4:21... The Day After [Explicit Lyrics]

Editorial Reviews

All Music Guide - Marisa Brown
Ever since the release of the somewhat disappointing Tical 0: The Prequel, Method Man has been trying to prove that he really is the MC he was on his fantastic 1994 solo debut. So maybe the fact that he decided to name his fourth record 4:21...The Day After has less to do with marijuana (though of course that is never completely forgotten) and more to do with moving away from all the comparisons to his first album, Tical (and the subsequent Tical-themed titles that came after). And while 4:21 may be an improvement over his previous releases, Method Man's not quite the funny yet insightful rapper he was on his debut. To his credit, however, there are still some pretty good ...
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Editorial Reviews

All Music Guide - Marisa Brown
Ever since the release of the somewhat disappointing Tical 0: The Prequel, Method Man has been trying to prove that he really is the MC he was on his fantastic 1994 solo debut. So maybe the fact that he decided to name his fourth record 4:21...The Day After has less to do with marijuana (though of course that is never completely forgotten) and more to do with moving away from all the comparisons to his first album, Tical (and the subsequent Tical-themed titles that came after). And while 4:21 may be an improvement over his previous releases, Method Man's not quite the funny yet insightful rapper he was on his debut. To his credit, however, there are still some pretty good tracks on the album, including "Say," with a Lauryn Hill-covering-Bob Marley sample; "Dirty Mef," which has a verse from deceased Clansman Ol' Dirty Bastard; and "Walk On" featuring cohort Redman, and when Method Man spits out "Me and my soldier, we're taking over/taking payola from all those stations and record labels" over a beat by RZA and Erick Sermon (both of whom appear multiple times), you almost believe that he's going to make a comeback. Unfortunately, there are enough songs on 4:21 that are so utterly boring that the claim of redemption can't be made quite yet. "Got to Have It" is trite and almost hypocritical; the balladic "Let's Ride," which features a chorus from Ginuwine, is completely uninventive; and the closer, "4 Ever," with labelmate Megan Rochell, sounds as if it's trying to capture the energy he and Mary J. Blige had on "I'll Be There for You/You're All I Need to Get By," but ends up seeming more like an empty radio track. There is some good production on the album (besides RZA and Erick Sermon, Scott Storch, Kwamé "K1Mil" and Mathematics all contribute beats), and there are some decent verses as well, both from Method Man and his myriad of guest stars, but they're lacking some of the punch and ingenuity of Tical. Longtime fans should be happy to hear that he's sounding better, but he's going to have to keep making improvements if he wants to win over many new ones.
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Product Details

  • Release Date: 8/29/2006
  • Label: Def Jam
  • UPC: 602498594179
  • Catalog Number: 000698602

Tracks

Disc 1
  1. 1 Intro (2:10)
  2. 2 Is It Me (3:44)
  3. 3 Problem (3:30)
  4. 4 Somebody Done F**ked Up (3:18)
  5. 5 Shaolin Soldier (Skit) (0:21)
  6. 6 Fall Out (3:24)
  7. 7 Dirty Mef - ODB (2:59)
  8. 8 4:20 - Streetlife (4:34)
  9. 9 Let's Ride - Ginuwine (3:10)
  10. 10 The Glide - the Darkman (3:05)
  11. 11 Kids (Skit) (0:47)
  12. 12 Got to Have It (4:13)
  13. 13 Say (3:49)
  14. 14 Ya'meen - Styles P (4:21)
  15. 15 Konichiwa Bi*ches (2:59)
  16. 16 Everything - Inspectah Deck & Streetlife (3:34)
  17. 17 Walk On (2:46)
  18. 18 Pimpin' (Skit) (0:31)
  19. 19 Presidential MC - Raekwon (4:30)
  20. 20 4 Ever - Megan Rochelle (4:04)
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Album Credits

Performance Credits
Method Man Primary Artist
RZA Vocals
Armon Davis Keyboards
Megan Rochelle Track Performer
Technical Credits
Ernie Isley Composer
Chris Jasper Composer
Patrick Magee Engineer
Kelly Holland Composer
W. Michael Lewis Composer
RZA Arranger, Producer, Executive Producer
Erick Sermon Arranger, Producer, Executive Producer
Scott Spencer Storch Producer
Method Man Executive Producer
R. Noble Composer
Havoc Producer
Chris Athens Mastering
C. Woods Composer
Lil O Engineer
J.K. Hunter Composer
L. Jackson Composer
Gimel Keaton Engineer
D. Richard Lewis Composer
James Ellis Management
Jose "Choco" Reynoso Engineer
Dawud West Art Direction
David "Gordo" Strickland Engineer
Kinetic Producer
Justin Rossi Engineer
Mike Chav Engineer
Tai Linzie Photo Coordination
Rob Caiaffa Marketing
Carol Corless Package Production
D. D. Klein Composer
Ayinde "Tike" Olubayu Engineer
Erni Vales Illustrations
Mike Dupus Engineer
P. Charles Composer
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