imagine? Trading whiskey for some greens? But that is war, young man. That is what war is really about: going after the thing you didn’t value until you were in the position to lose it.”

I was only a kid but I thought I understood what he meant, because I had, that afternoon, spent one of the happiest days in recent memory. The school year loomed ahead, and I was sure that nothing would top the few hours I had spent watching Jacques cook and listening to his stories about parachuting out of planes and conducting secret maneuvers in foreign lands.

My mother worked six days a week at her boutique, but she cooked like a Michelin-starred chef every single night. The table was always set with fresh flowers and a beautiful tablecloth. She shopped every day at the markets. We began each meal with a delicious starter: maybe an onion soup or a big rustic salad made of blanched and raw vegetables, apple, avocado, radishes, potato, haricots verts, corn—all from a roadside market, not the grocery store. For the main course, there would be something cooked à la minute, like a pepper steak, or something she’d prepped since the morning, like a roast shoulder of lamb. There was always dessert too: a fruit dish, like pears in red wine, on the weekdays and something more elaborate, like a flan or a raspberry/strawberry/pear tart, on her day off. It was a badge of honor for my mother that at a time when women were asking if they could have it all, she did.

That evening when she came to collect me, her eyes went straight to the dirty dessert bowl sitting next to me. She knew me well enough to know that there was no way I had eaten just one serving. I could tell she was annoyed at what was certain to be an enormous bill and at my rudeness in ruining my appetite for the dinner she’d prepared at home.

But when my mother asked Jacques for the bill, throwing me an impatient glare, he just waved her off.

“No charge, madame,” he said. “The boy has been washing dishes all day. It is I who should pay him.” Then he winked at me and smiled.

This was, needless to say, a lie for my protection, and the pure tenderness of the gesture almost made me cry.

“Come back anytime,” Jacques said. I wondered if he meant it or if he was just being polite.

“Tomorrow?” I asked, shyly.

“Why not?” he answered.

“Will there be chocolate mousse the next time?” I asked, feeling bolder.

Jacques laughed, a full-bodied laugh that I would get to know well. And my mother, who in those days did not laugh very often, laughed too.

“There is always chocolate mousse at Chez Jacques,” he said.

Proust had his madeleine and because of Jacques, I have my mousse. Every time I dig into a bowl of that chocolate velvet, I am a kid again, running to Chez Jacques after school. It is the taste of friendship. It is the taste of belly laughs, and war stories, and the memory of a man who could jump out of planes and make a leg of lamb with equal amounts of skill and ardor. But more than anything, chocolate mousse is the taste of being welcomed; of Chez Jacques, where for me, the door was always open.

2

My Father’s Castle

In 1961, Paul Newman and Sidney Poitier came to Paris to make a movie about jazz, love, and possibility. In the film, Paul Newman plays a jazz musician who sees the most beautiful girl, played by Diahann Carroll, while walking down the street. She’s not interested in him, but she takes a liking to his friend, Sidney Poitier, and it just so happens that her pal, Joanne Woodward, thinks Paul Newman is kind of cute. So the pairs switch around and go about the business of falling in love, but in the end, each of the men and each of the women must go off on their own path. There is no happily ever after for these couples, only happy to have met you.

Not too long after that movie debuted, my parents met in the south of France. In time, they would do their own switching around of partners and falling in and out of love. But where the lovers in Paris Blues had only themselves to worry about, my parents’ choices affected me too, and I felt shuffled and tossed about by all of the changes. Despite all that would come afterward, the first five years of my life were so happy and bright that decades cannot diminish the sunshine and warmth that I feel when I look back at that time. My parents’ greatest gift to me was this: a model of love that was so big, it felt like the stuff of movies and songs. It wasn’t an endless love, but it was a gift all the same.

This is where it began: on a road lined with olive trees, on a bright summer day in Cagnes-sur-Mer, the largest suburb of the city of Nice. My mother, Monique, was waiting for the No. 44 bus. She had golden brown skin, the skin of a girl who has spent her whole life in sunny places—Morocco and the south of France. She was tall and thin, with hair as black as a raven that hit her back at an alluring spot. Her eyes were rimmed with kohl; her lips were a deep ruby red. My mother was just an eighteen-year-old shopgirl, but she had mastered the look of the jet set. She carried herself with confidence—even a slight arrogance—that men found irresistible. She was a prize, and she knew it.

My father, André, was ten years her senior. He was handsome and he knew it, the golden boy and oldest son of a farming family in Nîmes. He was born at the dawn of the Second World War. Like many in France, his family suffered greatly through the wars and he was determined to make a success of himself. He never wanted to feel hunger or deprivation again.

My father saw my mother standing by the bus stop wearing a miniskirt that showed off her long legs, and he was taken with her immediately. He was driving in his most prized possession, a red Peugeot convertible.

“Hello, beautiful,” he said. “Where are you off to?”

My mother explained that she was going into town to meet a friend, to see a movie.

My father dismissed this suggestion out of hand. “You are going to sit in a dark room with a group of strangers on this gorgeous day? That’s madness.”

“What else do you have in mind?” my mother asked.

“Let’s stroll the coast together,” he said.

She gladly canceled her plans and he took her to Monaco.

My father was charming. My mother was daring. And that’s how it all began.

My father was the pride of his family. He had worked his way through the ranks of the Banque Nationale de Paris, and had done so well that he was named president of the Cagnes-sur-Mer branch before his thirtieth birthday. He was married once, in his early twenties, to a girl from back home, but the marriage ended before they had children. He was single and well-off on the French Riviera, and my father enjoyed playing the role of a bad boy.

He took my mother to all of the most fabulous parties. The people they rubbed elbows with are like a who’s who of France in the 1960s: Over there is the actor Alain Delon, famed for his recent turn as Ripley in Purple Noon, the French movie adaptation of the Patricia Highsmith novel The Talented Mr. Ripley. Here comes Brigitte Bardot, all blond hair and bosom, talking animatedly about animal rights. Mingling with them are high-ranking government officials who have traveled to the south to take part in the fun and sun.

Meet the Author

Eric Ripert is the chef and co-owner of the New York restaurant Le Bernardin, which holds three stars from the Michelin Guide and has maintained a four-star rating from The New York Times for more than two decades. He is vice chairman of the board of City Harvest, a New York-based food rescue organization, as well as a recipient of the Legion d’Honneur, France’s highest honor. He serves as a regular guest judge on Bravo’s Top Chef and is the host of his own TV series, Avec Eric, which has won Emmy and James Beard awards. Ripert is the author of five cookbooks: Avec Eric, On the Line, A Return to Cooking, Le Bernardin: Four Star Simplicity, and My Best: Eric Ripert.

From the Hardcover edition.

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32 Yolks: From My Mother's Table to Working the Line 3 out of 5 based on 0 ratings. 2 reviews.
ManhattanMary 3 months ago
Getting to know the life Chef Eric Ripert, his talent and passion for food in this moving memoir was irresistible and I wanted to read more. A truly dedicated chef and inspiring to everyone in every field.
Anonymous 6 months ago
What .?