44 Charles Street [NOOK Book]

Overview

A magical transformation takes place in Danielle Steel’s luminous new novel: Strangers become roommates, roommates become friends, and friends become a family in a turn-of-the-century house in Manhattan’s West Village.
 
The plumbing leaked; the furniture was rescued from garage sales. And every inch was being restored to its original splendor—even as a relationship fell apart. Owner of a struggling art gallery and newly separated from her...
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44 Charles Street

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Overview

A magical transformation takes place in Danielle Steel’s luminous new novel: Strangers become roommates, roommates become friends, and friends become a family in a turn-of-the-century house in Manhattan’s West Village.
 
The plumbing leaked; the furniture was rescued from garage sales. And every inch was being restored to its original splendor—even as a relationship fell apart. Owner of a struggling art gallery and newly separated from her boyfriend, Francesca Thayer does the math and then the unimaginable. She puts out an advertisement for boarders, and soon her Greenwich Village house becomes a whole new world. First comes Eileen, a pretty L.A. transplant, now a New York City schoolteacher. Then there’s Chris, a young father struggling for custody of his seven-year-old son. The final tenant is Marya, a celebrated cookbook author hoping to heal after the death of her husband. Over the course of one amazing, unforgettable, life-changing year, the house at 44 Charles Street fills with laughter, heartbreak, and, always, hope. In the hands of master storyteller Danielle Steel, it’s a place those who visit will never want to leave. 


From the Trade Paperback edition.
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Editorial Reviews

From Barnes & Noble

Art dealer Francesca Thayer owns a house in Manhattan's West Village that, like much of her life, is in chronic need of repair. When her boyfriend and business partner deserts her, she realizes that drastic measures are required to save dilapidated 44 Charles Street and get her life back on the rails. As a risky first step, she decides to take boarders into her beloved home. It turns out that these strangers too have problems, but as Danielle Steel's absorbing ensemble novel demonstrates, misery doesn't just love company; company cures misery. A heartwarming, entertaining read from one of the bestselling authors of all time: 800 million copies and counting!

Publishers Weekly
In Steele's romance, having broken up with her long-term boyfriend, Francesca Thayer is forced to take in tenants in order to pay her mortgage. Over time, Francesca bonds with her three tenants, and they become a family. But when tragedy strikes, the group must pull together. Sadly this audio edition falls flat. Narrator Arthur Morey-an odd and unfortunate choice for a novel populated predominately by women-fails to create unique voices for the book's female characters, instead lending them each a uniform, high-pitched tone. Additionally, Morey narrates and reads most of the dialogue in a brisk, matter-of-fact tone, regardless of the emotional context of the scene. A Dell paperback.
(c) Copyright PWxyz, LLC. All rights reserved.
Library Journal
When Francesca's relationship with her longtime boyfriend ends, she stands to lose the art gallery and the house they co-owned. But she comes up with financial plans to keep the business and the house by making sacrifices—selling some cherished original artwork and taking in boarders. Despite her opinionated mother's fears and objections, Francesca allows three strangers into her beloved home: Eileen is a young schoolteacher with a penchant for online dating; Chris is a quiet father trying to gain sole custody of his young son; and Marya is a recently widowed famous cookbook author. Over the course of a year, the housemates coalesce into a surrogate family, supporting one another through good times and bad. VERDICT In best-selling author Steel's (Family Ties) latest novel, the lives of the supporting cast members are far more compelling than her protagonist's, and reading about their challenges and successes is a sufficiently entertaining way to spend some time. Steel also touches on difficult social issues, such as abusive relationships and drug abuse.—Samantha J. Gust, Niagara Univ. Lib., NY
Kirkus Reviews - Kikus Reviews

After a breakup, a Manhattan gallery owner takes in tenants at her West Village brownstone.

Francesca, 35, has to admit that her future with live-in boyfriend Todd is nil. But after Todd moves out, how to pay the mortgage on the old house they were rehabbing on Charles Street, and prop up the failing finances of the gallery they once co-owned? Francesca's father, a famous artist, invests in the gallery, and Francesca advertises for roommates. Her mother, Thalia, a 60-something jetsetter, is too busy hunting husband No. 6 to help with anything beyond undermining her daughter's self-esteem. Soon the house is occupied by a group that fast becomes Francesca's surrogate family: Eileen, a 20-something transplant from San Diego, is obsessed with meeting men on the Internet. Marya, a newly widowed famous food writer, needs a New Yorkpied-à-terreand, often aided by flirtatious French chef Charles-Edouard, cooks fabulous meals in Francesca's tiny kitchen. Chris, a graphic designer, is shell-shocked by struggles with his ex-wife, Kim, who managed to get joint custody of son Ian despite the fact that she's a heroin addict. Ian, a third grader, twice saved his mother from overdosing. Ian relishes his brief visits at Charles Street, especially when Marya makes him Mickey Mouse pancakes. Eileen's latest online conquest, Brad, a tattooed biker type, is obviously trouble, but her roommates' respect for her privacy has disastrous consequences. After Kim lands in jail for manslaughter after a fellow addict ODs in Ian's presence, Francesca learns Chris and his ex represented a failed merger of two of the nation's most powerful political families. Chris, attracted by Francesca's comparative normalcy, impulsively kisses her. Wouldn't Thalia be thrilled to see her daughter reel in the scion of a dynasty more illustrious than the Kennedys? But Francesca insists they are just friends.

Classic Steel, phoned in. Much repetitious ruminating and a stultifying, unmusical prose style too often obstruct the intended edgy escapism.

Kirkus Reviews

After a breakup, a Manhattan gallery owner takes in tenants at her West Village brownstone.

Francesca, 35, has to admit that her future with live-in boyfriend Todd is nil. But after Todd moves out, how to pay the mortgage on the old house they were rehabbing on Charles Street, and prop up the failing finances of the gallery they once co-owned? Francesca's father, a famous artist, invests in the gallery, and Francesca advertises for roommates. Her mother, Thalia, a 60-something jetsetter, is too busy hunting husband No. 6 to help with anything beyond undermining her daughter's self-esteem. Soon the house is occupied by a group that fast becomes Francesca's surrogate family: Eileen, a 20-something transplant from San Diego, is obsessed with meeting men on the Internet. Marya, a newly widowed famous food writer, needs a New Yorkpied-à-terreand, often aided by flirtatious French chef Charles-Edouard, cooks fabulous meals in Francesca's tiny kitchen. Chris, a graphic designer, is shell-shocked by struggles with his ex-wife, Kim, who managed to get joint custody of son Ian despite the fact that she's a heroin addict. Ian, a third grader, twice saved his mother from overdosing. Ian relishes his brief visits at Charles Street, especially when Marya makes him Mickey Mouse pancakes. Eileen's latest online conquest, Brad, a tattooed biker type, is obviously trouble, but her roommates' respect for her privacy has disastrous consequences. After Kim lands in jail for manslaughter after a fellow addict ODs in Ian's presence, Francesca learns Chris and his ex represented a failed merger of two of the nation's most powerful political families. Chris, attracted by Francesca's comparative normalcy, impulsively kisses her. Wouldn't Thalia be thrilled to see her daughter reel in the scion of a dynasty more illustrious than the Kennedys? But Francesca insists they are just friends.

Classic Steel, phoned in. Much repetitious ruminating and a stultifying, unmusical prose style too often obstruct the intended edgy escapism.

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Product Details

  • ISBN-13: 9780440339885
  • Publisher: Random House Publishing Group
  • Publication date: 4/5/2011
  • Sold by: Random House
  • Format: eBook
  • Pages: 336
  • Sales rank: 37,830
  • File size: 3 MB

Meet the Author

Danielle Steel has been hailed as one of the world’s most popular authors, with over 590 million copies of her novels sold. Her many international bestsellers include Happy Birthday, 44 Charles Street, Legacy, Family Ties, Big Girl, Southern Lights, and other highly acclaimed novels. She is also the author of the story of her son Nick Traina’s life and death.

Biography

When it comes to commanding bestseller lists, no writer can come close to Danielle Steel. Her work has been published in 47 countries, in 28 languages. She has been listed in the Guinness Book of World Records as the author who has spent the most consecutive weeks on The New York Times bestseller list. She has not only published novels, but has written non-fiction, a book of poetry, and two series of children's books. Many of her books have been adapted for television movies, one of which (Jewels) was nominated for two Golden Globe awards. She has received the title of Chevalier of the distinguished Order of Arts and Letters by the French Government for her immense body of work. In short, to say that Steel is the single most popular living writer in the world is no overstatement.

Steel published her first novel, Going Home, when she was a mere 26 years old, and the book introduced readers to many of the themes that would dominate her novels for the next 30-odd years. It is an exploration of human relationships told dramatically, a story of the past's thrall on the present. Anyone familiar with Steel's work will recognize these themes as being close to her heart, as are familial issues, which are at the root of her many mega-sellers.

Although Steel has a reputation among critics as being a writer of fluffy, escapist fare, she never shies away from taking on dark subject matter, having addressed illnesses, incest, suicide, divorce, death, the Holocaust, and war in her work. Of course, even when she is handling unsavory topics, she does so entertainingly and with refinement. Her stories may often cross over into the realm of melodrama, but she never fails to spin a compelling yarn told with a skilled ear for dialogue and character, while consistently showing how one can overcome the greatest of tragedies. Ever prolific, she usually produces several books per year, often juggling multiple projects at the same time.

With all of the time and effort Steel puts into her work (she claims to sometimes spend as much as 20 hours a day at her keyboard), it is amazing that she still has time for a personal life. However, as one might assume from her work, family is still incredibly important to her, and she maintains a fairly private personal life. Fortunately for her millions of fans, she continues to devote more than a small piece of that life to them.

Good To Know

Along with her famed adult novels, Steel has also written two series of books for kids with the purpose of helping them through difficult situations, such as dealing with a new stepfather and coping with the death of a grandparent.

When Steel isn't working on her latest bestseller or spending time with her beloved family, she is devoting her time to one of several philanthropic projects to benefit the mentally ill, the homeless, and abused children.

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    1. Hometown:
      San Francisco, California
    1. Date of Birth:
      August 14, 1947
    2. Place of Birth:
      New York, New York
    1. Education:
      Educated in France. Also attended Parsons School of Design, 1963, and New York University, 1963-67
    2. Website:

Read an Excerpt

Chapter 1

Francesca Thayer sat at her desk until the figures started to blur before her eyes. She had been over them a thousand times in the past two months—and had just spent the entire weekend trying to crunch numbers. They always came out the same. It was three o’clock in the morning and her long wavy blond hair was a tangled mess as she unconsciously ran her hands through it again. She was trying to save her business and her house, and so far she hadn’t been able to come up with a solution. Her stomach turned over as she thought of losing both.

She and Todd had started the business together four years ago.
They’d opened an art gallery in New York’s West Village where they specialized in showing the work of emerging artists at extremely reasonable prices. She had a deep commitment to the artists she represented. Her experience in the art world had been extensive,
although Todd had none at all. Before that, she had run two other galleries, one uptown after she graduated, and the other in Tribeca.
But this gallery that they had started together was her dream. She had a degree in fine arts, her father was a well- known artist who had become very successful in recent years, and the gallery she shared with Todd had gotten excellent reviews. Todd was an avid collector of contemporary work, and he thought that helping her start the gallery would be fun. At the time, Todd was tired of his own career on Wall Street as an attorney. He had a considerable amount of money saved and figured he could coast for a few years.
The business plan he had developed for them showed them making money within three years. He hadn’t counted on Francesca’s passion for less expensive work by entirely unknown artists, helping them whenever possible, nor had he realized that her main goal was showcasing the work, but not necessarily making a lot of money at it. Her hunger for financial success was far more limited than his. She was as much a patron of the arts as a gallerist. Todd was in it to make money. He thought it would be exciting and a welcome change of career for him after years of doing tax and estate work for an important law firm. But now he said he was tired of listening to their bleeding- heart artists, watching his nest egg dwindle to next to nothing, and being poor. As far as Todd was concerned,
this was no longer fun. He was forty years old, and wanted to make real money again. When he talked to her about it he had already lined up a job at a Wall Street firm. They were promising him a partnership within a year. As far as selling art was concerned,
he was done.

Francesca wanted to stick with it and make the gallery a success,
whatever it took. And unlike Todd, she didn’t mind being broke.

But in the past year, their relationship had begun to unravel, which made their business even less appealing to him. They argued about everything, what they did, who they saw, what to do about the gallery. She found the artists, worked with them, and curated the shows. Todd handled the money end of things and paid the bills.
The worst of it was that their relationship was over now too.
They had been together for five years. Francesca had just turned thirty when she met him, and Todd was thirty- five.
It was hard for her to believe that a relationship that had seemed so solid could fall apart so totally in a year. They had never wanted to get married and now they disagreed about that too. When Todd hit forty, he suddenly decided he wanted a conventional life. Marriage was sounding good to him and he didn’t want to wait much longer to have kids. At thirty- five, she still wanted what she had when they met five years before. They had talked about maybe having kids one day, but she wanted to turn their gallery into a success first. Francesca had been very honest with him about marriage when they met, that she had an aversion to it. She had had a frontrow seat all her life to her mother’s obsession with getting married—
and she watched her screw it up five times. Francesca had spent her entire life trying not to make the same mistakes. Her mother had always been an embarrassment to her. And she had no desire whatsoever to start emulating her now.

Francesca’s parents had gotten divorced when she was six. She had also watched her extremely handsome, charming, irresponsible father drift in and out of relationships, usually with very young girls who never lasted in his life for more than six months. That,
combined with her mother’s fetish for marriage, had made
Francesca commitment- phobic until she met Todd. His parents’
own bitter divorce when he was fourteen had made him skittish about marriage too. They had had that in common, but now he had begun to think that marriage made sense. He told her he was tired of their bohemian lifestyle where people lived together and thought it was fine to have kids without getting married. As soon as Todd blew out the candles on his fortieth birthday cake, it was as if a switch were turned on, and without any warning, he turned traditional on her. Francesca preferred things exactly as they were and had always been.

Now suddenly, in recent months, all of Todd’s friends seemed to live uptown. He complained about the West Village where they lived, and which she loved. He thought the neighborhood and people in it looked scuzzy. To complicate matters further, not long after they opened the gallery, they had fallen in love with a house that was in serious disrepair. They had discovered it on a snowy December afternoon and were instantly excited, and had gotten it at a great price because of the condition it was in. They restored it together,
doing most of the work themselves. If they weren’t working in the gallery, they were busy with the house, and within a year everything in it gleamed. They bought furniture at garage sales,
and little by little they had turned it into a home they loved. Now
Todd claimed that he had spent all of the last four years lying under a leaky sink, or making repairs. He wanted an easy modern condominium where someone else did all the work. Francesca was desperately fighting for the life of their business and the house. Despite the failure of the relationship, she wanted to keep both, and didn’t see how she could. It was bad enough losing Todd without losing the gallery and her home too.

They had both tried everything they could to save the relationship,
to no avail. They had gone to couples counseling and individual therapy. They had taken a two- month break. They had talked and communicated until they were blue in the face. They had compromised on everything they could. But he wanted to close or sell the gallery, which would have broken her heart. And he wanted to get married and have kids and she didn’t, or at least not yet—and maybe never. The idea of marriage still made her cringe, even to a man she loved. She thought his new friends were dreary beyond belief. He thought their old ones were limited and trite. He said he was tired of vegans, starving artists, and what he considered leftwing ideals. She had no idea how they had grown so far apart in a few short years, but they had.

They had spent last summer apart, doing different things. Instead of sailing in Maine as they usually did, she spent three weeks in an artists’ colony, while he went to Europe and traveled with friends and went to the Hamptons on weekends. By September, a year after the fighting had begun, they both knew it was hopeless and agreed to give up. What they couldn’t agree on was what to do about the gallery and the house. She had put everything she had and could scrape up into her half of the house, and now if she wanted to keep it, he expected her to buy him out, or agree to sell it. They had less invested in the business, and what he wanted from her was fair. The problem was that she just didn’t have it. He was giving her time to figure it out. Now it was November, and she was no closer to a solution than she had been two months before. He was waiting for her to get sensible and finally give up.

Todd wanted to sell the house by the end of the year, or recoup his share. And he wanted to be out of the business by then too. He was still helping her on weekends when he had time, but his heart was no longer in it, and it was becoming increasingly stressful for both of them to live under one roof in a relationship that was dead.
They hadn’t slept with each other in months, and whenever possible he spent the weekend with friends. It was sad for both of them.
Francesca was upset about ending the relationship, but she was equally stressed about the gallery and the house. She had the bitter taste of defeat in her mouth, and she hated everything about it. It was bad enough that their relationship had failed—five years seemed like a long time to wind up at ground zero in her life again.
Closing the gallery, or selling it, and losing the house was just more than she could bear. But as she sat staring at the numbers, in an old sweatshirt and jeans, she could find no magic there. No matter how she added, subtracted, or multiplied, she just didn’t have the money to buy him out. Tears rolled down her cheeks as she looked at the amounts again.

She knew exactly what her mother was going to say. She had been vehemently opposed to Francesca going into business and buying a house with a man she loved but didn’t intend to marry.
She thought it was the worst possible combination of investment and romance. “And what happens when you break up?” her mother had asked, assuming it was inevitable, since all of her own relationships had ended in divorce. “How will you work that out, with no alimony and no settlement?” Her mother thought that all relationships had to start with a prenup and end with spousal support.

“We’d work it out just like your divorces, Mom,” Francesca had answered, annoyed by the suggestion, as she was by most of what her mother said. “With good lawyers, and as much love for each other as we can muster at that point, if that happens, and good manners and respect.”

All of her mother’s divorces had been on decent terms, and she was friendly with all her former husbands, and they still adored her. Thalia Hamish Anders Thayer Johnson di San Giovane was beautiful, chic, spoiled, self- centered, larger than life, glamorous,
and a little crazy by most people’s standards. Francesca referred to her as “colorful” when she was trying to be nice about her. But in fact, her mother had been an agonizing humiliation for her all her life. She had married three Americans and two Europeans. Both of her European husbands, one British and one Italian, had titles. She had been divorced four times, and widowed the last time. Her husbands had been a very successful writer, Francesca’s father, the artist, the scion of a famous British banking family, a Texas land developer who left her comfortable with a big settlement and two shopping malls, which in turn had allowed her to marry a penniless but extremely charming Italian count, who died eight months later in a terrible car accident in Rome in his Ferrari.
As far as Francesca was concerned, her mother came from another planet. The two women had nothing in common. And now of course she would say “I told you so” when Francesca told her that the relationship was over, which Francesca hadn’t had the guts to do yet. She didn’t want to hear what she would have to say about it.

Her mother hadn’t offered to help her when Francesca bought the house and opened the gallery, and she knew she wouldn’t help her now. She thought the house a foolhardy investment and didn’t like the neighborhood, and like Todd, she would advise Francesca to sell it. If they did, they would both make a profit. But Francesca didn’t want the money, she wanted to stay in the house, and she was convinced there was a way to do it. She just hadn’t found it yet. And her mother would be no help with that. She never was.
Francesca’s mother wasn’t a practical woman. She had relied on men all her life, and used the alimony and settlements they gave her to support her jet- set lifestyle. She had never made a penny on her own, only by getting married or divorced, which seemed like prostitution to Francesca.

Francesca was totally independent and wanted to stay that way.
Watching her mother’s life had made her determined never to rely on anyone—and particularly not a man. She was an only child. Her father, Henry Thayer, was no more sensible than her mother. He had been a starving artist for years, a charming flake and a womanizer,
until, eleven years ago, he had the incredible good fortune to meet Avery Willis, when he was fifty- four. He had hired her as an attorney to help him with a lawsuit, which she won for him, against an art dealer who had cheated him out of money. She then helped him invest it instead of letting him spend it on women. And with the only genius he had ever shown, in Francesca’s opinion, he had married Avery a year later, she for the first time at fifty, and in ten years she had helped him build a solid fortune, with an investment portfolio and some excellent real estate. She talked him into buying a building in SoHo, where he and Avery still lived and he still painted. They also had a weekend house in Connecticut now. Avery had become his agent and his prices had skyrocketed along with his financial affairs. And for the first time in his life he had been smart enough to be faithful. Henry thought his wife walked on water—he adored her. Other than Francesca’s mother, she was the only woman he’d committed to by marrying her. Avery was as different from
Thalia as two women could ever get.

Avery had a respectable career as a lawyer, and never had to be dependent on a man. Her husband was her only client now. She wasn’t glamorous, although she was good- looking, and she was a solid, practical person with an excellent mind. She and Francesca had been crazy about each other from the first time they met. She was old enough to be Francesca’s mother, but didn’t want to be one. She had no children of her own, and until she got married she had the same distrust of marriage that Francesca did. She also had what she referred to as crazy parents. Francesca and her stepmother had been close friends for the last ten years. At sixty, Avery still looked natural and youthful. She was only two years younger than Francesca’s mother, but Thalia was an entirely different breed.
All Thalia wanted now at sixty- two was to find another husband.
She was convinced that her sixth would be her final and best one. Francesca wasn’t as sure, and hoped she’d have the brains not to do it again. She was sure that her mother’s determined search for number six had frightened all possible candidates away. It was hard to believe she had been widowed and unmarried for sixteen years now, despite a flurry of affairs. And she was still a pretty woman. Her mother had had five husbands by the time she was forty- five. She always said wistfully that she wished she were fifty again, which she felt would have given her a better chance to find another husband than at the age she was now.

Avery was totally happy just as she was, married to a man she adored, and whose quirks she tolerated with good humor. She had no illusions about how badly behaved her husband had been before her. He had slept with hundreds of women on both coasts and throughout Europe. He liked to say he’d been a “bad boy” before he met Avery, and Francesca knew how right he was. He had been bad, in terms of how irresponsible he had been, and a lousy husband and father, and he would be a “boy” till the day he died, even if he lived to be ninety. Her father was a child, despite his enormous artistic talent, and her mother wasn’t much better, only she didn’t have the talent.

Avery was the only sensible person in Francesca’s life, with both feet on the ground. And she had been a huge blessing to Francesca’s father, and to her as well. She wanted Avery’s advice now, but hadn’t had the guts to call her yet either. It was so hard admitting she had failed on every front. In her relationship, and in her struggling business, particularly if she had to close it or sell it. She couldn’t even keep the house she loved on Charles Street unless she could find the money to pay Todd. And how the hell was she going to do that? Bottom line, she just didn’t have the money. And even
Avery couldn’t work magic with that.

Francesca finally turned off the light in her office next to her bedroom. She started to head downstairs to the kitchen to make a cup of warm milk to help her sleep, and as she did, she heard a persistent dripping sound, and saw that there was a small leak coming from the skylight. The water was hitting the banister and running slowly down it. It was a leak they’d had before, which Todd had tried to fix several times, but it had started again in the hard November rains, and he wasn’t there that night to fix it. He kept telling her that she’d never be able to maintain the house by herself, and maybe he was right. But she wanted to try. She didn’t care if the roof leaked, or the house came down around her. Whatever it took,
whatever she had to do, Francesca wasn’t ready to give up.

With a determined look, she headed down to the kitchen. On her way back up, she put a towel on the banister to absorb the leak.
There was nothing else she could do until she told Todd about it in the morning. He was away for the weekend with friends, but he could deal with it when he got home. It was exactly why he wanted to sell the house. He was tired of coping with the problems, and if they weren’t going to live there together, he didn’t want to own it.
He wanted out. And if she could find a way to pay him, the problems were going to be all hers, on her own. With a sigh, Francesca walked back upstairs to her bedroom, and promised herself she’d call her stepmother in the morning. Maybe she could think of something that Francesca hadn’t. It was her only hope. She wanted her leaky house and her struggling gallery with its fifteen emerging artists. She had invested four years in both, and no matter what
Todd and her mother thought, she refused to give up her dream or her home.

From the Hardcover edition.

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First Chapter

44 Charles Street (Limited Edition)

A Novel
By Danielle Steel

Delacorte Press

Copyright © 2011 Danielle Steel
All right reserved.

ISBN: 9780345531285

Chapter 1

Francesca Thayer sat at her desk until the figures started to blur
before her eyes. She had been over them a thousand times in
the past two months—and had just spent the entire weekend trying
to crunch numbers. They always came out the same. It was three
o’clock in the morning and her long wavy blond hair was a tangled
mess as she unconsciously ran her hands through it again. She was
trying to save her business and her house, and so far she hadn’t
been able to come up with a solution. Her stomach turned over as
she thought of losing both.

She and Todd had started the business together four years ago.
They’d opened an art gallery in New York’s West Village where they
specialized in showing the work of emerging artists at extremely
reasonable prices. She had a deep commitment to the artists she
represented. Her experience in the art world had been extensive,
although Todd had none at all. Before that, she had run two other
galleries, one uptown after she graduated, and the other in Tribeca.
But this gallery that they had started together was her dream. She
had a degree in fine arts, her father was a well- known artist who
had become very successful in recent years, and the gallery she
shared with Todd had gotten excellent reviews. Todd was an avid
collector of contemporary work, and he thought that helping her
start the gallery would be fun. At the time, Todd was tired of his
own career on Wall Street as an attorney. He had a considerable
amount of money saved and figured he could coast for a few years.
The business plan he had developed for them showed them making
money within three years. He hadn’t counted on Francesca’s passion
for less expensive work by entirely unknown artists, helping
them whenever possible, nor had he realized that her main goal
was showcasing the work, but not necessarily making a lot of
money at it. Her hunger for financial success was far more limited
than his. She was as much a patron of the arts as a gallerist. Todd
was in it to make money. He thought it would be exciting and a
welcome change of career for him after years of doing tax and estate
work for an important law firm. But now he said he was tired
of listening to their bleeding- heart artists, watching his nest egg
dwindle to next to nothing, and being poor. As far as Todd was concerned,
this was no longer fun. He was forty years old, and wanted
to make real money again. When he talked to her about it he had
already lined up a job at a Wall Street firm. They were promising
him a partnership within a year. As far as selling art was concerned,
he was done.

Francesca wanted to stick with it and make the gallery a success,
whatever it took. And unlike Todd, she didn’t mind being broke.

But in the past year, their relationship had begun to unravel, which
made their business even less appealing to him. They argued about
everything, what they did, who they saw, what to do about the
gallery. She found the artists, worked with them, and curated the
shows. Todd handled the money end of things and paid the bills.
The worst of it was that their relationship was over now too.
They had been together for five years. Francesca had just turned
thirty when she met him, and Todd was thirty- five.
It was hard for her to believe that a relationship that had seemed
so solid could fall apart so totally in a year. They had never wanted
to get married and now they disagreed about that too. When Todd
hit forty, he suddenly decided he wanted a conventional life. Marriage
was sounding good to him and he didn’t want to wait much
longer to have kids. At thirty- five, she still wanted what she had
when they met five years before. They had talked about maybe
having kids one day, but she wanted to turn their gallery into a success
first. Francesca had been very honest with him about marriage
when they met, that she had an aversion to it. She had had a frontrow
seat all her life to her mother’s obsession with getting married—
and she watched her screw it up five times. Francesca had spent her
entire life trying not to make the same mistakes. Her mother had
always been an embarrassment to her. And she had no desire whatsoever
to start emulating her now.

Francesca’s parents had gotten divorced when she was six. She
had also watched her extremely handsome, charming, irresponsible
father drift in and out of relationships, usually with very young
girls who never lasted in his life for more than six months. That,
combined with her mother’s fetish for marriage, had made
Francesca commitment- phobic until she met Todd. His parents’
own bitter divorce when he was fourteen had made him skittish
about marriage too. They had had that in common, but now he had
begun to think that marriage made sense. He told her he was tired
of their bohemian lifestyle where people lived together and thought
it was fine to have kids without getting married. As soon as Todd
blew out the candles on his fortieth birthday cake, it was as if a
switch were turned on, and without any warning, he turned traditional
on her. Francesca preferred things exactly as they were and
had always been.

Now suddenly, in recent months, all of Todd’s friends seemed to
live uptown. He complained about the West Village where they
lived, and which she loved. He thought the neighborhood and people
in it looked scuzzy. To complicate matters further, not long after
they opened the gallery, they had fallen in love with a house that
was in serious disrepair. They had discovered it on a snowy December
afternoon and were instantly excited, and had gotten it at
a great price because of the condition it was in. They restored it together,
doing most of the work themselves. If they weren’t working
in the gallery, they were busy with the house, and within a year
everything in it gleamed. They bought furniture at garage sales,
and little by little they had turned it into a home they loved. Now
Todd claimed that he had spent all of the last four years lying under
a leaky sink, or making repairs. He wanted an easy modern condominium
where someone else did all the work. Francesca was desperately
fighting for the life of their business and the house. Despite
the failure of the relationship, she wanted to keep both, and didn’t
see how she could. It was bad enough losing Todd without losing
the gallery and her home too.

They had both tried everything they could to save the relationship,
to no avail. They had gone to couples counseling and individual
therapy. They had taken a two- month break. They had talked
and communicated until they were blue in the face. They had compromised
on everything they could. But he wanted to close or sell
the gallery, which would have broken her heart. And he wanted to
get married and have kids and she didn’t, or at least not yet—and
maybe never. The idea of marriage still made her cringe, even to a
man she loved. She thought his new friends were dreary beyond
belief. He thought their old ones were limited and trite. He said he
was tired of vegans, starving artists, and what he considered leftwing
ideals. She had no idea how they had grown so far apart in a
few short years, but they had.

They had spent last summer apart, doing different things. Instead
of sailing in Maine as they usually did, she spent three weeks
in an artists’ colony, while he went to Europe and traveled with
friends and went to the Hamptons on weekends. By September, a
year after the fighting had begun, they both knew it was hopeless
and agreed to give up. What they couldn’t agree on was what to do
about the gallery and the house. She had put everything she had
and could scrape up into her half of the house, and now if she
wanted to keep it, he expected her to buy him out, or agree to sell
it. They had less invested in the business, and what he wanted from
her was fair. The problem was that she just didn’t have it. He was
giving her time to figure it out. Now it was November, and she was
no closer to a solution than she had been two months before. He
was waiting for her to get sensible and finally give up.

Todd wanted to sell the house by the end of the year, or recoup
his share. And he wanted to be out of the business by then too. He
was still helping her on weekends when he had time, but his heart
was no longer in it, and it was becoming increasingly stressful for
both of them to live under one roof in a relationship that was dead.
They hadn’t slept with each other in months, and whenever possible
he spent the weekend with friends. It was sad for both of them.
Francesca was upset about ending the relationship, but she was
equally stressed about the gallery and the house. She had the bitter
taste of defeat in her mouth, and she hated everything about it. It
was bad enough that their relationship had failed—five years
seemed like a long time to wind up at ground zero in her life again.
Closing the gallery, or selling it, and losing the house was just more
than she could bear. But as she sat staring at the numbers, in an old
sweatshirt and jeans, she could find no magic there. No matter how
she added, subtracted, or multiplied, she just didn’t have the
money to buy him out. Tears rolled down her cheeks as she looked
at the amounts again.

She knew exactly what her mother was going to say. She had
been vehemently opposed to Francesca going into business and
buying a house with a man she loved but didn’t intend to marry.
She thought it was the worst possible combination of investment
and romance. “And what happens when you break up?” her mother
had asked, assuming it was inevitable, since all of her own relationships had ended in divorce. “How will you work that out, with no alimony and no settlement?” Her mother thought that all relationships
had to start with a prenup and end with spousal support.

“We’d work it out just like your divorces, Mom,” Francesca had
answered, annoyed by the suggestion, as she was by most of what
her mother said. “With good lawyers, and as much love for each
other as we can muster at that point, if that happens, and good
manners and respect.”

All of her mother’s divorces had been on decent terms, and she
was friendly with all her former husbands, and they still adored
her. Thalia Hamish Anders Thayer Johnson di San Giovane was
beautiful, chic, spoiled, self- centered, larger than life, glamorous,
and a little crazy by most people’s standards. Francesca referred to
her as “colorful” when she was trying to be nice about her. But in
fact, her mother had been an agonizing humiliation for her all her
life. She had married three Americans and two Europeans. Both of
her European husbands, one British and one Italian, had titles. She
had been divorced four times, and widowed the last time. Her husbands
had been a very successful writer, Francesca’s father, the
artist, the scion of a famous British banking family, a Texas land developer
who left her comfortable with a big settlement and two
shopping malls, which in turn had allowed her to marry a penniless
but extremely charming Italian count, who died eight months later
in a terrible car accident in Rome in his Ferrari.
As far as Francesca was concerned, her mother came from another
planet. The two women had nothing in common. And now of
course she would say “I told you so” when Francesca told her that
the relationship was over, which Francesca hadn’t had the guts
to do yet. She didn’t want to hear what she would have to say
about it.

Her mother hadn’t offered to help her when Francesca bought
the house and opened the gallery, and she knew she wouldn’t help
her now. She thought the house a foolhardy investment and didn’t
like the neighborhood, and like Todd, she would advise Francesca
to sell it. If they did, they would both make a profit. But Francesca
didn’t want the money, she wanted to stay in the house, and she
was convinced there was a way to do it. She just hadn’t found it
yet. And her mother would be no help with that. She never was.
Francesca’s mother wasn’t a practical woman. She had relied on
men all her life, and used the alimony and settlements they gave
her to support her jet- set lifestyle. She had never made a penny on
her own, only by getting married or divorced, which seemed like
prostitution to Francesca.

Francesca was totally independent and wanted to stay that way.
Watching her mother’s life had made her determined never to rely
on anyone—and particularly not a man. She was an only child. Her
father, Henry Thayer, was no more sensible than her mother. He
had been a starving artist for years, a charming flake and a womanizer,
until, eleven years ago, he had the incredible good fortune
to meet Avery Willis, when he was fifty- four. He had hired her as an
attorney to help him with a lawsuit, which she won for him, against
an art dealer who had cheated him out of money. She then helped
him invest it instead of letting him spend it on women. And with
the only genius he had ever shown, in Francesca’s opinion, he had
married Avery a year later, she for the first time at fifty, and in ten
years she had helped him build a solid fortune, with an investment
portfolio and some excellent real estate. She talked him into buying
a building in SoHo, where he and Avery still lived and he still
painted. They also had a weekend house in Connecticut now. Avery
had become his agent and his prices had skyrocketed along with his
financial affairs. And for the first time in his life he had been smart
enough to be faithful. Henry thought his wife walked on water—he
adored her. Other than Francesca’s mother, she was the only woman
he’d committed to by marrying her. Avery was as different from
Thalia as two women could ever get.

Avery had a respectable career as a lawyer, and never had to be
dependent on a man. Her husband was her only client now. She
wasn’t glamorous, although she was good- looking, and she was a
solid, practical person with an excellent mind. She and Francesca
had been crazy about each other from the first time they met. She
was old enough to be Francesca’s mother, but didn’t want to be
one. She had no children of her own, and until she got married she
had the same distrust of marriage that Francesca did. She also had
what she referred to as crazy parents. Francesca and her stepmother
had been close friends for the last ten years. At sixty, Avery
still looked natural and youthful. She was only two years younger
than Francesca’s mother, but Thalia was an entirely different breed.
All Thalia wanted now at sixty- two was to find another husband.
She was convinced that her sixth would be her final and best
one. Francesca wasn’t as sure, and hoped she’d have the brains not
to do it again. She was sure that her mother’s determined search
for number six had frightened all possible candidates away. It was
hard to believe she had been widowed and unmarried for sixteen
years now, despite a flurry of affairs. And she was still a pretty
woman. Her mother had had five husbands by the time she was
forty- five. She always said wistfully that she wished she were fifty
again, which she felt would have given her a better chance to find
another husband than at the age she was now.

Avery was totally happy just as she was, married to a man she
adored, and whose quirks she tolerated with good humor. She had
no illusions about how badly behaved her husband had been before
her. He had slept with hundreds of women on both coasts and
throughout Europe. He liked to say he’d been a “bad boy” before he
met Avery, and Francesca knew how right he was. He had been
bad, in terms of how irresponsible he had been, and a lousy husband
and father, and he would be a “boy” till the day he died, even
if he lived to be ninety. Her father was a child, despite his enormous
artistic talent, and her mother wasn’t much better, only she
didn’t have the talent.

Avery was the only sensible person in Francesca’s life, with both
feet on the ground. And she had been a huge blessing to Francesca’s
father, and to her as well. She wanted Avery’s advice now, but
hadn’t had the guts to call her yet either. It was so hard admitting
she had failed on every front. In her relationship, and in her struggling
business, particularly if she had to close it or sell it. She
couldn’t even keep the house she loved on Charles Street unless she
could find the money to pay Todd. And how the hell was she going
to do that? Bottom line, she just didn’t have the money. And even
Avery couldn’t work magic with that.

Francesca finally turned off the light in her office next to her
bedroom. She started to head downstairs to the kitchen to make a
cup of warm milk to help her sleep, and as she did, she heard a persistent
dripping sound, and saw that there was a small leak coming
from the skylight. The water was hitting the banister and running
slowly down it. It was a leak they’d had before, which Todd had
tried to fix several times, but it had started again in the hard November
rains, and he wasn’t there that night to fix it. He kept telling
her that she’d never be able to maintain the house by herself, and
maybe he was right. But she wanted to try. She didn’t care if the
roof leaked, or the house came down around her. Whatever it took,
whatever she had to do, Francesca wasn’t ready to give up.

With a determined look, she headed down to the kitchen. On her
way back up, she put a towel on the banister to absorb the leak.
There was nothing else she could do until she told Todd about it in
the morning. He was away for the weekend with friends, but he
could deal with it when he got home. It was exactly why he wanted
to sell the house. He was tired of coping with the problems, and if
they weren’t going to live there together, he didn’t want to own it.
He wanted out. And if she could find a way to pay him, the problems
were going to be all hers, on her own. With a sigh, Francesca
walked back upstairs to her bedroom, and promised herself she’d
call her stepmother in the morning. Maybe she could think of
something that Francesca hadn’t. It was her only hope. She wanted
her leaky house and her struggling gallery with its fifteen emerging
artists. She had invested four years in both, and no matter what
Todd and her mother thought, she refused to give up her dream or
her home.

Continues...

Excerpted from 44 Charles Street (Limited Edition) by Danielle Steel Copyright © 2011 by Danielle Steel. Excerpted by permission of Delacorte Press, a division of Random House, Inc.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Customer Reviews

Average Rating 3.5
( 392 )
Rating Distribution

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(144)

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(53)

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See All Sort by: Showing 1 – 20 of 395 Customer Reviews
  • Posted April 24, 2011

    Want to know what people think of the book not the price

    I thought this was a place for people to express their feelings about the contents of the book so that others who have not read it can make an informed decision. I am so tired of weeding through the people b.......about the cost of the ebook! Call the B&N office and ask them about the pricing instead of complaining! Go to the library and wait your turn to get it free!But quite using the review site to complain about the price!

    14 out of 26 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 9, 2011

    AND so...go to a used book store AND buy AND save AND so on....

    And if you still like Danielle Steel in spite of her carbon copy novels and the use of the word "and" in every other phrase, and connector for new thoughts within run on sentances, and you can concentrate on what she is writing, and not on the word "and", which is really used too darn much, and so you may enjoy this book, and maybe not. AND, she has wonderful stories still, but the "and" connector word is driving me away from her increasingly higher prices books, and I would write to her, and whatever, she is sooo rich she most certainly could care less about my opinion....and so on. (j. sutherland)

    10 out of 24 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted April 6, 2011

    Don't waste your money unless your a steel fan

    This book was typical Steel. She doesn't even give her key sayings a rest for example." they looked like kids". Evey other novel that phrase is meshed within the same outline , girl in a predictment, boy and girl meet, they go through something and end up lovers. I couldn't finish this book because it was like the other 60 novels she has ripped out of that old-fashioned typewriter. The only novel worth any hype is Granny Dan. Total 360 un- Danielle Steel ending.
    Be prepared to cry or say out loud, "no!" at the end. Other noteworthy books by this author is
    The Promise and Crossings if you like history. Other than that, don't waste your money, totally
    Predictable and boring!

    7 out of 10 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted January 2, 2011

    A must read

    This books sounds like it is going to be a great book. Deanielle Steel brings her books to real life that people can relate to. This book is no different. I cannot wait for it to come out so that I can readit. This book is on the topof my list to read. I recommend it to everyone. Again a must read book.

    5 out of 15 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 16, 2012

    Highly Recommended

    Danielle Steel writes another exciting novel. It is very entertaining and wants you to keep reading. The twists and turns want you keep reading.

    4 out of 4 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 15, 2011

    Not what I expected

    I haven't read a DS story in a long time and after reading this, I remember why. I found it boring and mundane. She wrote a lot of the same thing, just in different words. It would'vd been better without all the "fillers." I didnt even finish reading it!

    4 out of 4 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted October 10, 2011

    Repetitive

    The story was her usual style of writing but she repeated the same information over and over. If all the duplication was removed this book probably wouldn't have made 100 pages . I stopped reading her work for this reason but thought i would give it another try- sorry to say- if you've read one ds book you've pretty much read them all. Same theme with different names. She has many fans, i'm sure they will enjoy !

    4 out of 4 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 7, 2011

    Don't bother

    I listened to this on CD. Danielle Steel's worst!

    4 out of 4 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 31, 2012

    Definitely not my favorite...

    I am a huge Danielle Steel fan. I love getting taken away in her stories to places I will probably never get to see. She is an amazing author but I was very disappointed in this book. It felt as though it was thrown together very quickly without a whole lot of thought. It was VERY repetitive and predictable. I do understand that the first chapter or two have to set up the story as well as explain the characters but this was done throughout the entire book. It was almost as though she was trying to fill space.
    I will continue to read Ms. Steel's books but have to say that I wasn't a fan of this one.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 29, 2012

    This could be the most incredibly boring book I have ever read.

    This could be the most incredibly boring book I have ever read. Honestly, I have no idea why I didn't just stop listening to it. I just kept thinking that it had to get better - it didn't. It was dreadful. I'm not sure that I'll ever pick up another DS book again. It was simply boring. I want to say more, but I'd hate to give away any "spoilers" (if you can even call it that in this boring of a book). Seriously, I'm not even that hard to please...

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted May 2, 2014

    Good book

    As always Danielle Steel has wrote another very touching book.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted August 22, 2013

    Was this in italian

    Or spanish the reviews were in engliah

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted August 20, 2013

    I Loved this Book!!!!

    Another great book!!! I hope you enjoy it as much as I did :)

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 19, 2013

    Confuuis yooooooou

    Sucks dont read this book

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted March 21, 2013

    Stupid

    Hye

    Was this review helpful? Yes  No   Report this review
  • Posted January 12, 2013

    Great Life Story

    This was by far the best book I have read by Danielle Steel. Reminds me of real life. Heartbreak, love and taking chances. Let things develop as they come. If they are meant to be it will happen.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 26, 2012

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 26, 2012

    Awful

    Typical Steele book. Every once in awhile I lose my mind and think she may have written something interesting. Same story in every book. Do not waste your time or money.

    Was this review helpful? Yes  No   Report this review
  • Posted October 25, 2012

    Highly recommend

    Another great story by Danielle Steel. She knows how to make a story flow and keep the reader interested. I really enjoyed this one with the fastinating characters and storyline. I found myself cheering on the main character through her trials and tribulations. A fast read that you don't want to end.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 22, 2012

    Wonderful

    I loved this book but I love all her books

    Was this review helpful? Yes  No   Report this review
See All Sort by: Showing 1 – 20 of 395 Customer Reviews

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